Creon's Decisions In Sophocles Antigone

Antigone is a tragic play written by Sophocles in about 441b.c. The play is a continuation of the curse put upon the household of Oedipus Rex. Sophocles actually wrote this play before he wrote Oedipus, but it follows Oedipus in chronological order. The story of Antigone begins after the departure of Oedipus, the king of Thebes, into self-exile. Oedipus’ two sons, Eteocles and Polyneices, were left to rule over Thebes. An argument over rights to power forces Polynices to leave Thebes. Some time passes and Polynices returns with the army from Argos and attempts to overthrow his brother. The two brothers fight and kill one another and the war ends. Creon, the uncle of the two

Antigone lost both of her brothers, but only one, Eteocles, was allowed by Creon to receive a proper burial. No matter what shame someone may have caused, they are deserving of a respectful and proper burial. This is especially important, for the afterlife and respect for the dead are of great importance and significance Ancient Greek culture. Antigone should have been able to bury both brothers with equal consideration and honor. Creon degrees that the burial of Polynices is prohibited. Regarding Creon’s decree, Antigone says that there is “a city-wide proclamation, rumor has it, forbids anyone to bury him, even mourn him,” (Sophocles, lines 33-34). Creon declares that Polynices

Finally on page 774, Antigone is still determined to give her loving brother, Polyneices, a proper burial when she says, “…as for me, I will bury the brother I love.” In this incident, Antigone is headstrong about giving her brother what he deserves, despite the fact that Ismene told her to obey the law. Antigone is acting as if she were a rebellious teenager because she is contradicting political laws to perform acts that would seem moral to her for the sake of Polyneices. Like the discussion Antigone had with her sister, she will remain being headstrong to whoever confronts her.

Antigone is the sister of Eteocles and Polyneices. Both Eteocles and Polyneices agree to jointly rule Thebes as mutual kings. After one year, Polynices distrusts his brother, resulting in Polyneices fleeing from Thebes, only to later return with an army. In the battle, both sides are massacred. Eteocles and Polyneices kill one another, consequently giving their power up as king to in Creon, Antigone’s uncle. As acting king, Creon orders that, “Eteocles who died as a man should die, fighting for his country, is to be buried with full military honors, with all the ceremony that is usual when the greatest heros die” (Sophocles, line 160). As for Polyneices, Creon passes a law for Polyneices to be left unburied, to rot for every citizen to witness. Antigone viewed this law as immoral and unjust, for one brother to be buried with military honor and not the other. Antigone, expressing her love for Polynices, rises against Creon's higher authority command

Starting in media res, the audience are informed of the death of Eteocles and Polyneices through the Oedipus’ family sisters, Antigone and Ismene’s heated conversation. Creon, as the closest blood relative of the throne, succeeds as ruler of Thebes and comes to power. Creon gives a full and honorable burial to Eteocles, praising his loyalty to the state until death, while inflicting Eteocles’ brother, Polyneices, non-burial and the eternal punishment of rotting on the battlefield held against charges of treason. Whoever attempts paying Polyneices full honour after death,

The opening events of the play Antigone, written by Sophocles, quickly establish the central conflict between Antigone and Creon. Creon has decreed that the traitor Polynices, who tried to burn down the temple of gods in Thebes, must not be given proper burial. Antigone is the only one who will speak against this decree and insists on the sacredness of family and a symbolic burial for her brother. Whereas Antigone sees no validity in a law that disregards the duty family members owe one another, Creon's point of view is exactly opposite. He has no use for anyone who places private ties above the common good, as he proclaims firmly to the Chorus and the audience as he revels in his victory over Polynices. He sees Polynices as an enemy to

As King of Thebes, Creon is forced to make difficult decisions. As a new ruler, he feels it is necessary to prove himself to his citizens, therefore he rules his state with a firm hand. He believes that Polyneices should not be buried because he was a traitor to his country and family. Creon knew this decision would be hard on some

Antigone retaliates by saying that his law is not that of the Gods so it does not stand. He wants to have Antigone killed, but his son his her fiancé. He tries to explain to the king that the gods would have wanted Polyneices to be buried and that Antigone did the right thing that she should not be punished for it. Creon’s hubris however comes out yet again. He will not even listen to a word his son has to say; however now he does not want to kill her, but to send her away into a tomb, where the Gods can determine her fate.

