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Ninotchka And Communism In Ernst Lubitsch's

Decent Essays

As one of the early controversial Soviet-American made films, Ninotchka (1939) was one of the first American movies which under a satirical cover and light romance, depicted the Joseph Stalin rule of Soviet Russia as being harsh and melancholy. Ernst Lubitsch’s comedy starring Greta Garbo as a stern Russian who falls in love, was deemed a great success in the United States and Western Europe whereas it was banned in the Soviet Union and its satellites. At the time, New York Times newspaper started their review blatantly stating “Stalin won’t like it” (Nugent, 1939). Premiering in 1939 in the United States, the film’s release was uncanny, a month after the outbreak of World War II in Europe. Lubitsch’s film Ninotchka utilizes Greta Garbo’s and …show more content…

Upon the Russian comrade Ninotchka’s arrival, she remains loyal to communist Russia. She considers Stalin’s mass trials a “great success,” stating “there will be fewer but better Russians.” Contrasting her comrades, she is not so easily enticed by the allure of Paris and d’Algout. She is there to serve the state, regarding food as a source of calories, drinking a cure for thirst, and love as no more than a “chemical process.” (Mindich, 1990, p.17). Ninotchka represents the strength, service, and pride of the Russian people. Lubitsch interestingly takes jabs at not only Soviet communism but also western consumerism when Ninotchka asks d’Algout “what do you do for humanity?” exposing the negatives that result with western lifestyle (Mindich, 1990, p.17). Conversely, both characters represent a limitation in the others political and social landscape, as neither Ninotchka or d’Algout are held up as ideals in themselves. Ninotchka and more broadly soviets’ allegiance is verified when she chooses to leave France and her lover Leon to return the jewels to Russia to save the lives of many Soviets. This return to Russia exemplifies the Soviet governments concern with the livelihood of its people (Mindich, 1990, p.18). The scene in Russia is much different than that of Paris. Parades of soviet people march with somber faces carrying posters of Stalin (Mindich, …show more content…

Eggert recognizes the attempt to daringly represent communism with various realities, presenting women in several forms of power and authority (Eggert, 2013). This representation was considered taboo to Western culture at the time challenging political and social norms of the era. Most viewers however, chose to ignore many of these representations of communism and focus on the bland monotonous imprisonment of many soviet people. Eggert suggests that “The protagonist’s stifled sexuality is represented by her political identity, and only when she sheds her Communist role can she fulfill herself sexually” (Eggert, 2013). This sexual restriction attempts to embody soviet communism of the time, an early robotic Ninotchka allows herself to escape the constraints her country has placed on her to complete her current quest for love. This representation implies love, happiness, and fulfillment cannot exist under soviet rule and can only be pursued through the capitalistic realm. Other instances of the extreme contrast of the two systems can be noted when Ninotchka orders her food from a Parisian restaurant asking for raw beets and carrots. The baffled server responds “Madame, this is a restaurant, not a meadow.” Yet another

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