This passage illustrates the lack of connection between Cha-Cha and his brothers, Russell and Lonnie. He is desperately trying to get someone to understand the struggles in his life but he cannot seem to connect with any of his siblings. Flournoy wrote this section of the book so that it contains strictly dialogue between the characters. We, the readers, are not able to gain a clear insight as to how each character is reacting to the telephone conversation. When speaking over the phone, it is very difficult to judge the reaction of the person on the end of the line. This point is exemplified by the sentence structure of the conversation between Russell and Cha-Cha. Russell’s sentences are very short and choppy, almost as if he desperately …show more content…
Cha-Cha feels as though Lonnie is on the same page as him but Lonnie does not even know where that page is. It is sort of ironic that the person who tells Cha-Cha he believes in the haint, is the one who is not even paying attention to the details of the conversation. Right after telling Cha-Cha that he believes in the haint, Lonnie’s end of the line becomes quiet. I found this pause to be an odd aspect concerning the passage of time. It really creates an awkward mood where you don’t have a full grasp of what’s going on. How people interact over the phone is very different from how they interact in person. During a phone call, you are unable to see whether or not a person is an active participant. Their facial expressions are unknown and their attention is usually focused on anything except the conversation. This can be seen when Lonnie forgets his phone call with Cha-Cha to focus on finding the stud for his earring. The dialogue becomes less smooth at this point mostly because of the confusion on Cha-Cha’s part. His response of “Oh…” indicates that there is a noticeable pause in his speech. He appears to be annoyed by the fact that Lonnie cannot pay attention long enough to have a basic conversation with him. Lonnie’s inability to remain attentive is ultimately why this conversation has no connection. It is purely Lonnie telling Cha-Cha what he thinks he wants to
Today is the day. Today is finally the day that I am to be released from the psychiatric hospital since that day when I passed out. I know last time you heard from me, I was broken and unhappy and had hate for the world, but i'm in the best state i could ever be, I really am I tell you. Oh how excited I am to see old Phoebe. I haven’t seen her since i’ve been admitted into this wing of the hospital. Oh I wonder how much she has grown< She was so intelligent and pure, nothing could ever compromise her. So I hope nothing hasn’t. I was retrieving most of my belongings before I left, when I happened to run into old Ms. Patty. This was my nurse and oh, how lovely she is. “Oh hello Holden, leaving so soon ?” she said so to me with great compassion. Naturally I said, “Why yes sadly, I must go on with myself and enjoy the world, perhaps find myself a woman”, I said this suave as hell, I tell you.
When Stanley first got to Camp Green Lake he was timid, apprehensive, and hesitant, but now he’s dauntless, sympathetic, and worthy.
Everybody and all that I have adored I have lost. How unfortunate. My father and mother, Belle Reve, and now Mitch. While it isn't last I comprehend what will happen, for I have no fortunes with regards to love. To start with my poor, dear, youthful spouse. Why, goodness why, did his passing need to happen? On the off chance have he not kicked the bucket, I would not need to confront this cold blooded and revolting world alone. The main way I know how to survive is to, well, lie. In any case, how am I to keep this up when I know I have been exploited?
The syntax of the punctuation also creates pauses. Pausing forces reflection: each space of not speaking allows for the processing of the emotions Brooks presents. By pausing and thinking, the emotions can become personal rather than the emotions of the speaker. Silence through repetition thus allows traumatic stories and the related emotions to present themselves in full via reflection.
Romeo and I are standing next to each other, Friar Laurence standing between us and nurse sitting down on the church seats. Nurse looks some what happy, she did want me to marry young. I feel happy and kind of guilty. I can't believe I snuck out. Even though I feel kind of guilty I’m glad I snuck out to marry Romeo. I know I met him like two days ago, but it feels like I've known him forever. It was love at first sight, something I had never experienced before.