In Sophocles’ Antigone and Martin Luther King Jr.’s Letters From A Birmingham Jail, both Antigone and Martin Luther King Jr. portray similarities of civil disobedience against the opposing authority in order to fulfill what they set out to achieve against all odds. Throughout the course of both of their lives, they continually and constantly strive and defend their actions to fight for the injustice acted upon them. Antigone is fighting against the unfair ruling of the corrupt king of Thebes, Creon, and Martin Luther King Jr. is fighting the racial intolerance against the racist, unjust white men and women across America. However, both Antigone and Dr. King suffer through several, negative consequences because of their disobedience and defiance,

Like Creon, Antigone also never falters in standing up for what she believes in. Although Creon fights for stubborn pride, Antigone is trying to promote what is right and shows her higher reverence for God’s law rather than for Creon’s laws. In the eyes of the townspeople, Chorus, Choragos, and Haimon, Antigone is sacrificing herself to give her brother Polyneices the rightful honors due to the dead. Many side with this brave, honorable girl because she would rather suffer persecution and even death rather than give into Creon’s illogical demands. In the play, the chorus says about her, “You have made your choice, Your death is the doing of your conscious hand”. Antigone knew of the consequences before she acted and in doing so she chose her fate. At the time, she pleaded her sister Ismene to help her bury Polyneices but was rejected. Despite being alone in trying to rebel and perhaps she may have been afraid, Antigone goes out of her way and puts her life on the line to bring her brother respect.

Antigone wants to be redeemed in the afterlife through her act of burying Polyneices. This is especially clear when she decides that she will bury him and die before she has even appealed to Creon. The only route she can see is one that results in her death. Not until she is directly confronted by her uncle does she attempt to dissuade him from dishonoring Polyneices. Even then, she seems to be simply defending her own actions rather than accusing him of being wrong, as she so adamantly has done with Ismene. He needs to implore her to “Speak!” (166, 442), and when she does, she is flippant and prideful. Antigone only engages in real dialogue with him when he forces her to. This could be interpreted as her simply understanding his position and accepting it, but I find that unlikely. She clearly fundamentally disagrees with him and his interpretation of the gods, but instead of trying to persuade him to recant his decree and bury her brother, she capitalizes on the position she’s in and thrusts herself into martyrdom. Even by the gods’ standards, this does not seem to be justice or “rightness”. Her surface level loyalty to her family may initially appeal, but I find it insincere and not right when I explore it more closely.

Antigone chose to give her brother Polyneices a proper burial even though it was against the king’s law. She tried talking her sister Ismene to join her on her quest because Polyneices was both of their brothers, but Ismene did not want to disobey Kreon’s order (Blondell 19-24). This left Antigone to handle this on her own, which takes a lot of courage and dedication to what she believes in. Antigone went on with her plan to bury Polyneices and his body was eventually found by a guard (Blondell 30). When the guard brought the news to Kreon he was furious and the Chorus had suggested it was a Gods doing, which led me to believe that they did not think anyone one else was willing to risk it all by not listening to their kings orders (Blondell 32). A good lesson to learn from Antigone is that even if you break the law you have to admit your doing especially when you know what you did was morally right and what you stand for as an individual. When Antigone was accused of breaking the law and burying Polyneices she did not even hesitate saying, “I don’t deny it; I admit the deed was mine.” (Blondell 38). She even goes on to tell King Kreon that his choice to not allow the burial of Polyneices is morally wrong and how he is disobeying the God Zeus who is offended by improper treatment of a corpse (Blondell 38). Though Antigone knows the consequence for disobeying the king, she continues to fight for her brother’s honor and makes sure to point out the king’s foolish decision. Even in her last words she questions what kind of men can make suffer and then gives her respects to the town, gods, and rulers.

As the play begins Antigone is just meeting up with her sister and is telling her about the decree of King Creon. Antigone and her sister, Ismene, had two brothers who had killed each other on the battlefield. One of their brothers, Eteocles, was buried with the military honors of a soldier’s funeral, and yet the other, Polyneices, was to be left out to be food for the carrion birds since he died fighting against the city of Thebes. King Creon forbade publicly for anyone to bury the body of Polyneices under the penalty of death. Antigone is now determined to bury her brother and wants Ismene to help her. Ismene does not want to go against what the king has ordered and is fearful of what may become of her if she

In the Greek tragedy Antigone, written by playwright Sophocles, a conflict is presented in the aftermath of a rebellion against Thebes, wherein the brothers Polyneices and Eteocles kill each other, as leaders of opposing armies. Creon, their uncle, assumes rule of Thebes, as the only remaining heir of the previous king; then honors Eteocles as a hero, but forbids any burial for Polyneices, calling him a traitor. Antigone defies this, claiming the gods require him to be buried. This essay will argue that Creon was correct to forbid the burial of Polyneices. Both Antigone and Creon have ample justification. The justification, and flaws therein, for Creon’s actions will be discussed, resolving the conflict.

In Sophocles’ Antigone, Antigone is traditionally seen as the tragic heroine of the classic play. Antigone loses everything eminent and substantial in her life to a cataclysmic degree and seeks her own death in the end of the story. In Martha Nussbaum’s essay, Nussbaum questions the conventional status of Antigone as the tragic hero and claims the true hero to be Creon, the story’s antagonist. With her persuading inquest to this classic tragedy, Creon is evidently the tragic hero of Sophocles’ Antigone because he experiences great pride in his own downfall from political power due to his inherently good dedication to human law rather than divine law.