“Where Are You Going, Where Have You Been?” by Joyce Carol Oates is a story of nightmares and vanity and how a child becomes an adult in a harsh world. Connie is asleep. Arnold isn’t real. The situation is not real. After her parents left and after she washed her hair she is sitting on a lawn chair in the sun. She falls asleep in the chair dreaming about the boy she met last night. Soon after she falls asleep she hears a car pull into her driveway and thus, we see arnold Friend. Arnold is not real. He is a fine mixture for every male in Connie's life. From every age. He resembles a teenage boy the most because she spends most of her life around boys her age. When she would dream of boys earlier they “fell back and dissolved into a single face that was not even a face but an idea, a feeling,”(940). This nap on the lawn chair outside is no different. …show more content…
He was created by Connies experiences and what she believes. Arnold has many of the same values and the same standards for beauty. He knows all things about her family - facts that she has in her head. If Arnold was created by her then of course he would know every little detail of her life since he is apart of her subconscious. The names of her friends, the location of her family, and the time her family will return are all things Connie herself knows, and if Arnold is a part of Connie that he would know those things as well. They even share thoughts and opinions. For example, before Connie's family left for the barbeque Connie thought “poor old June, all dressed up as if she didn't know what a barbeque way;”(940). As someone who is constantly aware of the way she and others look this is a completely believable judgement from Connie. However, Arnold says something stickingly similar; “There's your sister in a blue dress, huh? And high heels, the poor sad bitch-”(944). There is no way Arnold would be able to form such similar thoughts and distaste for June if himself wasn't created by
Arnold Friend’s layers of deception. Connie’s blindness is the pretext of her loss of innocence
At first, they were totally two opposite people. Penelope was keep ignoring Arnold for his poverty and his race, because she was from white and rich family. She was kind of teasing him in class on his first day at Reardan. Penelope was making fun of Arnold for not knowing his name, because the teacher called him Arnold Spirit and he told her his name was Junior. After the “Halloween” chapter, they became closer, because Penelope dress like homeless and wanted to help out the homeless people for revenge.
Arnold Friend is an ironic name for this character because he isn’t Connie’s friend, she doesn’t even know him. And if you say the name out loud, it sounds like “are no friend” He proves that he can’t be a friend in the first place, he left his so-called friend in the car and talked to him like he meant nothing to him.
Connie starts out in the story as someone that is self-absorbed, concerned for no one but herself. Arnold Friend is really the same way. He tells her that he saw her “that night and thought, that’s the one” (Oates 480). In spite of the words he uses, the reader knows that Arnold does not have any true feelings for Connie because he says “My sweet little blue-eyed girl” (Oates 483). Arnold is oblivious to the fact that Connie has brown eyes. “In Arnold’s view, Connie’s personal identity is totally unimportant” (Wegs 3).
The interaction between Connie and Friend start when Friend shows up to Connie’s house uninvited. The author Oates states “After a while she heard a car coming up the drive. She sat up at once, startled, because it couldn't be her father so soon. . . It was a car she didn't know,” (qtd. Oates. pg.2) Connie’s first reaction was to evaluate how good she looked instead of finding out whether Friend was somebody she knew or not. When they finally come face to face, she was met with flirtatious small talk from Friend, who exclaimed “Don’tcha like my car? New paint job,… You're cute” (qtd. Oates. pg.3) Connie is in awe of his faded pants and his huge black dark boots and actually considers getting in the car as he requested. The awe of the mysterious however, rapidly shifted as he makes demands and threats due to Connie’s refusal to get in the car with him. Alarmed, Connie tries to put a call. Arnold request that she come out of the house and if she doesn't comply to his demands she and her family are going to “get it”. Slowly, Connie begins to realize that there's something off about Arnold Friend. He looks to be wearing a wig, and he's
When Connie first hears a car pulling up in her driveway, her attention is immediately directed to her hair and looks. She isn’t concerned as much about who is outside or what they want, but how see will look to them. When she initially sees Arnold she is attracted to his style and car. He is muscular in tight faded jeans and a drives a bright gold jalopy. His image is everything that Connie has fantasized about and can relate to. Arnold is even playing
Arnold is later pictured looking devil like. He first talks to Connie in a bright and light hearted tone seeming relatively friendly until she threatens to call the police, he then gets serious and threatens to kill her family if she doesn’t do as he says. This could be due to the fact Jordan 4 that no matter how much she says she can’t stand her family, in reality she really cares for them deeply and loves them. She has a sense of security at home, one that’s normally unshaken.
“where are you going, where have you been” by Joyce Carol Oates is a short story about a teenage girl named Connie. She lives a fairly normal life but then one evening she gets caught up with suspicious man who doesn’t want to leave her alone. The man who goes by the name “Arnold Friend” drives into Connie’s driveway, and after some very brief small talk he tries to coerce her into going on a date with him. the mood swiftly goes from uncomfortable to sinister.
During the conversation between Connie and Arnold Friend, she experiences a dramatic moment so intense that it cannot be avoided or ignored. Her attempt was creating a sexy appearance and fascinating the boys in the local diner delivers as her experiment to analyze new fields as well as a new side of herself. However, until Arnold comes into the story, her expeditions have always been closed into security. She may go into an dark alley with a boy for a short period, but no matter what happens there,
“Where Are You Going, Where Have You Been?” is a short story written by Joyce Carol that Oates in 1966. Oates based the short story on the well known serial killer Charles Howard Schmid, then wrote the article “Pied Piper of Tucson” by when he cruised an area in Tucson known as the Speedway in the 1960s, picking up girls.In 1985 Joyce Chopra along with her husband Tom Cole wrote the screenplay. Chopra and Oates portray several differences between connie’s sister June, her father, and her mother.
“Nothing about Arnold Friend is genuine, except his violent intentions and his skill at psychological and physical intimidation. By the story’s end, Connie understands that she is not the confident flirt she thought, but a powerless pawn in the hands of a dangerous individual.” (Cormier)
Arnold Friend's façade gives the reader the feeling that something is wrong, as if Oates were trying to persuade Connie away from her impending doom. When Arnold first pulls into Connie's driveway, the reader is alarmed. Connie notices that he is actually much older than he appears and the reader knows that
The teenage rebellion, which most of people experience during the puberty, always worsens the relationship between parents and children. Written by Joyce Carol Oates, the short story “Where Are You Going, Where Have You Been?” describes the condition and consequence of a family whose child is rebellious. Through the characterization, plot, and dialogue, Oates successfully exhibits the thesis that Connie’s bad ending is the consequence of her parents’ attitude and actions.
1. Arnold Friend 's name can be interpreted as being "a friend." Also, by removing the r 's, his name becomes "an old fiend," which can be interpreted as a reference to a demon or even Satan. What other clues are there that Arnold is not who he claims to be?
Where Are You Going, Where Have You Been is a short story originally written by Joyce Carol Oates. It was first published in 1996 and immediately faced sufficient criticism and public discussions. This story involves both surreal myth and deep psychological realism which obviously distinguish this writing among other works of the author. In the center of the narration is a young girl named Connie. She is fifteen years old and is experiencing quite a turbulent period of her life. Her mother constantly compares her to her older sister and this factor only intensifies Connie's feeling that her mother does not understand her. In the story, the world of Connie is quite contradictory as well as her character itself. Nevertheless, it remains interesting to explore until the very last page of Oates' writing.