The American and Jig use very different ways of speaking to one another, they often use manipulation – differently– and subtle hints to convey their desires. For instance, as they order more drinks, Jig observes that her new beverage tastes of licorice. The American, perhaps annoyed by her analogy, replies that everything tastes of licorice. Jig agrees that his statement is true, and continues to say: “especially all the things you’ve waited so long for, like absinthe” (paragraph 27). Here, Jig attempts to communicate that everything she longs for, or finds a solution for, leaves her feeling bitter in the end. Angry, the American asks Jig to “cut it out” (paragraph 28), which demonstrates his tendency towards avoidance. Finally, after some conversation – unrelated to the actual conflict – the American breaks the silence by saying: “it’s really an
In Native Son, Richard Wright paces the plot through his varying sentence structure which differs depending upon the situation at hand. Through the use of short and succinct sentences, especially in dialogue, Wright displays Bigger’s timid nature towards white people. In the narrative, the use of concise sentences depicts fast motions and the simple observations of Bigger. For example, when Bigger carries the intoxicated Mary to her room, Wright describes, “He turned her round and began to mount the steps, one by one. He heard a slight creaking and stopped. He looked, straining his eyes in the gloom. But there was no one” (105) By using simple statements, Wright shows
From reading the excerpt once, a monologue is a key concept to the development of the novel. Capote initiates monologue to show the characters’ unspoken thoughts. Monologue reveals characters secret thoughts or intentions. Perry Smith is the vulnerable sidekick who goes along with Dick. Trying to leave the murder of the Clutter family behind, Perry tormented with the never ending feelings of guilt.
Gatsby is so sweet. I’ve always loved that smile of his. It feels like the past, but the good parts. I just love him in general (I still think that Nick is secretly in love with me.) Gatsby lived across the bay and I didn’t even know. I never noticed the big parties he threw. I know I only went to one party, but I had so much fun. It felt so nice just to go out and meet all these amazing entertainers. One thing I’m unsure about is if I want to leave Tom for Gatsby. Tom is a cheater, but I loved him once. We also have a daughter together. If the time ever came where I had to choose, I don’t know who I would pick. one day, I’ll decide.
It seemed to bother Cha-Cha which made his character seemed so unhappy and tried to get to the point of why he was the only one to continue being bothered by this haint. So, therefore, it became a bigger problem that he was being haunted and was the only one in the family that was and he wanted to figure out why. He knew that everyone had seen the haint before so he wondered why all of a sudden they didn’t believe that it could be real. Maybe it could have been someone from cha-cha’s past but he couldn’t figure it out.
The chapter begins with a story about Rat Kiley’s friend Curt Lemon’s death and that he will be writing to Lemon’s sister about her brother and all of the things he has gone through at war before his death. The tone behind the letter is nothing but disturbing and inappropriate from Lemon’s sister’s viewpoint. There is
“The gun is too old, it’s going to misfire,” mused Stanley as he fingered the trigger of his pistol. It was a small and weak gun that had been in his possession for many years. “I’m too nervous, I won’t be able to pull the trigger, let alone aim this thing,” he thought to himself in horror, his apprehension wreaking havoc on his nerves.
Abigail didn't belong here. She knew that now after she had finally freed herself from that medicine they forced on her. She was finally herself again...for the most part. Now she had learned a lesson, she couldn't let herself feel anything or else she'd give herself away. They'd know if she wasn't acting like a complete zombie...so she had to take precautions. Starting with keeping to herself and not interacting with any lowlife scum who would upset her. She needed to get out of here, but she needed help. Or at the very least, cover.
A feeling of nostalgia came over you when you saw the old-fashioned sign and popcorn machines, everything was still in perfect order.
This bitterness and sarcasm is revealed as strong characteristics of the narrator. Throughout the majority of the story, the narrator continues shows his distaste for any "happy" situation. Much like the hyphenated asides, Carver implements fragmented sentences behind description, to show the narrator pausing for a moment of color commentary.