This article is based on a study that was funded in 2001 by the National Art Education Foundation and it focused on the use of arts education in juvenile detention centers in the United States (107). The purpose of this study was to figure out if art education helped children and teens in juvenile detention centers to have a better vision of the future (107). The National Art Education Foundation created a survey to support their research and it was composed of 17 multiple choice and short answer questions (108). The questions in the survey asked people of each institution about funding, instruction, demographics, and participation in the art programs. This survey was given to each of the 478 public residential juvenile correctional facilities …show more content…
Statistics show that 68% of girls who entered the juvenile justice center have reported experiencing sexual abuse and 73% of girls have reported experiencing physical abuse (109). Statistics also show that 46.8% of boys have reported experiencing physical abuse and 9.9% have reported experiencing sexual abuse (109). The respondent sample was represented by 175 institutions from the original survey (109). The majority of the respondents in this survey were administrators (109). The statistics showed that 36.6% of the people who were given this survey responded to it (109). Around half of the respondents (57.14%) said that they have an arts program and 42.86% of the respondents said that they did not have an arts program (109). In this survey, participants were asked if their institution was provided with either a short-term program or a long term program (108-109). Most of the long-term programs met daily and almost 35% of the short-term programs met weekly (110). Both the long term and short term programs lasted for less than an hour and over thirty minutes (110). And the majority of these programs focused on visual arts …show more content…
Over three-fourths of the respondents (76%) reported that their art program had a community outreach program involved (112). Art education in juvenile facilities can either be required for their education, mandatory, recommended, voluntary, or a reward for positive behavior (113-114). The researcher chose to study the Northeastern Training School (NETS) due to its reputation of the arts programs, their successful transitions program, longevity, and willingness to participate (114). During this study, the researcher spent two days at NETS and Studio 200 and during this time the researcher interviewed the principal, Volunteers in service to America (VISTA) volunteer, the director of studio 200, the school art teacher, and three university students that worked closely with studio 200, Long Street Studio, and NETS but no students were interviewed (114). The researcher attended a hip-hop performance, a poetry slam and took notes in an art class at NETS, observing how the students and teacher reacted toward each other (114). This review took place to see if these art programs had secure funding, how was this art being expressed, and the students' relationship with Studio 200 in order to get a good picture of a correctional institution emphasizing the arts
These courses teach students specific technical and thinking skills needed to succeed in school and college. Students need to have the chance to be creative, too, though. Budget cuts and limited funding can cause problems for school arts programs, but many people are willing to support arts education in public schools if they see how much it really benefits the students. Courses in the arts deserve just as much appreciation and recognition of just how important they are to students’ lives as math, science, history, and literature
He’s the author of “Paths of Discovery: Art practice and its impact in California Prison”. b. Brewster told “Upfront” on KPFA that prison arts programs improve inmate behavior, help connect inmates with their families and provide them with a way to give back by donating their art.. c. This project gets an excellent response. 3.
10). One of such programs is the “Young Women’s Art Project” (Stinson, 2009, p. 12). This program offers “incarcerated female juvenile offenders the opportunity to create individual and collaborative artwork that would ultimately be displayed at the museum with the guidance of a professional artist” (Stinson, 2009, p. 13). In addition, the art program includes educational elements such as vocabulary, writing, problem solving, etc. Similar to this program, A Changed World is another art program that targets institutionalized youths from various juvenile correctional entities located in Washington State. On the other hand, Urban Improv (UI) is an art program that teaches “urban elementary school children violence prevention through theater-based instruction” (Stinson, 2009, p. 16). UI is based in Boston and aims to teach “elementary, middle, and high school youths” nonviolent skills to solve conflict and handle problems through “fictive conflict scenarios and resolution” (Stinson, 2009, p. 16). Participants are required to attend a local theater accompanied with the school teacher. Stinson (2009) also evaluated Art-First, a “six-week career development course that met once a week in the spring” (p. 18). In this programs participants “learned skills related to finding employment (e.g., resume
I think that art education is important in pre college education. There are many arguments that are for and against art education. There are things that are useful that can be taken from an arts education class in pre college education.
