Death of a Salesman

Biff Loman is the son of Linda and Willy Loman. He is both attractive and well liked, but has never been successful at any job he gets because he’s a compulisive theif. He’s never been able to meet his fathers high expections with any job he’s ever done.Biff has adabted most of his fathers traits but none of his own. “I realized what a ridiculous lie my whole life has been” (Miller Act II: 104) Later in the play Biff begins to realize his own reality, that he is nobody just like his father, and that he was not meant to fufill the American Dream. No matter how hard Biff tires to get his father to see that he is ”nothing”, Willy refuses to believe it. Willy held out so much hope for him that he even kills himself so Biff could collect his life

As the play’s titular character in Death of a Salesman, Willy Loman is viewed by many as the definitive modern tragic hero of modern literature. He is a man struggling to gain upward mobility in a society designed to keep him in the trenches. The classic idea of a tragic hero is an important person who falls from a lofty seat in life. Willy, however, is just a common man trying to get to a place he can fall from. According to Arthur Miller, a tragic hero need not be a king or anyone of high rank. What’s important is the existence of the character’s “tragic flaw”, out of which creates the need to resist anything the character would consider a force attacking their being. Miller outlined the tragic flaw as a quality of a character that leaves them unable to accept anything that would affect or alter his/her status or self-image. While this flaw can create the tragic nature of a character, it does not necessarily create a tragic hero out a character. Willy Loman, though perhaps a tragic character, is not a tragic hero because he does not display the characteristic traits or actions associated with heroism.

Since the beginning of its time, America has set a global standard for offering chances at prosperity and career opportunities for qualified adults. Its people have been implicating the idea of the “American Dream” into its culture for many years and has become widely recognized by individuals all across the world. People pack up their lives and families to travel to American soil to try at a chance of a better life, and in doing so, they too venture on a path to achieving this so commonly understood “American Dream.” Arthur Miller, a well-known literary writer in America, seems to disagree with this national phenomena, offering a different view in his play Death of a Salesman. In this play, he demonstrates through the life of an average

In Death of a Salesman, by Arthur Miller, Willy Loman’s life seems to be slowly deteriorating. It is clear that Willy’s predicament is of his own doing, and that his own foolish pride and ignorance lead to his downfall. Willy’s self-destruction involved the uniting of several aspects of his life and his lack of grasping reality in each, consisting of, his relationship with his wife, his relationship and manner in which he brought up his children, Biff and Happy, and lastly his inability to productively earn a living and in doing so, failure to achieve his “American Dream”.

How can two people watch or read the same story and yet, interpret it completely differently? Does it have to do with the author’s intentions, or maybe it has to do with the viewers’ own backgrounds and ideologies? Whatever the case may be, viewing one piece of work can lead to a wide array of opinions and critiques. It is through the diversity of such lenses that Death of a Salesman, by Arthur Miller has become one of the most well-known plays in modern history. There are many different ways in which a play can be criticized, however, criticisms from the approaches of a Marxist and reader-response will be utilized to further dissect Death of a Salesman. Marxist criticism sees pieces of works as a struggle between different socioeconomic classes; what better way to see Miller’s play than for what it is at face value, the struggle of a middle-class man trying to achieve the American dream (1750). On the other hand, a reader-response criticism comes from either an objective or subjective view; in this case Death of a Salesman will be viewed with a subjective lens based on Willy’s deteriorating mental health (1746).

Willy’s biggest issue with his son is that he let him down by not being any more successful than him. He feels like Biff is failing on purpose just to make him look bad. Although, he has no decent job and is single; Biff has become disoriented about life. Earlier in the play Biff tells Happy, “I tell ya Hap, I don't know what the future is. I don't know - what I'm supposed to want” (Miller266). Biff once looked up to his father as a role model, but lost all faith in him once finding out that he was having an affair. Ever since he has rejected Willy’s commitment of being a husband and also a father. To add to his ruins are Willy’s ideas of how Biff should get ahead in life. Willy taught Biff that popularity was the right way to get to the top, rather than hard-work and dedication. Trying to live by his dad’s standards caused Biff to fail high school and become unable to put forth the effort to become

Biff Loman is portrayed as the root of Willy’s mental illness and instability. He is also the only member of his family who acknowledges his own failures in life. On the whole, Biff Loman stands out as the most intriguing and strong character in “Death of a Salesman. He is not a successful man and never will be, he is however able to admit this, even in a harsh society as the one of the 1960s America. Biff knows he is a “nothing” and tries to make his father see that he is “no good. I am a dime a dozen, Pop, and so are you.” He begs for Willy to communicate with him and accept him for who he is. Although Willy is forced by Biff to see some of his own failures, he never

In the play “Death of a Salesman”, by Arthur Miller, the primary theme can be seen as a conflict between man and society. In which the ambition to achieve the “American Dream” controls the life of Willy Loman and the influences he has. When success is not reached, sends Willy’s mind on a mental ride.

