Antigone Conflict Essay

Annotated Bibliography MacKay, L.A. "Antigone, Coriolanus and Hegel." Transactions and Proceedings of the American Philological Association 93 (1962): 166-174. Web. 19 Mar 2012. JSTOR <http://www.jstor.org/discover/10.2307/283759?uid=2&uid=4&sid=47698786493307> The author, LA MacKay through this article has provided a comprehensive insight into the themes of revolt and conflict illustrated through the characters and sentiments of the play, Antigone and therefore proves to be a valuable resource

Conflict, Climax and Resolution in Antigone         Sophocles’ tragic drama, Antigone, presents to the reader a full range of conflicts and their resolution after a climax. In Antigone the protagonist, Antigone, is humble and pious before the gods and would not tempt the gods by leaving the corpse of her brother unburied. She is not humble before her uncle, Creon, because she prioritizes the laws of the gods higher than those of men; and because she feels closer to her brother, Polynices

Conflict Between Individual Morals and State Laws in Antigone and A Doll's House              Mother, should I trust the government?  Or should I trust myself?  This dilemma is a common one in a great deal of literature.  In Antigone and A Doll’s House, the main theme is the question of whether one should be true to oneself or true to one’s state or society.  Should Nora (in A Doll’s House) and Antigone (in Antigone) “follow the rules” and do what the state and society want them to do or

Pride is the cause of the main conflict in Sophocles’ play, Antigone. Everyone should have pride, but Creon had too much of it and that blinded him. His pride in his power and abuse of authority was his tragic flaw that ultimately led to his downfall. On the other hand, Antigone takes pride in her beliefs and has the courage to speak out for what she thinks is right. For this, Antigone is seen as an honorable character and the hero of the play. It is shown that there are often two sides to things;

For instance, in both Antigone and Oedipus Rex, the gods keep interfering with the citizens of Thebes lives. The gods mainly target the Royal family. In Antigone, this can be seen by the fact that the gods only appear during the war between Eteocles and Polyneices and then they stay silent for the remaining time of the play. This can be seen

is at the central conflict of the story. In the play Antigone by Sophocles, a young woman (Antigone) is dealt with the conflict of burying her brother and disobeying the law, or obeying the law and let his corpse rot. Sophocles combines character, setting, and figurative language together to show that rational thinking, like the Gods, Prophets, and others see: is better than stubborn and self centered thinking, similar to Creon's. The central conflict in the play Antigone evolve around Antigone's

Conflict is at the heart of any tragedy, especially Greek tragedy. Conflict helps the writer to evoke in the audience the emotions of fear, pity and sorrow. Sophocles’ ‘Antigone’ and Jean Anouilh’s ‘Antigone’ may differ in context, theme, social and political backdrop as well as style of presentation but both the plays end with death and misery caused by conflict. The theme of conflict remains the same and serves as an important element in both the plays. The element of conflict exists between all

thebes soldier. This made Antigone mad because he is her brother by blood. She tell Ismene her sister ¨He is my brother and deny it as you will your brother too. No one will convict me for a traitor.¨ She is annoyed that the law will convicted her for burying her brother but then she is more annoyed that her sister is not willing to give in and help bury a brother by blood because he fought for the Argos. Antigone goes to the point when she yells at her

here would confirm this pleases them if their lips weren’t sealed by fear—being king, which offers all sorts of various benefits, means you can talk and act just as you wish.” (567-575) The way Antigone acts, what she says and what she thinks contrasts with Creon to the point where they had a major conflict. These conflicting motivations cause Creon to show a different side of himself, the new characteristics that were highlighted in Creon were anger, violence, and self-importance. Before Creon was

The Greek tragedy, Antigone, explores a dramatic conflict between the individual and the state. The epicenter of this tragedy revolves around the juxtaposition of Antigone and Creon—symbols of the moral law and the human law. They embody moral arguments that converge in opposition to one another, but since both parties failed to accept each other’s opinion, both were defeated at the end. This ensures no explicit answer on which side should take precedence over the other, making the play ambiguous