Analysis Of Where Are You Going Where Have You Been

She falls asleep in the chair dreaming about the boy she met last night. Soon after she falls asleep she hears a car pull into her driveway and thus, we see arnold Friend. Arnold is not real. He is a fine mixture for every male in Connie's life. From every age.

Both the movie and the story emphasize the dramatic separation of understanding between Connie and her mother. The apparent lack of depth in Connie and her father’s relationship dims in comparison to the almost-tangible hatred Connie seems to feel toward her mother, her mother “who had been pretty once too, but now her looks were gone, and that was why she was always after Connie” (Oates 148). Despite the anger she feels, however, it is her mother that Connie cries out to for help in both versions as she sees herself forced to give into Friend’s wishes in an attempt to spare her family the evil he hints will come

Despite Connie's sister June being nine years older than Connie and an adult woman, Connie is constantly compared to June. June fits the stereotypical expectations for a woman at the time, cooking, cleaning, and being close to perfect, while Connie is described as more rebellious and less of a rule follower. The comparison between the two forces Connie to have two sides to her in an attempt to meet these expectations, and because of this, she loses some of her innocence at home and is forced to be more mature than she truly is. Because Connie is expected to fit the typical idea of women just like her sister, but isn't capable of that yet, the reality of women being compared to each other is carved into her. Connie's mother also plays a part in breaking Connie's innocence, "Her mother had been pretty once too if you could believe those old snapshots in the album, but now her looks were gone, and that was why she was always after Connie"

Connie starts out in the story as someone that is self-absorbed, concerned for no one but herself. Arnold Friend is really the same way. He tells her that he saw her “that night and thought, that’s the one” (Oates 480). In spite of the words he uses, the reader knows that Arnold does not have any true feelings for Connie because he says “My sweet little blue-eyed girl” (Oates 483). Arnold is oblivious to the fact that Connie has brown eyes. “In Arnold’s view, Connie’s personal identity is totally unimportant” (Wegs 3).

The interaction between Connie and Friend start when Friend shows up to Connie’s house uninvited. The author Oates states “After a while she heard a car coming up the drive. She sat up at once, startled, because it couldn't be her father so soon. . . It was a car she didn't know,” (qtd. Oates. pg.2) Connie’s first reaction was to evaluate how good she looked instead of finding out whether Friend was somebody she knew or not. When they finally come face to face, she was met with flirtatious small talk from Friend, who exclaimed “Don’tcha like my car? New paint job,… You're cute” (qtd. Oates. pg.3) Connie is in awe of his faded pants and his huge black dark boots and actually considers getting in the car as he requested. The awe of the mysterious however, rapidly shifted as he makes demands and threats due to Connie’s refusal to get in the car with him. Alarmed, Connie tries to put a call. Arnold request that she come out of the house and if she doesn't comply to his demands she and her family are going to “get it”. Slowly, Connie begins to realize that there's something off about Arnold Friend. He looks to be wearing a wig, and he's

Arnold can ignore all of her questions and keep talking to the point that Connie eventually moves on and ignores all of the creepy little details he seems to know about her for a while. Arnold’s smooth talk, charm, and the way he treats her as a mature woman just about fools Connie. She almost willingly gets in the car with him, yet finally has a strange intuition about Arnold that doesn’t add up. “She recognized all this and also the sing-song way he talked, slightly mocking, kidding, but serious and a little melancholy, and she recognized the way he tapped one fist against the other in homage to the perpetual music behind

Theriot, Michele D. "The Eternal Present in Joyce Carol Oates’s “Where Are You Going, Where Have You Been?”." Journal of Short Story in English 48 (2007): 59-70. Print.

She would say” (Charters, 1989, p. 651). When it comes to Connie’s family she strongly dislikes her mother because she always compares her to her sister June. Her father works and does not spend as much time with the family. Connie does not get enough freedom at home because her mother is always telling her things that she needs to do, however, when it comes to boys Connie has some freedom. When Connie met Arnold Friend he completely changed her outlook on independence, and her hatred

The beginning of the short story enlightens the reader into the relationship that Connie has with her mother. Connie’s mother does not agree with her admiration for herself. This is due to Connie’s mother’s own insecurities. Oates writes, “Her mother had been pretty once too, if you could believe those old snapshots in the album, but now her looks were gone and that was why she was always after Connie” (Oates 3043). Connie was aware that her mother was jealous of the way she looked and envied her young adolescence. Her mother was nagging her daily and constantly comparing her to her sister. The constant comparison and nagging left Connie to deal with internally judging herself. Oates expresses Connie’s strong unhappiness with her mother by stating “…but around his bent head Connie’s mother kept picking at her until Connie wished her mother was dead and she herself was dead and it was all over” (3043). Connie’s frustration with her mother lies deep within her internal judgments. She repeatedly obsesses over her mother’s words and desires attention from older males. Even though she does not feel as if she fits in with her sister June, there are some characteristics that she likes about her sister. One of these characteristics is that June is older. Since June is older, Connie is allowed to go out when her sister does which allows her to embrace her rebellious adolescence. She wishes she was older and battles with her internal misconception of her age. In the story, Connie is at an age where she is experimenting with her surroundings. Young girls are regularly comparing themselves to their friends and their elders. The obsession of comparison leaves Connie continuously striving to be better and to increase her attractiveness. Her misconceptions suggest to her that she needs to be more sexual. Her varying internal conflicts leave her with a void that she tries to fill otherwise.

