Antigone Conflict Essay

Hubris runs deep in Sophocles’ Antigone, thus is the destruction in both King Creon and his niece Antigone’s characters. Creon and Antigone both have different values that they live by. Creon’s regard for the laws of the city blinded him to all other beliefs. He felt that all should obey the laws he’s set, even those that interfere with moral and religious beliefs. Antigone on the other hand, holds the laws of family and the heavens with the highest respect. She believes that no law made by man should

few have withstood the test of time as long as Antigone has. Written by the ancient Greek playwright Sophocles in 441 B.C, it is almost two and a half thousand years old. How does a piece of writing last that long without becoming irrelevant and antiquated. The answer to that question can be found in the themes and characters of this long enduring masterpiece. Before I jump into this paper, I should probably tell you what Antigone is about. Antigone is a play which takes place shortly after the

The play Antigone is about two brothers who kill each other in battle, one is buried one isn’t and laws are placed in order to prevent it from happening. A sister comes in to bury his brother despite the laws and risk potential death in the process. The person who put these laws into place is called Creon, who wants the person who buried the body to face justice. The sister who committed this crime is Antigone, who is also the character that I’m contrasting with Creon. Antigone, while being the

The production of Antigone by Company B reviewed by Peta Tait is correct in multiple instances even though the production has an incorrect central conflict. Company B’s production is correct when Tait explains how it portrays why Creon did not bury Polyneices’ body and just left it out to the animals instead (71). The production is also correct when implying why Creon treats Antigone and Ismene badly as if they have the dignity of animals (73). By looking at Sophocles’ Antigone, it portrays Creon

Haemon is a character that conflicts directly with King Creon and contributes to King Creon becoming a tragic hero. King Creon is Haemon’s father and Antigone is his fiancee. In an emotional conversation with his father, Haemon defends the proper essence of Antigone's actions while cautioning his father that the people of Thebes agree with her dedication to bury Polyneices. He and his father part in anger, as he simply asks his father to do what's right for Thebes, and his father firmly pursues the

     Haimon has a certain tendency to be overlooked in Sophocles’ Antigone. At first he appears to be a minor character, an accessory to the overt conflict occurring between Kreon and Antigone. We see Haimon supporting his father, but soon thereafter in conflict with him. Haimon expresses disregard for the life of his cold bride to be, yet is defined as being driven by lust. Several questions come up: who does Haimon really support, what drives his actions, and what is his

The play entitled Antigone was written by a man named Sophocles, a scholarly author of philosophy and logic. The play Antigone is probably one of the most prominent interpretations of a tragic drama. The two main characters of the play are Antigone and Creon. There is much conflict between Antigone and Creon throughout the play, both of them having their own ideas and opinions regarding divine law versus human law. The theme that I am going to analyze is the conflict of divine law vs. human law.

No matter how close brothers and sisters are, siblings will ultimately disagree at one time or another. Just like oil and water, Antigone and Ismene don’t mix. In the play Antigone by Sophocles, Ismene acts as a foil to her sister Antigone by highlighting their differing opinions as women in a Greek society. One conflict always brought upon Antigone and Ismene is the power of man versus the power of the Gods. While Ismene believes that she has “no strength to break laws that were meant for the

and a villain; however, similar to the real world, theses lines between “right” and “wrong” become indistinguishably skewed. Sophocles’ Antigone is not to be viewed through the eyes of morality because together hero and villain lie within the motives of both the play’s main characters. Simon Goldhill asserts that “it is difficult, in other words to read Antigone without making not only moral judgments, but the sort of one-sided moral judgments that the play itself seems to want to mark as leading

Sophocles play titled Antigone, embellishes the opposing conflicts between Antigone who stands for the values of family, and Creon who stands for the values of state. Sophocles explores the depths of Antigone’s morality and the duty based on consequence throughout the play, as well as the practical consequences of Creon who is passionate and close-minded. Although Antigone’s moral decisions appear to be more logical and favorable than Creon’s, a personal argument would be that both characters’