As the play’s titular character in Death of a Salesman, Willy Loman is viewed by many as the definitive modern tragic hero of modern literature. He is a man struggling to gain upward mobility in a society designed to keep him in the trenches. The classic idea of a tragic hero is an important person who falls from a lofty seat in life. Willy, however, is just a common man trying to get to a place he can fall from. According to Arthur Miller, a tragic hero need not be a king or anyone of high rank. What’s important is the existence of the character’s “tragic flaw”, out of which creates the need to resist anything the character would consider a force attacking their being. Miller outlined the tragic flaw as a quality of a character that leaves them unable to accept anything that would affect or alter his/her status or self-image. While this flaw can create the tragic nature of a character, it does not necessarily create a tragic hero out a character. Willy Loman, though perhaps a tragic character, is not a tragic hero because he does not display the characteristic traits or actions associated with heroism. Starting with the basics of heroism, heroes can be very different from each other. They have different jobs, grow up in different types of households, and learn different sets of skills and each have a different purpose or motivation for their heroism. There are however a few traits that run across the board no matter what type of hero you are dealing with.
How can two people watch or read the same story and yet, interpret it completely differently? Does it have to do with the author’s intentions, or maybe it has to do with the viewers’ own backgrounds and ideologies? Whatever the case may be, viewing one piece of work can lead to a wide array of opinions and critiques. It is through the diversity of such lenses that Death of a Salesman, by Arthur Miller has become one of the most well-known plays in modern history. There are many different ways in which a play can be criticized, however, criticisms from the approaches of a Marxist and reader-response will be utilized to further dissect Death of a Salesman. Marxist criticism sees pieces of works as a struggle between different socioeconomic classes; what better way to see Miller’s play than for what it is at face value, the struggle of a middle-class man trying to achieve the American dream (1750). On the other hand, a reader-response criticism comes from either an objective or subjective view; in this case Death of a Salesman will be viewed with a subjective lens based on Willy’s deteriorating mental health (1746).
In Arthur Miller’s Death of a Salesman, the author conveys the reader about how a person lives his life when he or she cannot live the “American Dream.” Willy Loman, the main character in the play is a confused and tragic character. He is a man who is struggling to hold onto what morality he has left in a changing society that no longer values the ideals he grew up to believe in. Even though the society he lives in can be blamed for much of his misfortune, he must also be the blame for his bad judgment, disloyalty and his foolish pride.
Willy Loman, the central character in Arthur Miller’s Death of a Salesman, is a man whose fall from the top of the capitalistic totem pole results in a resounding crash, both literally and metaphorically. As a man immersed in the memories of the past and controlled by his fears of the future, Willy Loman views himself as a victim of bad luck, bearing little blame for his interminable pitfalls. However, it was not an ill-fated destiny that drove Willy to devastate his own life as well as the lives of those he loved; it was his distorted set of values.
In The Death of a Salesman by Arthur Miller, it is argued weather that Willy Loman is a tragic hero. There are cases for both classifications of Willy. By definition, a tragic hero is a person born into nobility, is responsible for their own fate, endowed with a tragic flaw, and doomed to make a serious error in judgment. The tragic hero eventually falls from great esteem. They realize they have made an irreversible mistake, faces death with honor, and dies tragically. The audience also has to be affected by pity or fear for the tragic hero. In order for Willy Loman to be a tragic hero, he has to fulfill all of these descriptions. Willy Loman fits into some of
Arthur Miller succeeds in demonstrating incredibly well in Death of a Salesman that not only is tragic heroism still possible in the modern world, but that it is also an affliction to which both king and commoner are equally susceptible. However, Wily Loman is not a tragic hero because he is pathetic, not heroic, in his personal "tragedy" that comes from his inability to admit his mistakes and learn from them. Instead, he fits Miller's description of pathos and the pathetic character, one who "by virtue of his witlessness, his insensitivity, or the very air he gives off, [is] incapable of grappling with a much superior force," (Miller 1728).
Arthur Miller’s play Death of A Salesman demonstrates the life of a man facing troubles within himself and society. A tragedy is the imitation of an action that arouses fear and pity. This play could be considered a tragedy because it depicts the downfall of a perfect family and outlines the deterioration of a man’s life. A tragic hero, as defined by Aristotle, is someone who exemplifies great importance or heroic qualities; however, Arthur Miller views the tragic hero as someone who struggles heroically with life. Using Arthur Miller’s definition, it can be determined that Willy Loman is a tragic hero. Even though Willy Loman does not fit the classical view of a tragic hero, he is in fact a modern day tragic hero because of his error in judgment, a reversal of fortune, and his excessive pride.
In the play Death of a Salesman by Arthur Miller, Willy is both sympathized with and looked down upon throughout the story. Willy is a very complex character with problems and faults that gain both sympathy and also turn the reader off to him. Willy Loman is both the protagonist and the antagonist, gaining sympathy from the reader only to lose it moments later.
