Antigone And Creon Conflict

The play Antigone by Sophocles is a play like no other. There are three major themes or ideas which have a very important role in the play. The first major theme is fate, on how the play comes about and the turn of events that come about throughout it. Another main theme or idea is the pride the characters have and their unwillingness they have to change their minds once they are set on something. The last major theme is loyalty and the practical problem of conduct involving which is a higher law between the divine laws and those of the humans. It is an issue of which law is the "right" law, and if Creon and Antigone's acts are justifiable or not. The issues that Antigone and Creon have between them

Antigone takes place just after a war between Antigone’s two brothers, Eteocles and Polynices. Eteocles fought on the side of Thebes whereas Polynices resembled an invader. Afterwards, Eteocles is buried and seen as honorable. However, Polynices is denied a proper burial because he is considered a traitor to Thebes. In this play, Sophocles uses Antigone and Creon as foils by characterizing Antigone as a martyr and Creon as a tyrant to urge the reader to realize that one’s own morals are more significant than the decrees of any government.

Is Antigone ignorant or wise about her choices and reactions to Creon? Some people say she maybe be wise for burying Polygonises out of God's law instead of Creon’s law. Antigone is indeed a wise and faithful woman for burying Polygonises because of her beliefs; she is also bold about her beliefs because of her bold statements about Creon’s law (with him being the king).

“Tell me briefly—not in some lengthy speech— were you aware there was a proclamation forbidding what you did?” (503-505). The actions, context of Antigone’s words, and also the ideas she proposed, very indepthly contrasted with Creon’s character. Thus resulting in there being a verbal confrontation between the two characters. The conflict between the two caused conflicting motivations such as stubbornness, disrespect, and anger to be projected with Creon’s character. Ultimately, these conflicting motivations develop Creon as a tragic hero by portraying that he knew, the decisions he made were of error, and the character interactions advance the plot by causing conflict throughout the play. Creon had also begun to change throughout the play,

This play is ultimately concerned with one person defying another person and paying the price. Antigone went against the law of the land, set by the newly crowned King Creon. Antigone was passionate about doing right by her brother and burying him according to her religious beliefs even though Creon deemed him a traitor and ordered him to be left for the animals to devour. Creon was passionate about being king and making his mark from his new throne. Although they differed in their views, the passion Creon and Antigone shared for those opinions was the same, they were equally passionate about their opposing views. Creon would have found it very difficult to see that he had anything in common with Antigone however as he appears to be

The story “Antigone” had multiple themes. One of the many themes of “Antigone” was determination. A determination is one of the themes because throughout the story most of the characters showed great determination. Although at some point in the story determination ruins it all.

Task: Write an essay about the conflict between Antigone and Creon in Antigone, by Sophocles. Show how each is right in his or her own fundamental belief. Then show how the tragedy was inevitable or show how one side was wrong and should have changed.

What is the difference between a tragic hero from an antagonist? In the story “Antigone”, written by famous play writer Sophocles, a young girl named Antigone fights a tragic battle in trying to prepare a proper funeral for her dead brother Polyneices. On the other hand Creon the King of Thebes, believes that Polyneices should be left unburied. The two conflicting characters Creon and Antigone differ based on their words, actions and ideas. Creon’s downfall slowly leads to more suffering even though he is just trying to follow the rules as a king. Creon’s traits of pride and ignorance are different from Antigone’s traits of perseverance lead to Creon’s position as a tragic hero because Creon can not accept the fact that Antigone is willing to do anything to have the burial for her brother and this leads to a series of tragic occurrences.

After reading Antigone by Sophocles, readers may believe that the two main characters, Antigone and Creon, seem like polar opposites. However, after digging a little deeper, readers are able to come to a final conclusion that although both characters may not always see eye to eye, they carry a number of similar traits. The characters seem to be so alike that it results in the two to constantly disagree, leading towards the two to continuously find new differences and flaws within each other. They don’t exactly have the same views, for example, Antigone seems to put family over everything else while Creon’s loyalty is more concerned with the well-being of Thebes. However, the two characters do have many similar internal characteristics. They are independent, confident, and stubborn when they want to be.

