The play “Antigone” is a tragedy by Sophocles. One main theme of the play is Religion vs. the state. This theme is seen throughout the play. Antigone is the supporter of religion and following the laws of the gods and the king of Thebes, Creon, is the state. In the play Creon has made it against the law to bury Antigone’s brother, something that goes against the laws of the gods, this is the cause of most conflict in the story. This struggle helps to develop the tragic form by giving the reader parts of the form through different characters. In the play Creon goes against the Gods by making it illegal to bury Polyneices, Antigone’s brother because he is deemed a traitor. The burying of a dead body is seen as a necessity by all of …show more content…
Antigone retaliates by saying that his law is not that of the Gods so it does not stand. He wants to have Antigone killed, but his son his her fiancé. He tries to explain to the king that the gods would have wanted Polyneices to be buried and that Antigone did the right thing that she should not be punished for it. Creon’s hubris however comes out yet again. He will not even listen to a word his son has to say; however now he does not want to kill her, but to send her away into a tomb, where the Gods can determine her fate. After everyone else has failed to convince Creon that he is wrong about sending Antigone away, and old, fervid Prophet comes to visit him. Teiresias is a blind old prophet who tells Creon that the gods are angry at Thebes and will curse it if Creon does not change his arrogant ways. “All men make mistakes, but a good man yields when he knows his course is wrong… The only crime is pride” (232) At first Creon is stubborn still, and insults the skill of prophets, but Teiresias goes on despite the king’s words. Teiresias eaves with a final warning saying if he does not heed the God’s word, he will be punished. After consulting his chorus and hearing Teiresias’ speech Creon finally recognizes that he was wrong. His moment of recognition is “Oh it is hard to give in! but it is worse to risk everything for stubborn pride.” (235)
Finally giving up on his hubris and listening to the Gods, it seems poor Creon may still have a
Instead of considering the people's interests, he seeks vengeance towards those who have wounded his pride. In fact, he accuses Teiresias, the most insightful messenger in Sophocles' plays, of yielding to greed for material wealth when Teiresias warns Creon of the consequences of his actions. Creon's decision "to use any legal means...both about the dead and [living]" (168) demonstrates how his appetite for revenge ultimately transforms any of his noble intents to protect Thebes into a mere conflict for power, particularly worsened by Antigone's rebellious actions; instead of trusting the gods to punish Polyneices, he uses his authority to indulge in his vengeance.
Antigone has the strong belief that loyalty to the dead and to the gods has precedence over all other opinions, specifically those of Creon. Antigone does not at all care that the one with all governing power has the most disagreement with her decision to remain devoted to her family below. “Since I must please those below a longer time than the people here, for I shall lie there forever” (Sophocles 16). She knows and understands that time in the mortal world has a limit, however time in the underworld is eternal. Pleasing Creon and his belief to only stay true to civil laws are of no concern to Antigone, for all she wants is to please her family below and the gods above. An example of this is the burial of Polynices, because while it is right in Antigone’s eyes, Creon believes it is foolish and a sin
When a messenger comes to Creon, bringing the news that Antigone has buried her brother, he begins his arguments why Antigone has broken the law. He begins by stating that a man shows what he is made of by his "skill in rule and law." In other words, the law is everything and as a ruler, he must do everything for his country. He considers Polyneices an enemy of the city and a threat to the security of the city as well. Thus Polyneices will be called a traitor in life and in death and dishonored. The scene when Antigone and Creon face each other is the opportunity for both to defend themselves. Creon questions Antigone. She bases her responses on that the city laws proclaiming her as illegal are not the laws of Zeus or laws proclaimed by gods, but rather, laws made by a man that one day will also die. She will honor her brother's death because this is what the gods have proclaimed for all mankind. (lines 460-463)
If Antigone did nothing, living with the guilt of not helping her brother would be worse. She breaks these rules for divine law, a law that is believed to come directly from god. Antigones actions for Polyneices that he must be buried is a requirement from the gods. If not buried properly the souls of the deceased were let to walk to river Styx, the entrance to the under world, for eternity and their souls would never be at rest. Not burying a body was a great insult to the dead and Antigone could not live with that on her conscience. Creon on the other hand ignores the laws of the gods and believes his duty to the city comes first. Creon believes his decision was in the best interest of Thebes to show that he is a strong ruler and the city of Thebes will be safe in his hands.
