C How to Program (8th Edition)
C How to Program (8th Edition)
8th Edition
ISBN: 9780133976892
Author: Paul J. Deitel, Harvey Deitel
Publisher: PEARSON
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Chapter 4, Problem 4.37E

Describe in general how you would remove any continue statement from a loop in a program and replace that statement with some structured equivalent. Use the technique you developed here to remove the continue statement from the program of Fig. 4.12,

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Build a flowchart for this programming exercise. Use a While loop instead of a For loop
A criticism of the break statement and the continue statement is that each is unstructured.Actually, break statements and continue statements can always be replaced by structured statements, although doing so can be awkward. Describe in general how you would remove any breakstatement from a loop in a program and replace that statement with some structured equivalent.[Hint: The break statement leaves a loop from within the body of the loop. The other way to leaveis by failing the loop-continuation test. Consider using in the loop-continuation test a second testthat indicates “early exit because of a ‘break’ condition.”] Use the technique you developed here toremove the break statement from the program of Fig. 4.11
Problem B. Musical Key ConversionThe chromatic scale is a 12-note scale in music in which all notes are evenly spaced: that is, the ratio of the frequency between any two consecutive notes is constant. The notes are typically labeled in the following sequence: A, A#, B, C, C#, D, D#, E, F, F#, G, G# After G#, the labels loop back and start over with A (one octave higher). To convert between musical keys, you can shift all notes in a piece of music a constant number of steps along the scale above. For example, the sequence of notes E, E, F, G, G, F, E, D, C, C, D, E, E, D, D can be converted to another musical key by shifting everything up three steps: E, E, F, G, G, F, E, D, C, C, D, E, E, D, D G, G, G#, A#, A#, G#, G, F, D#, D#, F, G, G, F, F Notice that G was converted to A#, since going three steps up required us to loop off of the top of the scale back to the bottom: G -> G# -> A -> A#. Technically we should note that this would be A# of the next octave up, but we’ll…

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C How to Program (8th Edition)

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