Montage From The Soviet Era Essay

Have we learned the accurate information about the Soviet Union? When most people reflect about the Soviet Union, they only remember learning to fear them. Union of Soviet Socialist Republics; also known as the USSR or Soviet Union, created during the 1922 after the Russian Revolution;1917, when Nicholas II was overthrown. This led to Lenin, who was a revolutionist and theorist, an opportunity to create a communist country. What should we learn about the Soviet Union?

Almost every piece of cinema seeks to give the viewer an understanding by intricately assembling shots in a coherent, and a sometimes muddled, manner; the techniques used in editing places various shots in purposeful sequences, to emphasize certain relationships between shots. The shots can be arranged smoothly and logically, or shift abruptly from shot to shot; different methods of the aforementioned arrangement of shots are utilized in either discontinuous or continuous editing. Sherlock Jr. and The War on Drug’s music video “Holding On”, are two motion pictures that offer spatial relations, by applying techniques of both continuous and discontinuous editing.

“If the Soviet Union let another political party into existence they would still be one state party state because everybody would join the other party,” is a quote by Ronald Reagan about the Soviet Union. The Soviet Union(USSR) is a constitutionally socialist state that existed in Eurasia from 1922 to 1999. It's fall resulted from its government-run economy not working very well. Soviet Union was run by Vladimir Lenin, dictator who overthrew Russian monarchy, and Bolshevik communist. At first USSR aligned with the US to defeat the Nazi Germany. But the countries soon turn against each other due to the difference in perspective about how government should run in 1945. Their clash was a major part of cold war. Now with all this information

The first feature “Basic feature of Post-War Soviet outlook” in which Kennan believed that the Soviet Union has international intentions he describes as “capitalist encirclement”. Kennan mentions that socialist centers will draw countries that are in favor of socialism and capitalist centers will draw countries that are in favor of capitalism. Kennan says “Battle between these two centers for command of world economy will decide fate of capitalism and of communism in entire world" (Kennan 1946). He believes the USSR is using any opportunity to gain strength and did not want to co-exist with a capitalist world. Capitalism and Communism are opposed to one another to the Soviet Union.

Another interesting use of camera cutting can be found in the in between scene where Cleo is roaming the streets of Paris. She is now becoming the one watching other people rather than being the one watched as she was in the beginning (probably because of her beauty and famous singer status). While she is watching the camera cuts between other people’s conversations and then while she is walking the camera is in essence her point of view. However during this walk, the people passing are watching her as well, thus proving that this is the transition time. The use of cutting between shots of her and shots of all these people passing her not only show this change in who is watching who, but also allows for a sense of time passing. Interspersed with these shots are images of people we have already met, the widow, the boyfriend, the piano player, as well as the images of a monkey resting on a clock and her wig resting on the mirror, these things conveying how the people who know her see her and how she sees herself. This is a genius montage because these two things represent the same thing, how people see her, how she sees people, and how she sees herself, and by interspersing them we see

A variety of camera techniques are used throughout the beginning sequence to enhance the mood and involve the audience. Camera techniques are harmonized with lighting effects to culminate this dramatic scene. I will begin by discussing examples of this. In the village, many close-ups and long shots are used to enhance facial expression and to set the sombre mood.

Over the years that the soviet union was active, they had many achievements to be proud of. However some of these achievements are not recognized or are so miniscule in soviet textbooks that no one pays any attention to the topic. The Soviet Union had a lot of pride in themselves so it only makes sense to put more emphasis into these three topics, geographic expansion, military strengths, and socio economic accomplishments. The Soviet Union was great at all three of these areas and showed the world how great they truly were.

Soviet Montage is a movement driven by “Marxist [politics]” and an “economic philosophy” developed in Soviet Russia at the time of revolution. Lenin himself considered film, as an art form as the “most influential of all arts” as it not only entertained but could be used to “[mould] and reinforce values.”( Mast, G. & Kawin, B. F.) Sergei Eisenstein, himself a Marxist, is no exception to this and not only are his films are full of political propaganda, but he is also considered “the greatest master of montage.” .”( Mast, G. & Kawin, B. F.) His film October, called Ten Days That Shook The World in the Western world at the time and butchered due to its content, has always been considered problematic for audiences and critics alike and the standard critique of the film soon became “The Film as a whole is difficult and incoherent.” (Sperbur) Although if analysed properly, you can see that it has powerful political and social messages to convey and comprises of film form that Eisenstein himself called “intellectual film.”

In this essay I will be discussing five key points throughout Post Production history between the 1900s-1960s. Post Production is seen as a vital component in the cinematic industry as it essentially finalises the final products. Techniques that have been developed over the years are incredibly important, but they all have an origin. Although these techniques started out without overwhelming effect, they are now unbelievably crucial to how films are constructed. The five points I wish to discuss go as follows: The Great Train Robbery and Edwin Porter himself, D.W. Griffith and his overwhelming influence on editing, The Jazz Singer, the Kuleshov Effect and finally, 2001: A Space Odyssey. As well as discussing these key factors, this essay will take into consideration secondary material.

The Kuleshov Workshop explored the effects of juxtaposition in film, and how sequential shots convey a

This paper will focus on the film techniques used by Cameron in his three most known movies, Titanic (1997), Avatar (2009), and Terminator series. Mise-en-scene according to John Gibbs is used in film studies in the discussion of visual style. Translated literally it means “To put on stage”, but for the purpose of students, it is defined as the contents of the frame and the way they are organized (p 5). In addition, a director’s style can be identified only through the arrangement and orchestrations of the film’s mise-en-scene (Nelmes, 425).The films Titanic, Avatar, and Terminator series were successful

Early movies were shot and viewed as slide shows. With narrations like The Life Of An American Fireman, where instead of cutting we would see full clips linked together. When the filmmakers brought us from one action to the next they, repeated actions instead of cutting and letting

Anyhow, temporal relationships between shots are away to be creative in a plot to make you go back to certain events that happened in the beginning of the film. For instance, having a flashback is used when taken back in time. “Flashback (the interruption of chronological plot time with a shot of series of shots showing an event that happened

Most commonly questioned temporal shots are smoothed together using continuous diegetic sound creating a logical linear timeframe that is an auditory reminder for the audience. Other related techniques, such as the flashback and montage, are also commonly utilized in continuity editing within Classical Hollywood cinema. A flashback is the jump in the story from a point in the present to a point in the past; an internal analepsis is a flashback

Previously, editing used to be a challenge for most filmmakers. Often, they relied on manual methods when filming to add effects to the films. Incorporating visual effects to the film was a demanding task that