Sophocles’ play “Antigone” illustrates the conflict between obeying human and divine law. The play opens after Oedipus’ two sons Eteocles and Polyneices have killed each other in a civil war for the throne of Thebes. Oedipus’ brother in law Creon then assumes the throne. He dictates that Eteocles shall receive a state funeral and honors, while Polyneices shall be left in the streets to rot away. Creon believes that Polyneices’ body shall be condemned to this because of his civil disobedience and treachery against the city. Polyneices’ sister, Antigone, upon hearing this exclaims that an improper burial for Polyneices would be an insult to the Gods. She vows that Polyneices’ body will be buried, and Creon declares that anyone who
The play entitled Antigone was written by a man named Sophocles, a scholarly author of philosophy and logic. The play Antigone is probably one of the most prominent interpretations of a tragic drama. The two main characters of the play are Antigone and Creon. There is much conflict between Antigone and Creon throughout the play, both of them having their own ideas and opinions regarding divine law versus human law. The theme that I am going to analyze is the conflict of divine law vs. human law. The reason for this is because this theme seems to control the whole play. It is an issue of which law is the "right" law, and if Creon's and Antigone's acts were justifiable.<br><br>The play Antigone can be summarized by the following: King Creon
“Your luck is once more on fate’s razor edge.” (Line 1109) the oracle, Teiresias, warned the king as he, once again, advises him towards the proper will. As King Creon becomes crowned as king, he became quick to judge a person based on his self implied rules. Teiresias’s purpose was to shed the ideas of Antigone and Haemon to contrast the self-centered characteristics of King Creon. Throughout Antigone, Teiresias appears in one scene, but strongly constructed himself to be the turning point of the story as he foreshadows the oncoming conflict to Creon. Most importantly, the blind prophet guided Creon to realize that his choice of selfish, vacuous, and arrogant actions, instead of thinking wisely, would soon cost him
Some of the times the Chorus speaks in this drama, it seems to side with Creon and the established power of Thebes. The Chorus's first speech (117–179) describes the thwarted pride of the invading enemy: The God Zeus hates bravado and bragging. Yet this encomium to the victory of Thebes through Zeus has a cunningly critical edge. The Chorus's focus on pride and the fall of the prideful comments underhandedly on the willfulness seen in Antigone and will see in Creon. In Creon's first speech, where he assumes the “Now here I am, holding all authority and the throne, in virtue of kinship with the dead” and reiterates his decree against the traitor Polynices (191-192). In lines 308-309 the Chorus says to Creon “My lord: I wonder, could this be God’s doing? This is the thought that keeps on haunting me. The Chorus is questioning Creon if it could be the doing of God who buried Polynices, Creon replies; “Stop, before your words fill even me with rage that you should be exposed as a fool, and you so old. For what you say is surely insupportable when you say the gods took forethought for this corpse” (310-313).
