Santa Ana Essay Brush Fire by Linda Thomas, and The Santa Ana by Joan Didion, were both short essays written about the Santa Ana wildfires. Even though these essays share the same topic, the perspective and approach differ from one another. Brush Fire beautifies the scenery of wildfires in a calming tone. In contrast, The Santa Ana describes the wildfires in a more serious and intellectual tone, where it is known for destruction and tension. The two short essays create different messages while containing similarities. The different tones of the essays diverge from each other. The uses of rhetorical devices differs and intersects the writing of the two authors. Although both stories are taken in the same place, the authors describes their personal experiences differently. …show more content…
The author of Brush Fire establishes a soothing and poetic tone. Thomas’s choice of words and the diction of the essay reveals this. Throughout Thomas’s essay, she views the wildfires in Santa Ana as “an amazing sight” and “gorgeously beautiful.” “On this evening, neighbors have arrived, too, their dogs and children in tow. Some have brought soft drinks. Most have cameras...” (Thomas). Thomas describes her neighbors admiring the wildfires to show how others also glamorize something destructive. On the other hand, The Santa Ana has more serious and dramatic tone. Instead of viewing the wildfires as beauty, Didion shares her experience as “uneasy” and “makes people unhappy.” In Didion’s essay, she mentions how the Santa Ana wildfires are destructive and creates a depressing atmosphere to the area. She also includes statistics of where and when the wildfires struck the southern parts of California. Both Didion and Thomas’s choices of words are used in order to demonstrate the tone they are attempting to convey, whether the Santa Ana winds were sinister or graceful
In 2003, possibly one of the worst wildfires in California’s history occurred. This fire, referred to as the Cedar Fire, spread across 273,246 acres.
On April 29, 1910, the largest forest fire in American history occurred. Some would come to know it as the Big Burn, or the Big Blowup. Later others called it the (the one that says it saved American landscape.) This travesty took more than 100 men. The impact it had on Americans was monumental. Timothy Egan’s The Big Burn, he writes about the many people who perished during this disaster. Stories of people who were engulfed by the flames at Bitterroot Mountain who had little chance of escaping their devastating fate. Even though this is still seen as a travesty, some look at it in a different way. Due to how large the fire was and how far it stretched, it made people aware of the importance to protect Americas forests and natural resources. During the late eighteenth and early nineteenth century, reform was occurring. The United States population was on a rise which had an effect on economic growth. This caused expansion in the consumer market and made way for an enormous amount of advancement in technology. Due to all of this, the demand for natural resources vastly increased. Inventions such as cars and trains consumed massive amounts of fossil fuels. Wood was stripped away from forests to make comfort items such as chairs, tables and other items for the large number of families now setting in the United States from foreign countries. People did not seem to pay much attentions to the effects these changes were having on the land. However, President Theodor Roosevelt had
Joan Didion in her essay, “The Santa Ana” and Linda Thomas in her essay, “Brush Fire” describes the Santa Ana in two opposing stands with similar moves. Didion's purpose in writing her essay for the Santa Ana is to inform her readers. She informs them about the Santa Ana, the effect the winds have on human behavior, and how they have to live with the Santa Ana. Thomas writes her essay to engage readers on the Santa Ana’s effect on brushes. She gives details on how the Santa Ana causes natural brush fires and the beauty it is able to create in the aftermath.
The author then describes the speed and how the brush fires work. Then she moves into her message about how people should not build in the chaparral zone as there is a chance of it being burned down by the brush
The first essay, “Brush Fire” by Linda Thomas, viewed the Santa Ana winds as something good. The message that was conveyed in this essay was that
Didion’s tone was serious, ominous, and dark, and was very different from Thomas’s tone which was more positive. Although acknowledging the destructive nature of the fires caused by the Santa Ana winds, Thomas generally talked about positive results of the fires. She describes the “amazing sight” of the fire as she watches “the flames lick up a hillside” and ends the essay by reminding the reader that the “chaparral will return.” By this, she means that many of the plants in chaparral country need the heat of the flames to reproduce, so within a few weeks, new plants will rise from the ashes. The fire also helps get rid of the dead plants that need to be burnt so they can get out of the way for new plants to come in. Didion has a very different tone regarding the winds. She describes the various hints of change with dark words. To her, there is an “eerie absence of surf” and the “heat was surreal,” instead of it simply being hot with no waves in the water. The author particularly chooses words with creepy connotations to make the reader feel a similar feeling to the uneasiness that the Southern California natives feel. These contrasting tones make the authors' opposing views on the winds very evident.
