Prufrock the Coward T. S. Eliot's poem "The Love Song of J. Alfred Prufrock" is a dramatic monologue that Prufrock gives to an unknown person when he asks him or her to accompany him on a walk. J. Alfred Prufrock is the perfect example of someone who over thinks everything. He uses his gift of over thinking everything to help him to be a coward and not ask the question that he is dying to ask a woman. T.S. Eliot uses allusion, symbolism, and imagery to show that Prufrock is over thinking everything in order to stay a coward. Prufrock uses the allusions of Shakespeare’s “Hamlet” and the story of Lazarus from the Bible. Prufrock says “No! I am not Prince Hamlet, nor was meant to be” which is a very ironic statement, because Prufrock and Hamlet are very much alike (Eliot 111). “Hamlet questions the ethics of action in ways that subvert the convention at its very foundations … the hero's oft-remarked procrastination;” (Scobie Para.18) like Hamlet Prufrock also question whether or not he should act or wait a little longer. Both characters use the question of to act or not to act as their way of procrastinating and continuing to be cowards. Prufrock also uses the allusion of Lazarus from the Bible. He says; “And would it have been worth it, after all / … To say: I am Lazarus, come from the dead, / Come back to tell you all, I shall tell you all” (Eliot 87, 94-95), he is once again questioning whether or not it would be best to ask his question. He ends up finding a way to
The use of allusions bring a sense of intimacy between reader and author. Prufrock wishes to be comforted.
J. Alfred Prufrock constantly lived in fear, in fear of life and death. T. S. Eliot divided his classic poem into three equally important sections. Each division provided the reader with insight into the mental structure of J. Alfred Prufrock. In actuality, Prufrock maintained a good heart and a worthy instinct, but he never seemed to truly exist. A false shadow hung over his existence. Prufrock never allowed himself to actually live. He had no ambitions that would drive him to succeed. The poem is a silent cry for help from Prufrock. In each section, T. S. Eliot provided his audience with vague attempts to understand J. Alfred Prufrock. Each individual reader can only interpret these
“The Love Song of J. Alfred Prufrock” by T.S. Eliot is a poem unlike any I have ever read before. The poem starts off with the speaker taking what seems to be a potential lover along for a walk. The speaker first describes their surroundings and says that “the evening is spread out against the sky like a patient etherized upon a table” and that “the streets follow like a tedious argument”. The sky is described as someone who has been anesthetized, someone who can’t feel anything. The streets are like an argument, something that can tear two people apart. The similes used make the setting seem dark and dreary. The speaker then brings up that he has a question he wishes to
He is clearly incapacitated to act, trapped by his own fear that he will be unable to garner any interaction from the women with whom he wants to converse. Prufrock plans his approach and reminds himself often that; 'there will be time.';
Eliot). T. S. Eliot’s “The Love song of J. Alfred Prufrock,” is recognized as one of the most important poems of all time because almost everyone can identify with the insecurity of J. Alfred Prufrock at one time or other, which makes it very realistic.
Eliot begins “The Love Song of J. Alfred Prufrock” by using an epigram from Dante’s Inferno to set the theme of the poem. By alluding to a story about a journey through Hell, readers can infer that Prufrock will also take readers on a journey through Hell, only this time it is a living hell. Upon examining the first couple of stanzas, it is clear that Prufrock is afraid of living his life, so much so, that time has become illusory to him. Eliot writes, “Time for you and me, and time for a hundred indecisions, and for a hundred visions and revisions, before the taking of a toast and tea” (369). The poetic device of repetition to portray never-ending time proves Prufrock fools himself into believing he has all the time in the
T.S. Eliot’s “The Love Song of J. Alfred Prufrock” is an ironic depiction of a man’s inability to take decisive action in a modern society that is void of meaningful human connection. The poem reinforces its central idea through the techniques of fragmentation, and through the use of Eliot’s commentary about Prufrock’s social world. Using a series of natural images, Eliot uses fragmentation to show Prufrock’s inability to act, as well as his fear of society. Eliot’s commentary about Prufrock’s social world is also evident throughout. At no point in the poem did Prufrock confess his love, even though it is called “The Love Song of J. Alfred Prufrock”, but through this poem, T.S. Eliot voices his social commentary about the world that
The pursuit of youth, of sex, of “yellow fog that rubs its back upon the window panes,” some pursue this their whole lives, a bachelor looking in the corners of streets and bars for a bit of youth and company. This is the Love Song of J. Alfred Prufrock by T.S. Eliot, 1917. It is the song and love story of men who search for their lover in places absent of love and instead only finds lust. Those who only find lust in these lonely places eventually become old, as the speaker of the poem realizes. The only argument in this poem is that of a man much past his prime, arguing to himself whether to retire the chase; the author uses logos, ethos and pathos when arguing to himself, and you, about
Loneliness is a feeling that we have all felt here and there. A man in the poem “ The Love Song of J. Alfred Prufrock” by T.S Eliot feels trapped which caused him to have disorders. Nothing has never changed from living in the same city and not using his time wisely. He tried numerous ways to approach women but his low self esteem stopped him from moving forward. Although Prufrock seems like a miserable person, Prufrock suffers from obsessive compulsive disorder, depression, and paranoia that caused him to feel this way.
