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Passage 1 Passage 2

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Passage 1 Passage 1 is the first description, in the beginning, that readers get of Georgiana specifically, through Alymer’s eyes. It is also the first introduction to the themes of control and obsession that continue throughout the rest of the story. This passage establishes the dichotomy that forms between Georgiana’s beauty and Almer’s desire for complete and utter perfection. Alymer, to some extent, is set up to be a character that tries to play ‘God’ where, instead, he ends up being more akin to the ‘Devil’. Wherein, he destroys Georgiana in his quest to make her “perfect”. There is an interesting religious symbolism that is created due to this, similar to what happens to Eve in the garden. Georgiana is “tainted” by her own apple, her …show more content…

Specifically, it reflects on his uncertainty and acceptance of the change he experiences by going in and out of the mountain. Rip may also be a metaphor for the creation and persistence of America. As a whole, the story and passage act as a way to reconcile a new identity with new surroundings, which many people in 19th century America were experiencing at the time. Splitting from the global powerhouse of England in the 18th century meant not a lot was certain for America in its early years. This anxiety is represented well by Rip’s identity crisis when he returns unknowingly after his twenty-year disappearance; many new immigrants to America may have felt the same way. Thrust into new identities and settings, people’s lives were fundamentally changed, all of whom can be represented in some way by Rip. Irving himself experienced these changes and struggles and may have represented his own feelings through Rip. Irving writes, “He doubted his own identity” (Irving 38). Rip, like many new immigrants, has woken up to a completely new world around him after complete normalcy, not even a day prior. It was a shock for him to see things that he recognized and at the same time be completely unfamiliar with what he was seeing. He says, “I am not myself, I am somebody else” (Irving 38). Rip now has to take the fundamental parts of himself and the world that he knows to be true and reconcile them in a completely new situation. Perhaps, in some sense, Rip is a new person. As Irving writes, “Rip’s heart died away hearing these changes” (Irving 38). This recognition and understanding of what has happened around him almost gives him the ability to create a new identity for himself. While it may take some time, just as it did for anyone moving or living in early America, he has the freedom now to be a new

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