Willy Loman, the central character in Arthur Miller’s Death of a Salesman, is a man whose fall from the top of the capitalistic totem pole results in a resounding crash, both literally and metaphorically. As a man immersed in the memories of the past and controlled by his fears of the future, Willy Loman views himself as a victim of bad luck, bearing little blame for his interminable pitfalls. However, it was not an ill-fated destiny that drove Willy to devastate his own life as well as the lives of those he loved; it was his distorted set of values.

Many workers today go through a low time or a struggle and give up. Today’s workers do not necessarily commit suicide when they are in a low point but they do things such as quitting the job or relying on government assistance. Willy strives to achieve the American dream and he eventually realizes that he has failed and gives up on life. This dream is a belief in America and that all things are possible if you work hard enough (Criticism of ' the American Dream' in 'Death of a Salesman'). Arthur Miller uses this story to expose the problems with pursuit of such a dream: “What Miller attacks, then, is not the American Dream of Thomas Jefferson and Benjamin Franklin, but the dream as interpreted and pursued by those for whom ambition replaces human need and the trinkets of what Miller called the ‘new American Empire in the making’ are taken as tokens of true value” (Bigsby). “Death of a Salesman” creates a challenge to the American Dream and shows that an American should live a prosperous and plentiful life instead of get lost and die tragically (Criticism of ' the American Dream' in 'Death of a Salesman'). Gradually throughout the play, Willy gets farther and farther away from achieving his idea of the American Dream. His income slowly decreases to nothing: “as a salesman, Willy stages a performance for buyers, for his sons, for the father who deserted him, the brother he admired. Gradually, he loses his audience, first the buyers, then his son, then his boss” (Bigsby). His problem is that he completely surrenders to the American Dream and by the team he realizes his mistake, he has nothing to fall back on (Panesar). If Willy would have embraced his natural talent for manual labor and his family’s love for the countryside, the Lomans could have a totally different lifestyle (Panesar). Towards the end of the play, Willy became overwhelmed

Arthur Miller’s Death of a Salesman tells the tale of Willy Loman, a man who falls from the top of the capitalism system in a resonant crash. Being controlled by his fears of the future, and stuck in his memories of the past, Willy fully contributes to his self-victimization by putting little blame on his own mistakes. Although Willy is perceived as selfish, it is important to see that he is misguided. His character is one of a common man, he has never been anything special, but he chose to follow the American Dream and continue the “destiny” it gave him. However, in my reading of the play, I feel it was not an unlucky destiny that pushed Willy to damage his own life and the lives of his family,

On the other hand, Willy is also emotionally involved with Biff because his son’s success of failure is his own. By becoming rich and influential, the handsome, personable Biff was slated to provide his own modest advancement. By making his fortune in the business world, Biff would prove that Willy had been right in turning down

In the stories, characters had some dream to becoming big. The character had suffered a tragic which prevented them to do something special for their life. Unfortunately, they had to escape their freedom to end their dream. Characters such as Willy Loman from Death of the salesmen, Neil Perry from Dead Poets Society, and George from Of Mice and Men are characters who are trying to escape to freedom, because they realized what they did in the past was wrong and now trying to improve their tragic flaws.

Biff is the apple of his father’s eye. Young, handsome, strong, intelligent, and full of ambition, Biff is going to take the world by storm, and Willy intends to living vicariously through him. This is not to be however. After Biff’s disastrous attempt to get his father to discuss grades with his math teacher, Biff gives up. Entirely. At one point, he wanted to work and to succeed in order to please his father, but after he discovers Willy cavorting with another woman, Biff does not want to give his father the satisfaction of a flourishing son. Suddenly, Willy is a liar in his eyes, and later in life, this causes Biff to have an almost violent relationship with him. (1268) What makes the strain worse is Willy’s guilt, because he knows whose fault the tension is, yet he cannot bring himself to admit it.

Willys idealistic view for Biff evaporates as the once idolized Willy, in the eyes of Biff, disappears, leading to a sad and pitiful version of what his father used to be. When Biff said "Pop! I'm a dime a dozen, and so are you!" Biff is understanding the role he plays in the world thus changing the father and son relationship. His father sees Biff and himself as great men with extraordinary potential, but Biff understands the reality of being poor and ordinary. After years of embracing his father's dream Biff grows and understands the true realities of