In Death of a Salesman, author Arthur Miller, presents the Lomans, a dysfunctional family. The father of the Lomans, Willy, is the main character of the story. I feel like Willy is the true tragic hero. The definition of tragedy has changed over the course of time with its origins dating back as far as 350 BC, when the Greek philosopher Aristotle introduced the concept of hamartia, a man's fatal flaw. Arthur Miller took Aristotle’s teachings into consideration when writing Death of a Salesman, especially the elements of a tragic hero.
Miller amalgamates the archetypal tragic hero with the mundane American citizen. The result is the anti-hero, Willy Loman. He is a simple salesman who constantly aspires to become 'great'. Nevertheless, Willy has a waning career as a salesman and is an aging man who considers himself to be a failure but is incapable of consciously admitting it. As a result, the drama of the play lies not so much in
In the play, Death of a Salesman, by Arthur Miller, the main character Willy Loman has created a lot of controversy as to whether he is in fact a tragic hero. In Martin’s essay, “The Nature of Tragedy in Arthur Miller’s Death of a Salesman,” it sides that Willy is in fact a tragic hero. On the other hand, in Foster’s essay, “Confusion and Tragedy: The failure of Miller’s ‘Salesman’”, sides that Willy is not a tragic hero, and he is just a common man. Based on the evidence in, Death of Salesman, and the points mentioned in Martin’s essay, lead to the conclusion that Willy Loman is in fact a tragic hero and Death of a Salesman is therefore a tragic play.
The play, Death of a Salesman, centers around Willie Loman and the effects of the choices he has made. The personality and characteristics that can describe the man are unemotional, self-deluded, and very insecure. These traits make the man who he is, however, brings troubles along with the man that are caused by such traits. For instance, the delusions of hearing advice from a hallucination that leads to his suicide in the story. This shows one of the major flaws that dwells inside the rich salesman.
Arthur Miller’s Death of a Salesman was written in 1949. Based on the play, we must determine if the main character, Willy Loman, is considered a tragic hero. Aristotle defines a tragedy as “the imitation of an action that is serious and also, as having magnitude, complete in itself;” Based on this definition, Death of a Salesman portrays a tragedy through the death of Willy Loman and his downfall as a salesman and a father. A tragic hero is a character in a tragedy who is destined for downfall, suffering, or defeat. Arthur Miller believes the common man makes the best tragic hero because he portrays all the characteristics of a tragic hero, just without the royalty trait. Men go through emotional situations similar to those of a king. I believe Willy Loman is a tragic hero. Although he does not fit the classical definition of a tragic hero, due to lack of royalty, he does fit three Aristotelian characteristics based on the modern day definition. Willy Loman is a tragic hero because he a reversal of fortune takes place due to an error in judgement, shows excessive pride, and the discovery or recognition that the reversal was brought about by the hero's own actions.
The Presentation of Willy Loman in Death of a Salesman by Arthur Miller Willy Loman is presented as both a tragic hero and an unconscious victim in "Death of a Salesman". "Death of a Salesman" is very much based upon the American Dream, and whether we are slaves or conquerors of this dream. This is an idea that the playwright Arthur Miller has very passionately pursued both through Willy's own eyes, and through his interaction with the different characters in the play. Firstly, the definitions of a hero and a victim very much influence the way that Willy is viewed by the audience.
Arthur Miller’s Death of a Salesman tells the tale of Willy Loman, a man who falls from the top of the capitalism system in a resonant crash. Being controlled by his fears of the future, and stuck in his memories of the past, Willy fully contributes to his self-victimization by putting little blame on his own mistakes. Although Willy is perceived as selfish, it is important to see that he is misguided. His character is one of a common man, he has never been anything special, but he chose to follow the American Dream and continue the “destiny” it gave him. However, in my reading of the play, I feel it was not an unlucky destiny that pushed Willy to damage his own life and the lives of his family,
Willy Loman is a father in the play death of a salesman written by Arthur Miller. Aristotle's definition of a tragic hero is, “A tragedy is the imitation of an action that is serious and also, a s having magnitude, complete in itself; in appropriate and pleasurable language;... in a dramatic rather than narrative form; with incidents arousing pity and fear, wherewith to accomplish a catharsis of these emotions.” This play is a tragedy because not only is it relatable but it shows many characteristics of a tragic hero. A tragic hero is someone who has excessive pride, intelligence, and is wounded spiritually or emotionally by decisions that either they made or a decision that is out of their control. “I believe that the common man is as apt a subject for tragedy in its highest sense as kings were.” This is a quote from Arthur Miller's essay. Arthur Miller believes that common man makes the best tragic hero because the common man shares the same struggles with everyone else. Willy loman is a tragic hero because not only is he a common man, he possess the will to make the audience sympathize with him throughout his greatest triumphs and downfalls. Willy is a tragic hero because he has excessive pride, he also makes the audience sympathize with him, and he is wounded spiritually or physically.