“ The Santa Ana” by Joan Didion and “Brush Fire” by Linda Thomas offer complete separate views to a similar topic, the winds of Southern California. In a first person narration the authors write of the wind from her own experience of living in California and from her own perspective, shedding light on two very different aspects of the Santa Ana winds.
There are always two sides to every story, sometimes even more. When discussing the phenomenon of the Santa Ana winds and their accompanying brush fires, Linda Thomas and Joan Didion each have their own side of the story. Throughout the texts, Didion and Thomas converge with one another by means of their life experiences as southern Californians and also through using sensory details to illustrate their stories. However, they do not share similar feelings towards the nature of the winds and fire. The authors diverge in this way as well as in their viewpoints on the conflict of people and nature.
Those who have lived through natural disasters view them differently than those who have not. Experience helps us understand circumstances in a new way. In the essays “Brush Fire” by Linda Thomas, and “The Santa Ana” by Joan Didion, the authors perceive the mysterious Santa Ana winds that blow through California, and the deadly brush fires that it creates. Through the use of imagery, word choice, tone, and description the authors depict the beauty and destruction that they see from the point of view of a native or an outsider.
The rising number of high severity wildfires in California has significant ecological, economic, and health impacts. Many western American forests are adapted to frequent low severity fires. However, the majority of these forests, and particularly the mixed conifer forests of California, are not adapted to high intensity fires and do not possess fire resistance adaptations such as serotinous cones to protect seeds. Consequently, high severity fires have significant negative impacts on California forests, and the absence of low severity fires has considerably altered many fundamental ecosystem processes (Miller et al. 2008). Prior to 1900, low severity fires would burn every 6-15 years. Low severity fires are generally non-lethal, have minimal change to the overstory, and kill mainly small trees. In the past, these fires were started naturally by lightning, or by Native Americans who used low severity fires to manage the forests.
"There was no damn horse fast enough in the country to keep ahead of that fire.” (546). In 1910, the US Forestry Service was in its infancy. Teddy Roosevelt had put Gifford Pinchot in charge of the foundling agency. For instance during the Presidency of William Taft, his term in office he denied the service and the manpower and resources needed to actually protect the growing quantity of land held in public trust. Then, without notice a drought-parched lands of eastern Washington, western Montana and northern Idaho, the greatest forest fire in U.S. history sparked a major change in public consciousness. This is the Big Burn of 1910.
The Pueblo of Santa Clara was devastated by the 2011 Las Conchas Fire, which burned more than 156,000 acres of the reservation’s upland forest in the Santa Clara Canyon area. The fire impacted not only the ecological balance of the area, but also the spiritual balance of the tribe. Although this is not the first fire that has blackened tribal and neighboring lands in recent history, it was by far the most devastating. In addition to scorching nearly two thirds of the watershed that the people of Santa Clara are heavily reliant on, the fire burned many sites of spiritual significance, and produced detrimental after effects. Because the people of Santa Clara Pueblo recognize the Santa Clara Canyon as our ancestral homeland, it is
Naturalism and Realism both played key parts in both “To Build a Fire” and “The Jumping Frog of Calaveras County”. With themes of survival, determination, heredity, and instinct, “To Build a Fire” obviously
no surprise that wildfires are a huge issue in the western states. Especially on Indian Reservations. Two articles that focus on this issue are called Secretary Zinke Directs Interior Bureaus to Take aggressive Action to Prevent Wildfires, US Department of Interior & Western US Faces Wildfires Explosion by Kieran Cooke, Climate News Network. Both of these articles argue that wildfires shouldn’t become normalized and that something should be done to prevent and/or be better prepared for when wildfires occur. In essence these articles focus primarily on the amount of land burning and the effect it has on vegetation.