How Did Donatello Influence The Italian Renaissance

Donatello wasn't just a master artist and sculptor he was considered the greatest. This is stated in web source #2 paragraph

In the fifteenth-century, the evolution of patronage begin, since power, and money influenced the creation of great artworks. One hand it flourished the Italian architectural collections other hand, notable designers as Brunelleschi, and Donatello designed and experimented with their creations. For example, Brunelleschi creation for the Medici family, which known as the Dome of Florence Cathedral (Fig 12-12). As it has been mentioned in the book he was the founder of the dome and it was one of the Gothic inspired and cost effective creation from that time period. Artist Donatello also made a contribution in the art world in a fascinating way since his work was inspired by as it has been mentioned in the book by the classical forms which

Donatello: 1st great sculptor of the Renaissance. Revived the Greco-Roman style of sculpture. He was the first large human standing sculpture of the Renaissance.

The person that I chose was Donato di Niccolo di Betta Bardi is also known as Donatello. I chose Donatello because his sculptures look very interesting and cool looking. Another reason is because He sounded like an interesting person to research. Donatello was well known because he was the greatest Florentine sculptor before Michelangelo (1475–1564) and was the most influential individual artist of the 15th century in Italy. Donatello was born during the Renaissance period in history which began in Northern Italy during the 14th century. It is believed while Donatello was with the Martellis family, he was given his first instructions on becoming a goldsmith. He would become the apprentice of Lorenzo Ghiberti in 1403. While he was living in Rome, he earned his living in goldsmith.

One of the most obvious examples in which Greco Roman culture was displayed in the era of the Italian Renaissance was through the works of art; and more specifically the medium of sculpture. Take for example, the piece by Donatello, Saint Mark, this piece harkens back to the artwork of the Greek culture by having the character whom is sculpted to be positioned in the contrappasto style, where the audience may view “the drapery covering his body beneath, particularly his left knee as it projects forward… He is, in other words, a fully realized human form”; this technique was predominantly used by Greek artists, and was relatively abandoned by all other artists after the fall of the Greek empire to the Romans (Sayre, 2015). Yet, the artists of the Italian Renaissance saw the beauty and value of

The Renaissance also brought drastic changes to the artistic world. The decisive break with medieval tradition occurred in Florence, Italy in 1420 with the invention of linear perspective. This innovation made it possible to represent three-dimensional space on a flat surface. In previous years, objects had been represented on the canvas as one-dimensional. This paralleled the one-dimensional thinking of the time and served to create rigid and unrealistic portrayals in art. Another ideal that evolved was the culmination of harmony and proportion. The human form was seriously analyzed for the first time. Careful attention was payed to minute details such as the shape of muscles and how they looked as they moved. This led to a more realistic and accurate reproduction of the human body. During the Renaissance "...the medieval aspects of the Christian religion were swept away, especially by the violent surge of the Reformation: No other artist managed, as Michelangelo did, to portray this change in his works..." (Heusinger 3).

The Italian Renaissance is best known for its cultural achievements credited to writers, poets, artists, sculptors, and “Renaissance Men” (or women!). Figures such as Petrarch (The “Father of Humanism”), Leonardo da Vinci (The ideal Renaissance Man known for the Mona Lisa, the Vitruvian Man, and many more creations!), Raphael (known for his painting, The School of Athens.), Dante Alleghri (known for his work, The Divine Comedy.), and

Donatello’s father was also a craftsman which helped Donato become a sculptor. He started his journey of a sculptor at the Stonemasons’ Guild. He then apprenticed under Lorenzo Ghiberti, were he started to work for the masters of the bronze reliefs on the doors of the Florence Baptistery. Donatello had made many great life sized statues made from marble, like David, which was supposed to be a decoration for the cathedral in Florence. As Donatello grew up, his work got more mature and unique.

That included a much more dramatic feel to his sculptures which continued on through later years of his life. He was known for his style of emotion filled faces in his sculptures created using many different innovative techniques that no one in that time was using so it became his trademark. Before Donatello used these techniques to make sculptures that could occupy a certain space, other sculptors only used a flat background for the base on which they created their work, which he really brought a new perspective to creating sculptures. Also, Donatello’s greatest work was a replication of the sculpture David, commissioned by Cosimo de’Medici in 1430, the sculpture was to be made from bronze this time and was structurally

David Donatello was a famous painter and sculptor. He was born in italy 1386 and died 1466 he was buried next to his major patron cosimo de’ medici. He was famous for some sculptures called the zuccone and the david. He used bronze in some of his sculptures.he was friends with the famous architect filippo brunelleschi.

The Gattamelata was created in 1445-1453. Donatello created it because a town called Padua, wanted to honor Erasmo. Even today, The Gattamelata still stands in Padua, Italy. Another piece that I like is Saint Mark, It was created because The Linen Guild commissioned it to be created It was created in 1411-1413. Today Saint Mark is located in Florence, Italy.

A large portion of the Italian Renaissance was an obsession with finding order in everything in the universe. Its primary actors sought to show nature as orderly and fundamentally simple. Leonardo Da Vinci, the epitome of the Renaissance Man, was not the first to apply these ideas of geometric order and patterns to art, but he may be the most well known. Da Vinci used mathematical concepts like linear perspective, proportion and geometry in much of his artwork.

The Renaissance is a widely discussed time that includes a countless number of inventions, innovations, and influential figures. The discussion of art, one of the major features of the Renaissance, often leads to the same few pieces, such as the Mona Lisa or Sistine Chapel which were created by artists in the later 1400s and 1500s rather than those who began the movements in the late 1300s to early 1400s. Donatello, a skilled sculptor of the early Renaissance, influenced the Renaissance worldview through his pieces by initiating styles and techniques that reflected human nature, rich emotion, and the ability to reach beyond the standard. Even at the beginning of his career, Donatello was turning away from current styles and exploring new areas of his own.

Renaissance was the time during the fourteenth and sixteenth century where different changes to culture appeared in like art and literature, this was called rebirth. Churches would often sponsor artist lots of money to make art in the name of God. One artist was Michelangelo, who made the statue of the naked body of David which celebrated the human body. It was praised for its realism and the attention to details as well as with the Sistine chapel, where he had laid on his back on planks of hardwood where paint would drip on his face in order to finish the piece of art. Leonardo Da Vinci was an artist, scholar, scientist, and Innovator and he was referred to as the ideal Greek, well rounded man.

Michaelangelo and Donatello are the Renaissance artists who revived the classical ideals and art by creating their works in Christian themes. Also, their works were influenced by the classical culture's antiquity style of depicting the human figure. Not only they used followed the existing art techniques, the two Renaissance artists moved beyond the example of Greek and Roman art by incorporating their own methods to sculpt the figures. Considering the humans' anatomical structure, Michaelangelo and Donatello began to develop the naturalistic view in their works. For example, Donatello introduced a new method of sculpting the anatomical structure first and added the draping clothes afterward. Michaelangelo also studied human anatomy and incorporated