Many people try to warn him and beg him to reconsider. First, Haemon tries to appeal to his father’s sense of reason when he says, “The gods have given men the gift of reason, greatest of all things that we call our own…do not feel your word, and yours alone, must be correct” (line 625). Creon, because of his pride, becomes furious with his young son for trying to teach him wisdom, and says, “One thing is certain: You are going to pay for taunting and insulting me” (line 709). Next, Tiresias comes to warn him that he “stands upon the brink of ruin” (line 918). But Creon refuses to heed his warning and accuses Tiresias of profiteering. Finally, after Tiresias’s doomful prophecy, the Chorus tries to change the King’s mind. At first Creon resists the advisement of the chorus by stating “To yield is bitter. But to resist and bring a curse on my pride is no less bitter” (line
Creon is first portrayed as a leader with rational laws and consequences for breaking them. But by the end of the play, Creon is a completely different character; he has let his excessive pride and hubris take over him. He doesn’t realize his change in character until it is brought to him through the prophecy of Teiresias, when it is already too late. Creon can be identified as a tragic hero because he shows great signs of stubbornness and pride. Considering he is the King of Thebes, he follows his rules and laws without listening to his citizen’s concerns, nor does he care about the gods wishes. His role as a hubris influences many of his choices, he believes in only his own thoughts and wishes. Creon abuses his power just because he can, without thinking of the consequences.
It must seem inconceivable to Creon that the gods would ever want a traitor like Polynices buried, let alone with the same ceremony as his brother Eteocles. Creon believes in the gods of the country and he is sure that he is acting in the best interest of Thebes. For if he had decided to bury Polynices it would show him and his country as being week. It would send a message that Thebes is a country that honors its traitors. This could put the country in jeopardy of another attack.
Pride acts as another major theme; it is what got Creon in this situation in the first place. Creon has too much pride to admit to anyone that maybe he was wrong. Even when he has Antigone he has too much pride to let her go. Creon's own son questions him and he replies, "Am I to stand here and be lectured to by a kid? A man of my experience"(1063)!Creon shows that here he is too proud to change his decision for his own son even if he made the wrong choice. The king's friend the Leader tries to convince Creon to change his mind by telling him "My king, ever since he began I've been debuting in my mind, could this possibly be the work of the gods"(1050). The Leader was trying to tell
Now when the guards discovered that someone buried the body of Polyneices, the head sentry went to tell the king, whereupon Creon became enthralled with anger. He told the sentry that he judged him to be a bribed soldier and that he could not return unless he found the person who had buried the body or told of whom it was that had bribed him. After this the horrified sentry and his men brushed off the sacred burial dust from the body and kept watch from a distance to see if the rebel would return to bury the body. Sure enough, during a sandstorm Antigone was seen burying the body that she had cared for so well before. The guards grabbed her and she showed no fear. She did not try to evade her pursuers and she was brought before the king. The king first asked her if she had heard his proclamation concerning the burial of her brother. She blatantly told him that could not have helped hearing it. If she had denied hearing it, she may have escaped death, but she did not want to escape it, and she felt that she had done nothing wrong. She believed that her death would be of no importance, but that the death of her brother would
The main conflict in Antigone focuses on an unjust law promulgated by Creon. After Creon’s nephew Polyneices attempts to take power (resulting in his death), the king decrees that Polyneices is not allowed to be buried. In ancient Greek culture, this would
Antigone says, “I will do my part,-and thine, if thou wilt not,-to a brother. False to him will I never be found,” as well as that it is wrong for her brother to have been left above ground, “unwept, unsepulchred, a welcome store for the birds, as they espy him, to feast on at will.” In Greek times, these customs of burial were even more important than they are today, because of beliefs about luck, religion, and what would happen to the spirit or the family if the body was left unburied. This is why it was used as a punishment by Creon, and was so hurtful to Antigone that she was willing to risk her life to undo it. Ismene explains to Antigone the reasons that she will not take part in such a proceeding. Herein lies another example of the tragedy aspect of this play, as Ismene reminds Antigone of how her father, mother, and both her brothers had already died. Anyway, Ismene said she wouldn’t go with Antigone to bury her brother, and initially tries to talk Antigone out of it, but then simply wishes her luck and promises she won’t tell anyone. In the next scene, Creon explains, “Polynices,-who came back from exile, and sought to consume utterly with fire the city of his fathers and the shrines of his fathers' gods,-sought to taste of kindred blood, and to lead the remnant into slavery,” and that is why no one can grace him