T. S. Eliot

literary mechanics in that both poets and authors examined the repercussions of industrial society on urbanites and rural peoples alike through experimental prose and verse styles, forever changing the English Language. In particular, the poetry of T.S Eliot in his breakout poem, “The LoveSong of J. Alfred Prufrock” written in 1915, and “Not Waving but Drowning” written by poetess Steve Smith in 1953, reflect a particular sentiment spanning an entire generation of both poetic and public society in which

zero [and the signifier] can take on any value required ”, meaning that the images Eliot uses do not have one fixed signification and consequently conjure up thought-provoking ideas that need to be studied (qtd. in

T.S. Eliot, was a renowned poet within the early 20th century whose poetry was largely influenced by the effects of the modernism era. His poems were reflective of contextual concerns such as the Enlightenment period, and largely explored the thematic concerns of desire whilst simultaneously exploiting the tension of human suffering. Eliot, in his poems, explores the ambiguity of identity explicitly through both The Love Song of J. Alfred Prufrock, and Prelude. Both poems examine the complexities

T.S Eliot is considered one of the most important modernist poets during his time. In fact, modernism was viewed as "a rejection of traditional 19th-century norms, where artists, architects, poets, and thinkers alike either altered or abandoned earlier conventions in an attempt to re-envision a society in flux" (Britannica). Modernism mainly represented by an orientation towards fragmentation, free verse, contradictory allusions and multiple points of view different from the Victorian and Romantic

had been to. It probably was Eliot himself to nourish such rich observations from his abundant experience; Mathiessen describes it as “Prufrock seems to spring from Eliot’s detached super cultivated fastidious young man from Harvard; (Mathiessen, 1958, 59). Despite the fact that T.S.Eliot has called for the impersonality of poetry yet, all the assets in this poem of The Love Song of J. Alfred Prufrock infer that of T.S. Eliot himself. The epigraph: Techinqually Eliot preceded the poem

written by American-born British poet T.S. Eliot, is an epic poem that characterizes the Modernist movement. The poem captures the gloomy mindset of post-WWI society and profoundly guides the savage destruction of the Great War. “The Wasteland” was Eliot’s masterpiece and went on to become one of the most influential poems of the 20th century. It exemplifies many of his specific techniques and is well-known because of its inventive poetic form. In the poem, Eliot skillfully utilizes form, symbolism, and

and the fragmentation of experience. The modernist ideals can be seen in the form and the theme of poem. The poem and the ideals reflect the general anxiety and confusion of the time. The excerpt from "The Love Song of J. Alfred Prufrock," by T.S. Eliot, shows some of the ideas of the modernist movement, ideals like fragmentation of experience and omission of introduction, conclusion, and continuity, which can be seen in the form and the tone of the poem, all lead to the theme of the poem and the

its root in the late 19th-century and early 20th-century . T.S, Eliot , one of the modernist poets , had a great impact on English culture in the 20th-century . He wrote “ the waste land “ , one of the most famous and remarkable poems in the 20th-century . In fact , It is the longest , most brilliant , most complicated

T.S. Eliot, on his full name Thomas Stearns Eliot is an American writer known for his very influential works of prose, poetry and literary criticism among we can mention The Waste Land (1922), Poems (1919), Prufrock and Other Observations (1917), Hamlet and His Problems (1921),The Three Voices of Poetry (1954). For many who know his work, T.S. Eliot is an important figure when it comes to Modernism, often using in his writings references to myths and other personalities, juxtaposition of different

In other example of the indifference in and the apathy of the relationship is displayed again by Eliot: What is that noise? what is the wind doing ? Nothing again nothing “ You know nothing ? Do you see nothing ?