Peter Paul Rubens The Raising Of The Cross

Jan van Eyck painted portraits and religious paintings during the Northern Renaissance. He painted portraits of royalty and other wealthy people. Van Eyck also painted religious paintings for the church. Van Eyck was one of the only Northern Renaissance painters who could read and write. He signed his own paintings with a clever signature. He also wrote lengthy inscriptions on his paintings. Van Eyck’s work is still copied today.

During the Baroque Ages a man by the name of Caravaggio was a very prominante artist,

Florence is home to many wonderful painters and artists during the renaissance. The one who did the ceiling of the cathedral that is shown is Giorgio Vasari. he was a renaissance painter, architect, and author. This artifact shows how extravagant they had gotten with their art, using perspective, shading and the influences of humanism to paint. This shows the true art of this time period.

Peter Paul Rubens was a painter in the Baroque genre. The main theme of his painting “Descent from the Cross” is the death of Jesus Christ, who is depicted as a real person. All the people are extremely realistic; thus, it helps to create an emotional response from the viewers. The way Jesus's head is tilted clearly means that he is dead; however, the painting does not create negative feelings. Nevertheless, it is a death of one of the main figures in Christianity; therefore, its emotions are intense. Crucifixion is both historical and mythical event for Jesus was a real person and his life was surrounded by legend and myths. Respectively, “Descent from the Cross” shares this element with other Baroque paintings. Moreover, the light on the

The art piece that I selected for my analysis is called The Triumph of Divine Love by Peter Paul Rubens. The artwork is an oil painting on canvas, circa 1625. This piece of art was commission by Isabella Clara Eugenia, Infanta of Spain and Portugal. The Triumph of Divine Love was one of eleven art pieces in a series portraying the Eucharist cycle, an important issue in the Catholic-Protestant strife. Its purpose was to aid in the Catholic Reformation and the artwork was to be displayed at the Convento de las Descalzas Reales in Madrid. (Ringling Museum n.d.)

In the painting, ‘Virgin and Child’, by Rogier van der Weyden, it can be observed that the artist chose to use the medium of oil on wood. Despite the fact that Rogier van der Weyden created this painting in the Netherlands and was born in Tournai, Belgium, their primary influence appeared to stem from the Italian Renaissance, which had begun to use the technique of oil paintings with increasing frequency by turn of the 15th century. The subject of the painting itself, Madonna and her virgin child, were a common theme in the Renaissance, where religious subjects and topics were the primary choice for any prominent artist during this historical artistic period.

Artists that concentrated on the Baroque style of painting had an uncanny ability to display their style more so than the artists of the Renaissance era. In respect to their different approach towards shape, room, and work of art, the differences in their styles resulted in dissimilar descriptions. Renaissance and Baroque seem to concentrate towards the treatment of space, appearance, and color. This uniqueness affects the description of a painting and therefore it cannot be seen. More so, than in comparing Perugino's Christ delivering the Keys of the Kingdom to St. Peter from the Early Renaissance to Caravaggio's exchange of St. Paul from the Baroque style.

The period of Baroque art was from 1600 to 1750, and relates to the style

Michelangelo Merisi da Caravaggio better known as simply Caravaggio was an Italian Baroque master painter born in Italy around 1571. After he apprenticed with a painter in Milan, he moved to Rome, where he lived for most of his life. His work influenced painters around Europe. He’s most known for his gruesome subjects and use of Tenebrism, which was a technique that used heavy shadow to

Rembrandt Harmenszoon van Rijn is generally considered one of the greatest painters in European art history and the most important in Dutch history. Rembrandt was also a proficient printmaker and made many drawings. His contributions to art came in a period that historians call the Dutch Golden Age (roughly equivalent to the 17th century), in which Dutch culture, science, commerce, world power and political influence reached their pinnacles.

The subject of religion has captured the attention of artists for centuries, working its way throughout the years, in and out of various of styles and movements. The artists of this era often found themselves reliant on this subject matter due to Churches being a steady Patron throughout the Renaissance all the way to the Baroque period. Whether it was because of the rich cultural impact to society or the enforcement of strong divine beliefs, depicting biblical narratives have struck an everlasting cord within this medium. Two particular ones, in fact: The Deposition from the Cross (Entombment of Christ) by Jacopo Pontormo and The Entombment of Christ by Michelangelo Caravaggio. Both of which provide an excellent example of how culture and artistic style combined can alter the message of the same iconic scene and still evoke different emotions.

Rembrandt van Rijn is known for his self-portraits and biblical knowledge. Rembrandt drew many self-portraits that time line his life changes and appearance. Dutch artist Rembrandt is considered to be one of the greatest painters in European history.

Rembrandt is known as one of the greatest artists of the 17th century. He is also known as one of the greatest painters in western art. Rembrandt earned these titles rightfully so. He belonged to the Baroque period. The Baroque period had works of

With the continuous growth of paintings and artists, prestige for art increased dramatically to the point in which religious aspects were shown through landscapes, portraits, and temperas. This then allowed the creation of new styles and mathematical input that manifested everyday life with religious aspects. One such artist was Giovanni Bellini who introduced bright, rich, strong colors into his palette and landscapes that expressed the happiness, calmness, and prosperity that Italy carried throughout the Renaissance. These characteristics and styles of paintings subsequently became a popular Venetian cornerstone. Other important figures in the Italian Renaissance that demonstrated the movement?s ideas through their ingenious paintings and architectural methods were Pier Della Francesca and Leon Battista Alberti. Francesca, who was and expert in mathematics, developed the art form of perspective. Alberti, on the other hand, as an architect developed the pediment which became popular throughout the entire Renaissance. His monasteries and churches depicted many of the religious ideas, as evident in one of his famous works, the Santa Maria Novella. All in all, the use of the common religious themes such as the annunciation, adoration, Crucifixion, and the popular Madonna

Art during The Renaissance brought about a style of realism that led into the portrayal of perfection and movement associated with the Baroque art of the 17th century while continuing the undertones of religion affiliated with the Middle Ages. While people who share beliefs with Burckhardt would say that the perfection of the Renaissance style art was a drastic shift from the crude gothic art of Medieval Times, it still contained much of the religious overtones prevalent in its predecessors, depicting saints and Jesus Christ himself in much of it. There were several statues depicting David, from the biblical story of David and Goliath, and entire chapel ceiling painted by Michelangelo, and one