There are some stories that capture the reader’s attention and which keep us riveted from the beginning to the ultimate line of the tale. ‘’Where Are You Going, Where Have You Been?’’, a short story written by Joyce Carol Oates in 1966, is one of those. Inspired by the mythic song of the phenomenal singer Bob Dylan entitled ‘’It’s all over Now, Baby Blue,’’ the author describes the main character as a 15-year-old girl named ‘’ Connie’’, who is obsessed by her beauty and does not get along with her family. The heroine of the story ‘’Connie,’’ engages in an adolescent rebellion against her entourage by acting to appear older. This increases her vulnerability through the story and at the end

After coming to the realization she is not safe, Connie utters “What are you going to do?”, which is her last word. “Where Are You Going, Where Have You Been?” is a short story written by Joyce Carol Oates and Connie portrays the protagonist. Connie’s parents were present in her life, which made her stray away and become independent. She wants attention from boys, until she realizes that may not be a good idea when Arnold Friend shows up at her house while her parents leave the house. Friend, around the age of 30, tries to get her to come with him until she ends up being taken out into the woods by him and his friend to be possibly raped and murdered.

The 1960s marked the beginning of some new ways of life: young women had sex, drank alcohol, and stopped caring about the Church. Joyce Carol Oates’ main character, Connie, in her story “Where Are You Going, Where Have You Been?” is the perfect example of the typical teenage girl of that period. Oates demonstrates in her short story, through the use of music as a motif, her characterization of Connie’s parents, and her choice of title, that this lack of religion and authority in Connie’s life is what resulted in her unfortunate encounter with Arnold Friend.

The characterizations of Connie’s family members have great effects on Connie. And onnie’s mother’s characterization is the main motivator for Connie’s rebellion. She always compares Connie with June, who is the “ideal daughter” in her eyes, and blames Connie for some little things, such as improper dressing and not having a tidy room. Oates suggests that the reason for Connie’s mother prohibiting Connie to dress up like an adult is that “ Her mother had been pretty once too” (Oates 1), but now “her looks were gone and that was why she always after Connie” (Oates 1). Therefore, she is jealous about Connie’s beauty and feels uncomfortable when seeing Connie wear beautiful outfits. Meanwhile, she likes June so much because June is obedient and plain, which makes her feel that she is dominant in the relationship. In the short story, Connie’s father is not given much description by the author, but his characterization has an effect on Connie as well. The irresponsible father spends little time with family and seldom has conversations to his daughters. When hearing his wife’s complain about Connie, he just bends his head with saying nothing, which makes Connie feels ignored and lonely. Urbanski states that “The father, who spent most of his time at work, is weak” (Urbanski 200) to reveals the father is not an active figure in his daughter’s life. Therefore, lacking of the company and communication of family members, Connie becomes upset. In addition, Connie’s sister June, who has the opposite characterization, is also one of the reasons for Connie’s rebellion. In Connie’s eyes, June is a

“Nothing about Arnold Friend is genuine, except his violent intentions and his skill at psychological and physical intimidation. By the story’s end, Connie understands that she is not the confident flirt she thought, but a powerless pawn in the hands of a dangerous individual.” (Cormier)

"Where are you going where have you been?" is a short story about a young 15 year old girl who is trying to fit in with the rest of the world, and is very preoccupied with her appearance and living in this pop cultural fantasy. Connie is always ignoring her mother 's criticism about wanting her to be more like her older sister, June, who is no longer living a life of fantasy and has her act together.. One night, a boy named Eddie invites Connie to eat dinner with him, and Connie leaves her friend at the restaurant’s counter to go with him. As Connie and Eddie leave the restaurant, she sees a man in a gold convertible in the parking lot. He smiles at her and says, “Gonna get you, baby.”. Connie confused, walks away quickly confused not really knowing what actually happened, and Eddie notices nothing. They spend three hours of their night at dinner, and end up going to a nearby alley living in that fantasy of being that mature woman who knows what a man wants. One day, Connie 's parents and June leave her at home to go to a family barbeque leaving her all by herself. While she was at home alone, she was listening to her radio when out of nowhere she hears a car pull up to the front of her house. Startled, she looks out of the window to see