This academic journal article covers the methodology and findings from two different After-School art programs. The National Arts and Youth Demonstration Project (NAYDP) in Canada and The Tampa Arts and Youth Demonstration Project (TAYDP) in the United States. The TAYDP was ideally compare to the Canadian After-School art program because of its similarities with children from low-income multicultural communities. This program report represents one of the few well-controlled evaluations of a after school art programs for low-income children. The focused of this study was on the positive benefits that an After-School program can have on children and youths growing up in low-income neighborhoods. Furthermore, it evaluated whether
(2013). Why the arts don't do anything: Toward a new vision for cultural production in education. Harvard Educational Review, 83(1), 211 236, 265. Retrieved from https://login.ezproxy.socccd .edu/login?url=http://search.proquest.com/doc view/1326778756?accountid=39855
There are many institutions for criminal juveniles, how are we to know which is actually beneficial and which are a waste of time and resources. In research of these different institutions I have collected a few different approaches when it comes to these institutions. There are advantages and disadvantages to every program that is available but we must look to the numbers to see a program’s worth in its effectiveness. There are a many different types of programs because not every juvenile needs one method of assistant. The wider we cast the net the more we can help. When juveniles are taken to a detention center one must remember that they are being taken from their home and family members and placed into these facilities as we do
There are numerous benefits of investing in arts education, especially for elementary school-aged children. Arts education has been linked to creativity (Andersen, 2004; Leonhard, 1990). In art classes, children can explore and use their imaginations. Art classes allow children to create new
Supporters argue that art classes teach the very qualities that educators believe can reinvigorate American schools: analytical thinking, teamwork, motivation, and self-discipline. “Art education improves overall academic performance of students, including the common core academic subjects. Students who took four years of art classes scored 91 points higher on their SAT exams than those who took half a year or less.” The report conducted by the Center for Arts Education noted that schools with a solid arts program had higher graduation rates. The report analyzed data collected by New York City Education Department from more than 200 schools over two years, reported that schools ranked in the top third by graduation rates offered students the most access to arts education and resources. While schools in the bottom third offered the least access and fewest resources. Schools in the top third typically hired forty percent more certified arts teachers and offered forty percent more classrooms dedicated to course work in the arts than bottom-ranked schools. The full report is at caenyc.org. California State University study found a link between art and literacy. “The people who were art majors had the highest reading scores.” An art major can ask provocative questions, can challenge their own beliefs, point of view, engage in intellectual discussions, generate hypotheses, familiar with discipline's vocabulary,
When this writer transitioned from daycare teacher to elementary school substitute, she was surprised to see how much the use of the arts was lacking at this stage in education. From personal observation and experience, this researcher has witnessed the positive effect that the arts have on learning. The arts are not limited to drawings alone but also music, movement and drama. As a child this writer had opportunities to express herself through art while in elementary school and the academic benefits were tremendous. This writer vividly remembers doing art projects to reinforce the learning being done in the class. These projects included, making posters, dioramas, sculptures and paintings, all of which helped increase reading and writing skills as well as strengthening math and science comprehension. Through this positive experience, the writer has a personal connection to conduct action research on this
"When you think about the purpose of education, there are three. We're preparing kids for jobs. We're preparing them to be citizens. And we're teaching them to be human beings who can enjoy the deeper forms of beauty. The third is as important as the other two," says Tom Horne, the state superintendent of public instruction in Arizona.
Art education is often underestimated by many who believe that school was created to teach only analytical concepts such as mathematics and literature. However, research has shown that art courses are important, even necessary for students in elementary, middle, and high schools. These art classes may include not only visual arts but performing arts such as dance, theatre and choir. Barbara Streisand said, “Art does not exist only to entertain, but also to challenge one to think, to provoke, even to disturb, in a constant search for the truth,” (Quotations). Streisand points out that there are multiple benefits to art whether it be painted by a brush or sung from the heart. Art has the ability to allow people to see situations from
The researchers do a thorough job discussing the research they performed in the juvenile detention center. Overall, the interpretation of their findings is discussed thoroughly touching on all aspects of the article. Their findings are appropriate in context with the culture they researched, they interpret major findings, discuss their limitations, and the research supported transferability.
Art Education is an intricate dance between what is needed, wanted, and reflected by society. The ancient Greeks had a belief that those who created, such as a craftsman, should be shown little respect or appreciation. The importance was placed on music and the affluent did not participate in the visual arts. Even though there was resistance, Plato was a visual arts advocate and the Greek’s granted visual arts its own curriculum. The Romans maintained this position on the visual arts. However, in the Middle Ages, monks began to practice art; such as the Illuminated Manuscripts. They would then train others extensively in apprenticeships. New technologies, brought new processes that were taught in this same time consuming workshop fashion. The Renaissance, and its focus on beauty and the figure, brought a new attitude of respect and admiration for the visual arts. It was taught as classical training along with the workshops. The French developed a more structured way of how and what was to be taught concerning the visual arts in their own academies. However, all of these advances were mostly only available to the rich. This attitude was carried into colonial America where art was taught as a “luxury pursuit” (Efland, 1990) that was not deemed as very lucrative.
1. Of the Eight reasons listed in Chapter one (pages 1-10 in text) for reasons that art is important in a