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The Northern Renaissance And The Spirit Of The Northern Renaissance

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The Northern Renaissance began in the fifthteenth century, catalyzed by the end of the Bubonic Plague, a commercial revolution which brought economic prosperity, and the ideas brought by Italian artists fleeing from French invaders. Northern Europeans quickly accepted Italian art, who combined their traditions with Italian concepts to celebrate realistic portrayals in their paintings. The surge of creativity in Flanders, the hub of the Northern Renaissance, at the time embodied the spirit of the Renaissance, which celebrated inventiveness, as well as exploring new ideas. Jan Van Eyck, a Flemish painter born in the late fourteenth century, lived at the beginning of the Northern Renaissance, in which he created many famous paintings such as the Ghent Altarpiece, The Arnolfini Portrait, and The Madonna of Chancellor Rolin. Jan Van Eyck’s training in Flanders allowed the painter to procure important court positions, in which he embodied the creative spirit of the Renaissance by mastering the techniques of realism and intense detail within his painting The Madonna of Chancellor Rolin, and the Eyckian technique of oil painting influenced many other painters of the time as well as modern artists.
Jan Van Eyck trained with his brother in Flanders, where he secured high courtly positions, which allowed him the freedom to further his mastery and worldview, embodying the Renaissance spirit. Training with his brother, Hubert Van Eyck, allowed Jan Van Eyck to master painting. Jan and

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