Marjane Satrapi's Persepolis

In Marjane Satrapi’s graphic novel Persepolis, Satrapi states that her goal in writing the book was to dispel many of the hasty generalizations made by the western world about Iran, a principal sentiment being that the country is little more than a nation founded by fundamentalists and home to terrorists and extremists. To combat the misconception, Satrapi enlists the assistance examples of barriers and dissent towards the new conservative regime in Iran from her adolescence. By employing events from her childhood in Iran Satrapi rattles the foundation of the myths and false beliefs assumed by the occident. Satrapi writes that the initial waves of conservative fundamentalism in Iran were met with unified national dissent. To support this

For readers who live in different countries with a huge difference in comparison to their governments such as America. Readers in America would most likely interpret this book as a call of pity or rather an eye-opener to other countries as “Persepolis” shows the culture and economy of Iran. In American they have a democratic government meaning that people have the right to fight and speak up for their ideas and beliefs, in other terms they have the right to freedom of speech, unlike in Iran when people protest to the government or ruler they get shot right in the spot or rather imprisoned and torture.

Marjane Satrapi’s Persepolis recounts the conflicts and disillusionment as a result of living through the tyrannies of the Shah’s and the Islamic regimes. Her main motive was to keep alive the spirit of those Iranians who lost their lives in wars fought for freedom, suffered under repressive regimes or who were forced to leave their families. It highlights the daily conflict between tradition and modernity, West and East, dictatorship and individual freedom. Marjane has used several motifs, such as the veil, the mirror, background panels to emphasize on the situation in Iran and this essay focuses on how the veil becomes the dominant motif for portraying the suppression of individual freedom, knowledge

Iran’s conflict between modernism and fundamentalism can be seen in the novel’s focus on the political prisoners. Marji encounters various men that were incarcerated for holding extreme leftist views, including her uncle, and the consequences they faced. In the chapter “The Heroes” Marji is exposed to the various torture methods induced to make the prisoners betray others who shared their discontent. This can be seen when Marji’s father asks about Ahmadi and Siamk, the newly freed prisoner, tells them, “… Ahmadi was assassinated. As a member of the guerrillas, he suffered hell” (54). In making this comment, Ahmadi shows the intensity with which fierce opponents were persecuted. Additionally, the never ending arrests and deaths of these political opponents show the

Rebelling has been a part of many people’s lives whether people try to or not, but not acts of rebellion are the same. In Iran, the Iranian people rebel against the Ayatollah in many minor and subtle ways. These small acts of rebellion could result in imprisonment or even death. In Persepolis, by Marjane Satrapi, the people of Iran bravely protest against the Islamic government in many subtle ways which show their determination to risk everything and fight for not only what the believe in, but also their country.

There are many elements that contribute to the effectiveness of a piece of writing. One element in particular that adds to how effective a piece of writing can be is point of view, which can determine what the reader knows and understands, and how the information given is interpreted. As a result, point of view contributes to character development and the emotional impact of a piece of writing. Marjane Satrapi utilizes the impact that point of view has in her graphic novel Persepolis. The story, which is written as a memoir, includes Marjane herself in the images, which makes the text seem to be told from more of a limited third person point of view, while the narration of the story is told in the first person. By including herself in the

The novel “Persepolis” shows many life changes during the Islamic Revolution told through the eyes of a young girl. “Persepolis” was based on Satrapi’s childhood experience in Iran. Throughout the span of the 1970’s to the early 1980’s, Satrapi experiences many changes in her life, not only with the government, or her education, but also with herself. Although she witnessed many violent acts right in front of her eyes, these experiences helped Marji (Satrapi) grow as a young child.

By allowing the reader to form their own perspective it “makes the reader reconsider the assumptions…[of the] so-called other” by giving the reader the freedom to perceive the events of the revolution as they wish and not reconsider the way that they once understood the people of the east to be (Darda 34). Satrapi is using her experience and graphic novels to show what her experience as a child was, she does not claim at any point to be telling the entire story of the revolution she is merely introducing a new perspective which up until that point had not been seen in the western countries.

Another historical event that we see is the rise and effects of the Islamic regime in Marjane’s life. This event is arguably the central issue that affects Marjane during her upbringing in Iran. Marjane shows how the regime begins to control schools, and how this affects her life by separating her from her friends (4, 3-4). We also see how the regime decides to close universities as they “educate future imperialists.” (73, 1-3) This demonstrates the negative effects that the regime has on society, as they prioritize Islamic values over education. The Islamic leaders portrayal shows them as upset and bored, and are given much different facial expressions than those that Marjane sees as intellectual (such as Uncle Anoosh (54/3) or Marjane’s grandfather (23/8)). This imagery communicates the backwards-thinking of these leaders, and as such, also effectively communicate Marjane’s opinion of the leaders without needing to discuss it with text. Additionally, we see both of Marjane’s views: Marjane not understanding the veiling and separation (3/5) as well as Marjane’s depression over the closing of the universities (73/7). The text here illustrates her opinions on the situations that she experiences, and the imagery allows us to see a visual representation of her basic thoughts and emotions, which are well communicated. A final example of the regime’s changes is the difference between the fundamentalist and modern women

When Satrapi’s country went to war, it made her realize the importance of life. Listening to the radio gave her an image of what the war looked like. She descended the stairs and saw smoke and riots, the people fought for their lives and even turned against each other. Seeing the way people fought, Satrapi thought “They eventually admitted that the survival of the regime depended on the war. When I think we could have avoided it all…It just makes me sick.

Throughout the novel, Satrapi plays with techniques of point of view. She relates the history of Iran and the persecution of its people not just from her perspective but also from the perspectives of her parents, her grandmother, and from others with firsthand knowledge of the political and social situation of Iran during this period. These points of view, however, are always interconnected to the author’s own point of view. Satrapi connects and interweaves the stories of those around her into her own process of self-actualization and growing up.

The book taught me a lot about many things I did not know about the past in Iran. It is about the author’s childhood during the Iranian revolution. It talked about her during her school years. Marjane’s parents went to go fight with a group of people to regain their freedom. Since Marjane and her friends were too young to demonstrate they would do it in her yard at her house.

The film is a sappy recounting of Marjane Satrapis's early childhood, adolescence and young adulthood living in and out of Tehran in the years following Ayatollah Khomeini’s 1979 Iranian Revolution. Marjane

* Show how Marjane Satrapi grew up under oppression during the Islamic Revolution in Iran.

Persepolis was written by Marjane Satrapi and was published in 2004. Marjane wrote this book to tell the life that she was living and the difficulties she faced. Persepolis takes place at the same time as the Islamic Revolution. The Islamic Revolution is seen to be one of the most important events to take place in Iranian history. This is significant to know while reading the book because it shows how the revolution affected the people of Iran. The girls were forced to wear veils to school; boys and girls were separated from their schools, which caused the people of Iran to begin protesting against the Shah. They wanted a democracy and to overthrow the king. The protest became more dangerous everyday; people were being killed for standing up for what they believed in. One day while Marjane’s mother was protesting, her picture was taken and published in the newspaper. She was terrified, so she dyed her hair and wore dark sunglasses. She felt as if someone recognized her then they would try to kill her for being a demonstrator. The story is told from the eyes of a young, determined Satrapi. At first she believed that the Shah was a great leader because her teacher told her that he was chosen by God. However, her father informs her that he wasn’t chosen by God. She also learns that her grandfather was a prince and a prime minister who was imprisoned for behaving as a communist. At