There is no point when choosing between loved ones and what is deemed correct by the law can be an easy task—an idea seen in Creon’s extreme idealism of law over love, which costs him his family. In the recently war torn Thebes, Creon plays the valiant king who is forced to dictate for the good of his polis. He forgoes forgiveness to take up the hard, impartial mantel of the law, and takes the city-state’s will fully on his shoulders saying, “Never at my hands will the traitor be honored above the patriot. But whoever proves his loyalty to the state, I’ll praise that man in death as well as life” (232-235). Creon’s commitment to his duty conveys his ideology of putting the city over others to secure justice. This commitment is what instigates

Sophocles’ play Antigone told the story of a young woman, Antigone, who was willing to violate the law for her family. In the play, Antigone’s brothers, Eteocles and Polynices, killed each other in battle. Creon, King of Thebes, buried Eteocles’ body because he fought in defense of Thebes; however, Creon issued a decree forbidding the burial or mourning of Polynices, because he had fought against Thebes. While this play’s central plot told the story of a conflict between Antigone and Creon, due to his decree, a deeper conflict existed: the conflict between obligation to family and responsibility to state. Throughout the play, this conflict arose in three main areas, in the conflict between Antigone and Creon, in the conflict between Antigone and Ismene, and in the conflict between Creon and Teiresias. Due to the ambiguity of the issue of state vs. family, no overall correct action existed. Instead, different cultures viewed the characters’ actions relative to their value system to determine correctness. This essay analyzed the actions of the characters in reference to the Greek and Confucian value systems. According to different aspects of both cultural value systems, decisions made according to responsibilities to family were viewed more favorably overall than decisions made based on a responsibility to state, and this was exemplified through the actions of the characters.

Antigone is a play that was written in ancient Greece by the playwright Sophocles. It is the third play in a trilogy of tragedies about the city-state of Thebes, revolving around Oedipus Rex. Antigone starts the day after a civil war fought between the two sons of Oedipus Rex after his death. The civil war ended in death for both brothers, so their uncle, Creon, assumed the role of King of Thebes. The main conflict of the play begins when Creon gives one brother, Eteocles, a burial with honors, but passes a law forbidding a burial for the other brother, Polyneices with the penalty of death. One of the sisters of Eteocles and Polyneices, Antigone disagrees with this law, and decides to bury Polyneices, resulting in Creon sentencing Antigone to death. A conflict emerges between Antigone and Creon, who appear to be opposites. However, despite Antigone and Creon’s different stances on law, they are ultimately more similar than different because of their shared value of loyalty and their shared characteristic, hubris.

Pride is the cause of the main conflict in Sophocles’ play, Antigone. Everyone should have pride, but Creon had too much of it and that blinded him. His pride in his power and abuse of authority was his tragic flaw that ultimately led to his downfall. On the other hand, Antigone takes pride in her beliefs and has the courage to speak out for what she thinks is right. For this, Antigone is seen as an honorable character and the hero of the play. It is shown that there are often two sides to things; pride can be both a source of strength and self-destruction.

In the Greek play Antigone writer Sophocles illustrates the clash between the story’s main character Antigone and her powerful uncle, Creon. King Creon of Thebes is an ignorant and oppressive ruler. In the text, there is a prevailing theme of rules and order in which Antigone’s standards of divine justice conflict with Creon’s will as the king. Antigone was not wrong in disobeying Creon, because he was evil and tyrannical. The authors of “Antigone: Kinship, Justice, and the Polis,” and “Assumptions and the Creation of Meaning: Reading Sophocles’ Antigone.” agree with the notion that Antigone performs the role of woman and warrior at once. She does not only what a kinswoman would, but also what a warrior would do.

The opening events of the play quickly establish the central conflict. Creon has decreed that the traitor Polynices must not be given proper burial, and Antigone is the only one who will speak against this decree and insist on the sacredness of family. Whereas Antigone sees no validity in a law that disregards the duty family members owe one another, Creon’s point of view is exactly opposite. He has no use for anyone who places private ties above the common good, as he proclaims firmly to the Chorus and the audience as he revels in his victory over Polynices. Creon’s first speech, which is dominated by words such as “principle,” “law,” “policy,” and “decree,” shows the extent to which Creon fixates on government and law as the