The poem “The Love Song of J. Alfred Prufrock” written by T.S. Eliot, uses many literary sound devices, sensory references, and other literary techniques in order to convey the meaning of the poem. Eliot conveys such meaning throughout the poem in many ways, such as the timeframe, the speaker’s speech, and other imagery are used to convey the poem’s meaning of social isolation and indecisiveness. In the poem “The Love Song of J. Alfred Prufrock”, Eliot uses multiple references of imagery to define the feeling of social isolation and indecisiveness of the character. For example, the main speaker describes many scenes of being incomplete, “Let us go, through certain half-deserted streets” (Eliot, 4) and “Streets that follow like a tedious argument” …show more content…
Alfred Prufrock” also uses many sound devices and literary techniques that improve and press the idea about social isolation and indecision. An example of such is evident throughout the poem is repeated use of rhyme. More specifically describing women entering and leaving a room, comparison of Michelangelo “In the room the women come and go, Talking of Michelangelo” (Eliot, 13-14, 35-36). This exemplifies the author’s issue of social isolation. The main speaker in this poem is continuously compared to a figure commonly known for physical attributes. Another example of literary techniques for poetry used is alliteration, “And for a hundred visions and revisions” (Eliot, 33). This alliteration also points out the main word “visions”, which can be referred to something visual”. One possible reason for this might be the idea everything is judged mainly on what a person may see, rather than what they know. This would support the author’s issue in this poem of isolation. Worried about what one may be seen as by other people. An example that would also support this is the reference to preparing to meet someone face-to-face, “To prepare a face to meet the faces you meet”. Eliot also uses assonance throughout the poem to connect sentences and their meaning. “To wonder, “Do I dare?” and, “Do I dare?”, “Time to turn back and descend the stair,” The main speaker in the poem is contemplating a decision to go forward or turn back. This is evident because
Poetry can sometimes allow one to explore the unknown. However, in some works of poetry, one can realise that some known ideas or values remain relevant to current society. This is certainly applicable to T.S. Eliot’s poems, The Love Song of J. Alfred Prufrock and Rhapsody on a Windy Night. Eliot’s manipulation of poetic techniques in both these poems allows the responder to realise that some ideas prevail in both modern and post-modern society. These poems explore the unknown phenomena of the obscurity regarding the purpose and meaning of life. This unknown phenomena causes the persona in both texts to resort to a sense of isolation or alienation. Eliot uses poetic techniques such as metaphors and personification to convey his ideas.
T.S. Eliot’s “The Love Song of J. Alfred Prufrock” is an ironic depiction of a man’s inability to take decisive action in a modern society that is void of meaningful human connection. The poem reinforces its central idea through the techniques of fragmentation, and through the use of Eliot’s commentary about Prufrock’s social world. Using a series of natural images, Eliot uses fragmentation to show Prufrock’s inability to act, as well as his fear of society. Eliot’s commentary about Prufrock’s social world is also evident throughout. At no point in the poem did Prufrock confess his love, even though it is called “The Love Song of J. Alfred Prufrock”, but through this poem, T.S. Eliot voices his social commentary about the world that
“The Love Song of J. Alfred Prufrock” by T. S. Eliot is a poem I would not recommend anyone still trying to hang on to his or her youth. T. S. Eliot’s poem, about a man named J. Alfred Prufrock, is a pessimistic poem looking at the seemingly wasted life of an aging man. The poem is told from the viewpoint of a very sad man named J. Alfred Prufrock. The poem takes place in the city of St. Louis, which T. S. Eliot does not portray in a very good light. T. S Eliot’s creation of a depressing mood, powerful metaphors, and the character of J. Alfred Prufrock all result in a very disheartening poem, not enjoyable to the middle-aged reader, especially male readers.
The first stanza introduces Prufrock’s isolation, as epitomized metaphorically by “half-deserted streets” (4): while empty streets imply solitude, Eliot’s diction emphasize Prufrock having been abandoned by the other “half” needed for a relationship or an “argument” (8). Hoping for a companion, Prufrock speaks to the reader when
J. Alfred Prufrock constantly lived in fear, in fear of life and death. T. S. Eliot divided his classic poem into three equally important sections. Each division provided the reader with insight into the mental structure of J. Alfred Prufrock. In actuality, Prufrock maintained a good heart and a worthy instinct, but he never seemed to truly exist. A false shadow hung over his existence. Prufrock never allowed himself to actually live. He had no ambitions that would drive him to succeed. The poem is a silent cry for help from Prufrock. In each section, T. S. Eliot provided his audience with vague attempts to understand J. Alfred Prufrock. Each individual reader can only interpret these
“The Love Song of J. Alfred Prufrock” by T.S. Eliot is not a love song at all—but an insight into the mind of an extremely self-conscious, middle-aged man. Prufrock struggles in coping with the world he is living in—a world where his differences make him feel lonely and alienated. Eliot uses allusions and imagery, characterization, and the society Prufrock lives in to present how Prufrock partly contributes to his own alienation. Our ability of self-awareness separates us from other species, making humans more intelligent and giving people the upper hand in social settings, but, like Prufrock, it can sometimes cause us to feel alienated.