When reading the title of T.S Eliot’s “The Love Song of J. Alfred Prufrock” it is believed we are in store for a poem of romance and hope. A song that will inspire embrace and warmth of the heart, regretfully this is could not be further from the truth. This poem takes us into the depths of J. Alfred Prufrock, someone who holds faltering doubt and as a result may never come to understand real love. “The Love Song of J. Alfred Prufrock” takes us through Prufrock’s mindset and his self-doubting and self-defeating thoughts. With desolate imagery, a tone that is known through the ages and delicate diction we see a man who is insecure, tentative and completely fearful.
T.S Eliot's The Love Song of J. Alfred Prufrock is an examination of human insecurity and folly, embodied in the title's J. Alfred Prufrock. Eliot's story of a man's "overwhelming question", his inability to ask it, and consequently, his mental rejection plays off the poem's many ambiguities, both structural and literal. Eliot uses these uncertainties to develop both the plot of the poem and the character of J. Alfred Prufrock.
“The Love Song of J. Alfred Prufrock” by T.S. Eliot is not a love song at all—but an insight into the mind of an extremely self-conscious, middle-aged man. Prufrock struggles in coping with the world he is living in—a world where his differences make him feel lonely and alienated. Eliot uses allusions and imagery, characterization, and the society Prufrock lives in to present how Prufrock partly contributes to his own alienation. Our ability of self-awareness separates us from other species, making humans more intelligent and giving people the upper hand in social settings, but, like Prufrock, it can sometimes cause us to feel alienated.
In The Love Song of J. Alfred Prufrock by T. S. Eliot and Dover Beach by Matthew Arnold the poets utilizes poetic devices to convey their respective themes. Through use of symbols and metaphors, the speaker in The Love Song of J. Alfred Prufrock displays his fears of the changes brought with the younger generation, and isolation from the changing society. The speaker in Dover Beach, utilizes symbols, metaphors, and similes to state that the younger generation has less faith than the older, and society must regain faith to stop the world from fighting. The younger generation needs to bridge the generation gap and remember to value and include the older generation, as they still can help the younger. If they do, they can stop the chaos in the world that stems from the isolation and loss of faith.
Prufrock begins his “Love” song with a peculiar quote from Dante’s Divine Comedy. It reads: “If I believed that my answer were to a person who could ever return to the world, this flame would no longer quiver. But because no one ever returned from this depth, if what I hear is true, without fear of infamy, I answer you.” In the Divine Comedy these lines are spoken by a damned soul who had sought absolution before committing a crime. I think that Eliot chose this quote to show that Prufrock is also looking for absolution, but for what he is unsure.
When thinking about someone that is insecure, Gabriel Conroy, from The Dead, and T. S. Eliot, from The Love Song of J. Alfred Prufrock does not come to mind. Throughout these two works, Gabriel and Eliot both have a habit of looking over what might not happen to their situation to what might happen which turns into over thinking every decision or action they take. While the way they confront their situations is the same, the way they imagine their outcome of their situation and how affects them is different.