Sophocles' Use of Social Commentary in Antigone

The play Antigone by Sophocles is a play like no other. There are three major themes or ideas which have a very important role in the play. The first major theme is fate, on how the play comes about and the turn of events that come about throughout it. Another main theme or idea is the pride the characters have and their unwillingness they have to change their minds once they are set on something. The last major theme is loyalty and the practical problem of conduct involving which is a higher law between the divine laws and those of the humans. It is an issue of which law is the "right" law, and if Creon and Antigone's acts are justifiable or not. The issues that Antigone and Creon have between them

Woody Holton’s Book Forced Founders: Indians, Slaves, and the Making of the American Revolution in Virginia endeavors to explain the dynamic of the relationship of the gentry class and Indians, debtors, and slaves and how they inadvertently affected one another’s decision making. Holton explains that the founding fathers were became increasingly paranoid that they were going to lose their influence within the colonies. The gentry’s influence stemmed from their ability to control the markets of two key commodities in colonial America; land and labor. Gentlemen were beginning to feel constrained by the people above them, the British government, who were constraining the gentry’s access to land by the signing of the Proclamation of 1763, which

She rebels against Creon’s rules and against the Greek patriarchy by continuing on with her plan. Creon’s indignation on antigone causes a disapproving son, who is Antigone’s fiance and ultimately the rest of society, eventually leading to Creon’s ultimate failure to lead as a king. Antigone overturns a fundamental rule, that women are not superior and should not speak out against man created laws. Since Creon has a misogynistic mindset, this leads to the Gods of Thebes to penalize him. “Nor did I think your edict had such force that you, a mere mortal, could override the gods” (II.4.503-504). Antigone spoke up against Creon for what was right to her, which was a rule followed by her people all the time and a law created by the Gods. However, Sophocles show the reader where fault lies and how women were viewed in Greek society, Antigone, however is a breakout character who goes against the human law and a threat to the status quo.

Antigone, however, decides she would rather please the gods than man and buries her brother against King Creon’s orders. She is fully aware of the consequences should she get caught, yet she openly disobeys, even against her sister’s warnings. She gives Creon no additional respect either as a male in a patriarchal society or as a king and ultimate authority figure. In fact, she calls him a fool! Antigone boldly states to Creon himself, “If my present actions strike you as foolish, let’s just say I’ve been accused of folly by a fool,” (Sophocles p.657). The strong will and defiance she exhibits are very characteristic of modern feminism.

Antigone by Sophocles is a dramatic play about the king of Thebes, Kreon, and his quest for absolute power. Like any other man, Kreon was not born with power, but his access to power prompted him for supremacy. Kreon as a tyrant, seeks to gain power over others despotically as demonstrated in the laws that he makes, in his objection of consultation, and in his conversation with Teiresias. Kreon’s moment of true power begins when he introduces his laws and principles after gaining the throne of Thebes.

In Sophocles’ Antigone, a major conflict arose over Antigone’s and Creon’s beliefs on right and wrong. Antigone stands for the laws of the Gods and family morals. Creon chose to stand for the values of the state and his will to be king. Although one’s decisions appear to be more reasonable and sympathetic than the other, both characters’ decisions in society can be equally validated.

Antigone's representation of feminism broke all the Greece and her strong characteristics defy the inappropriateness of her nature. Antigone has given strong characteristics in her story and because of this she does not stand around while Creon's unjust law insults Polynices. Her boldness, bravery and, unyielding morals are all extremely important to her role in the play. Towards the story by the end, Antigone was punished for her actions; therefore, she was either going to be stoned to death or be locked in a tomb. Between those two choices she got put in a tomb and trapped there with no supplies. The person to do this to her was Creon and his response to this was, “...Take her go, go! You know your orders: take her to the vault and leave her alone there. And if she lives or dies, that’s her affair, not ours: our hands are clean.” (ii, iv, 710) She was buried for doing what was right and what she was obligated to do. She not only prefers this but her bravery, obstinacy and other traits destroy the image of the weak girl who is powerless to everything. Therefore, this is the reason why Antigone represents the epic