An nervous middle school student confessing to his childhood crush, this is the character of one Alfred J. Prufrock. T. S Eliot stylistic masterpiece “The Love Song of J. Alfred Prufrock” is a poem that conveys this complex emotion. The way Eliot displays Prufrock’s cowardice and hesitation within his poem are well renowned for his unique phrasing and symbolism. While his diction and imagery are so detailed and well written, it is the repetition and his syntax which sets the foundation for T. S Eliot’s unique style.
T.S. Eliot’s poem, “The Love Song of J. Alfred Prufrock,” illustrates the fear of the fragmentation of society today. In the poem, Eliot creates the persona of Prufrock. Prufrock is speaking to an unknown listener. The persona of Prufrock is Eliot’s interpretation of Western society and its impotency. His views on society is seen as a modernistic point of view, which idolizes the ideas to regress back to a classicist era. Eliot illustrates his contempt for the modern society by illustrating fragmentation with synecdoche, characterization of Prufrock, and allusions to literary traditions throughout the narrative. In his poem, Eliot clings to the idea of a classical society in which he is witnessing fall apart.
When reading the title of T.S Eliot’s “The Love Song of J. Alfred Prufrock” it is believed we are in store for a poem of romance and hope. A song that will inspire embrace and warmth of the heart, regretfully this is could not be further from the truth. This poem takes us into the depths of J. Alfred Prufrock, someone who holds faltering doubt and as a result may never come to understand real love. “The Love Song of J. Alfred Prufrock” takes us through Prufrock’s mindset and his self-doubting and self-defeating thoughts. With desolate imagery, a tone that is known through the ages and delicate diction we see a man who is insecure, tentative and completely fearful.
American born poet, T.S. Eliot reflects modernistic ideas of isolation, individual perception and human consciousness in his many poems. His poems express the disillusionment of the post–World War I generation with both literary and social values and traditions. In one of Eliot’s most famous poems, “The Love Song of J. Alfred Prufrock,” which was published in 1915, a speaker who is very unhappy with his life takes readers on a journey through the hell he is living in. In this journey, Prufrock criticizes the well-dressed, upstanding citizens who love their material pleasures more than they love other people, while explaining he feels ostracized from the society of women. Eliot’s use of isolation, human consciousness and individual perception is quite evident in his dramatic monologue within the story of J. Alfred Prufrock. Prufrock wants to be seen as a normal citizen who can find friends or a lover, but his anxiety-driven isolation forces him to live a life that relates more to Hell than paradise. In over examining every fine detail of his life, Prufrock perceives himself as useless and even a waste of life. By using many poetic devices including repetition, personification, and imagery Eliot drives readers to feel the painful reality of Prufrock’s life. In “The Love Song of J. Alfred Prufrock,” T.S Eliot uses modernistic ideas and poetic devices to portray how Prufrock’s life relates to Hell while simultaneously criticizing social aspects of the younger post–World War I generation.
“The Love Song of J. Alfred Prufrock” Paper Assignment – Close Reading In T.S. Eliot’s 1915 modernist poem “The Love Song of J. Alfred Prufrock”, the overall mood and tone in the poem reflect the speaker’s opinions of the time it was written in. An interesting way to look at this poem is to assume that the author used the character of Alfred Prufrock to explore his own attempt of trying to make sense of the rapidly changing, confusing, and gloomy world in which he lived. So, we can safely assume that trying to make sense of the outside world is a recurring motif in this poem. This can be seen by looking at both the poem as a whole, as well as the quote chosen for analysis.
In The Love Song by T.S. Eliot, the imagery and symbolism that are shown have a deeper meaning than one may realize. At the beginning of the poem, Eliot uses an epigraph from Dante’s Inferno, which ultimately can be taken as Prufrock referring to how his self-doubt and 1over thinking are a living hell for him. Throughout the poem, Prufrock is in a daydream state of mind, until the very end when someone brings him back to reality and he drowns. In The Love Song of J. Alfred Prufrock, T.S. Eliot exposes Prufrock’s insecurities and feelings in a way that he could not have done himself by adding meanings and hidden symbolism throughout the entire poem.
T.S. Eliot’s poem “The Love Song of J. Alfred Prufrock” is inhabited by both a richly developed world and character and one is able to categorize the spaces in “The Love Song of J. Alfred Prufrock” to correspond to Prufrock’s mind. Eliot uses the architecture of the three locations described in the text to explore parts of Prufrock's mind in the Freudian categories of id, ego, and super-ego; the city that is described becomes the Ego, the room where he encounters women his Id and the imagined ocean spaces his Super Ego.
The poetry of T.S Elliot portrays the nature of human conditions through the use of experiences such as alienation and how this leads to spiritual vacancy and paralysis which allow his poems to retain an enduring value. In Both the ‘The Love song of J.Alfred Prufrock’ (Prufrock, 1915) and Prelude (1917), poetic language convey the loneliness of humankind in a physical and moral way. Through a study of Eliot’s poetic forms, features and critical reception, we can better understand the message portrayed.
People begin to point out “his hair is growing thin” and “his arms and legs are thin” despite his efforts to look presentable. These judgemental remarks cause Prufrock to become paranoid and sensitive. When the women speak of Michelangelo, a painter of idealistic male figures, perhaps Prufrock only listens to eavesdrop in fear of gossip about himself. He sadly states that “I have measured out my life with coffee spoons,” which gives the impression that he has lived his life in small, insignificant moments which hardly add up to anything. This only adds to his insecurity and self-conscious attitude.