The conflict between law and morality has been in existence since the beginning of human society, and to this day still greatly influences people and society. Written by the Greek playwright Sophocles in the 5th century BCE, Antigone is the tragic story of a young girl who goes against the king’s edict and buries her brother, a traitor to the state, sentencing herself to execution. The conflicting ideals of logos - moral, divine, or natural laws, and nomos, or man made laws are Greek virtues explored in the characters of Antigone and Creon, both of whose lives end horribly. Although nomos is often too concrete to manipulate to one’s advantage, logos is much more open to interpretation, and in the case of Creon, whose tragic flaw is hubris, the fluidity of logos allows him to use it to justify and influence his actions, ultimately harming him much more than nomos, and causing his story to end in tragedy. After investigating societal gender roles and the effect they

In Antigone, Creon’s mind is pulled in two opposite directions: His hubris, and, in contrast, his human duty to the gods. His decision to not follow the gods’ decrees and the consequences of that decision are used by Sophocles to remind the audience to stand with the gods.

One has the capability to determine from right and wrong and having the determination to stand up for what one believes in, no matter what the price is. In Sophocles’ Antigone, a written dramatic play, Sophocles portrays the theme that at times of one’s life, it is necessary to follow moral law and ignore political law. In the play, a determined and courageous woman named Antigone is loyal to her beloved brother by granting him a proper burial and having to suffer the consequences for revolting. Throughout Antigone, several incidents occurred where the political law was of no importance to the individual. Conflicts between Antigone and Ismene and then with Creon and Antigone are examples of the theme. The theme also ties with the

In Ancient Greece, new ideals surfaced as answers to life's complicated questions. These new beliefs were centered on the expanding field of science. Man was focused on more than the Gods or heavenly concerns. A government that was ruled by the people was suggested as opposed to a monarchy that had existed for many years. Freedom of religion was encouraged in city-states. These new ideals, though good in intentions, often conflicted with each other creating complex moral dilemmas. Such was the case in Antigone, a play written by Sophocles during this era of change. In the play, Antigone and Creon battle a philosophical war exemplifying the conflict existing in the Greek ideals.

In the tragedy of Antigone, by Sophocles, many themes are presented. The themes of civil disobedience and the role of women are heavily presented. The theme of civil disobedience is the refusal to believe in or follow certain rules set by the leaders. In Antigone, Antigone defies the rules and chooses to not follow them. The theme of the role of women is the role that women are supposed to follow. Although, Antigone yet again defies the traditional women role. These two themes mainly relate to the main characters of the story such as Antigone, Creon, Haemon, and Ismene.

In “Antigone” by Sophocles, a famous ancient Greek tragedian, the main character, Antigone, demonstrates a prohibited action in a strict, male-dominated society. Greek civilization upheld strong values and rules that were designed to enforce orderly behavior among its people. There were state laws created by the King, Creon, and divine laws created by the Gods. Divine law was superior to the king laws, and if that rule was disrupted, eternal consequences could ruin an individual. In this society, men were mighty, powerful, and in control of the kingdom. Women were traditionally treated as an underclass with no voice or power. Women were restricted from performing any masculine jobs, holding high civilization positions, and disobeying men. Although Greek civilization had strict standards for women, Antigone challenges the law through her actions in order to satisfy the Gods because it is what she thought was the right decision.

The play “Antigone” is a tragedy by Sophocles. One main theme of the play is Religion vs. the state. This theme is seen throughout the play. Antigone is the supporter of religion and following the laws of the gods and the king of Thebes, Creon, is the state. In the play Creon has made it against the law to bury Antigone’s brother, something that goes against the laws of the gods, this is the cause of most conflict in the story. This struggle helps to develop the tragic form by giving the reader parts of the form through different characters.

Sophocles’ play “Antigone” illustrates the conflict between obeying human and divine law. The play opens after Oedipus’ two sons Eteocles and Polyneices have killed each other in a civil war for the throne of Thebes. Oedipus’ brother in law Creon then assumes the throne. He dictates that Eteocles shall receive a state funeral and honors, while Polyneices shall be left in the streets to rot away. Creon believes that Polyneices’ body shall be condemned to this because of his civil disobedience and treachery against the city. Polyneices’ sister, Antigone, upon hearing this exclaims that an improper burial for Polyneices would be an insult to the Gods. She vows that Polyneices’ body will be buried, and Creon declares that anyone who