Audre Lorde, a well-known poet, utilized her poetry to call attention over the political issues of class, feminism, sexism and racism for decades. These political issues are the symbols that transformed her into someone who is not just a woman, but a person whom clarifies these issues using poetry as a voice to define herself as a Black lesbian woman and an individual. The poem “Coal” is a poem that represents her ideals and her feelings towards being a voice among other feminists. It also shows her struggle as an individual that is caught between the issues of feminism coinciding with race, class, and sexism, which is also known as Intersectionality. Because of the attention being called from Lorde’s poetry, people should continue to recognize this political issue and utilize it to spread awareness of the prejudice and marginalization of today’s society. Lorde’s poem “Coal” tackles political views expressed from her experience as a Black feminist as she continues to struggle against labels and stereotypes. The poem is free-verse and has no definite rhyme or meter, except in this poem, there is little rhyme. This poem shows her personality and her willingness to be part of society’s norms. In the poem, the lines 3 and 4 (Lorde), “From the earth’s inside./ There are many kinds of open”, she mentions that she was trapped between the layers of the earth and her true self was underneath all of the labels and stereotypes (representing as the layers), given to her race by
The poem “To This Day” written by Shane Koyczan, the symbolism is the black things grabbing the kid. This is showing that words do hurt and it stays with you this is shown through the whole story of the pain and suffering of the kid. This is said " who used to say that rhyme sticks and stones as if broken bones hurt more than the names we got called" this is showing word do hurt and the black things grabbing him is showing that like a broken bone it still hurts over time just like words do. With this evidence it shows that if you don't want to be called that don't say it at all.
This book is full of stories of the men who descend into the mines, and their women and children who wait for them to come out safe at the end of each shift are the subject of a, poet Diane Gilliam Fisher’s collection, Kettle Bottom. Set in 1920–21, a period of violent and brutal act against miners known as the West Virginia Mine Wars, the topic of the poems in Kettle Bottom. The stories includes the miners, their children, and most importantly their wives who suffered the consequences of their husband’s deeds. In Kettle Bottom, Diane Gilliam Fisher probes the emotional truth of coal camp history, and then extracts it, holds its darkness in the light of her brilliant poetic lines. Racism, Blood sheds, economic injustice, inhumane way to treat
In the excerpt of Cutting for Stone, Verghese recurrently variates the mood throughout his text. Through vivid imagery, Verghese illustrates emotion visually on the faces, as well as through actions of the characters. In addition to imagery, emotions are aroused through onomatopoeic words and aroma. The reader is then struck with a macabre backstory arousing sorrowful emotions within the reader. Verghese uses sensory details, along with backstory to efficaciously expose the reader to the emotional duality of happiness and sadness.
In “Conte” by Marilyn Hacker, Cinderella shows the reader a glimpse of her life after the childhood tale ends, a less happier ending than the original story implies. She feels trapped in a constant state of misery and boredom in the royal palace. Without life experience guiding her, Cinderella is in a dilemma caused by her ignorance of the potential consequences of her actions. With the use of irony, structure, and diction, “Conte” shows how innocence and naïveté result in regrettable mistakes that create life experience.
Dickinson’s poem unfolds truth to society’s power over a woman’s identity. The poem has an angry tone read from the first line, “I’m ceded- I’ve stopped being Their’s-” (1). A defiant and condemning voice aimed at an ambiguous, authoritative figure who is embodied by the capitalized, plural pronoun “Their.” Dickinson’s refusal to exactly specify who “Their” is, demonstrates the power and relationship “Their” has over the speaker. Dickinson interchanges this pronoun with “They” (2) as the poem progresses on, and this larger entity is associated as the church, family, society, etc. because of Dickinson’s references to “church” (3) and “childhood” (6) within the opening stanza. Dickinson’s narrator is tired of being put aside or controlled by others. This angry tone begins to grow louder as Dickinson beings conveying this message and while the poem moves through stanzas uncovering the narrator’s identity.
Lorna Dee Cervantes' poem, “Poema para los Californios Muertos” (“Poem for the Dead Californios”), is a commentary on what happened to the original inhabitants of California when California was still Mexico, and an address to the speaker's dead ancestors. Utilizing a unique dynamic, consistently alternating between Spanish and English, Cervantes accurately represents the fear, hatred, and humility experienced by the “Californios” through rhythm, arrangement, tone, and most importantly, through use of language.
There are some images and events that stick with a person forever and can change their entire outlook on life. Sometimes these events are experienced indirectly, through the media, but that does not mean that it impacts the person any less. Audre Lorde is one of those people who is indirectly affected by a tragedy that she witnesses through the eyes of the media and her society. For Audre Lorde, the brutal murder of a young African American boy sticks with her and inspires her to write an emotional poem entitled “Afterimages.” The image of the boy, Emmett till, is forever engraved in Audre Lorde’s brain (Lorde 48). Her poem clearly expresses how distraught she is, not only with what happens to Emmett Till, but also with the views of society as a whole. The theme for Audre Lorde’s “Afterimages” is traumatic events can reflect the attitudes of members of a society and can also significantly impact the lives of young people.
Audre Lorde’s poem, Coal, explores the idea of repression and the freedom of speech. On first reading of the text, the poem seems to be built around an idea of anger towards repressing one’s individual thoughts and not voicing personal opinion. However, through a deconstructive reading, there are inconsistencies within the text’s language that question whether the speaker is referring to the forceful repression of spoken words or other motifs like femininity, power and self worth within an individual’s voice. By examining the verbal, textual, and linguistic stages of Coal, one can see the contradictions, discontinuities, and unreliability in relation to one another within the poem.
The poems ‘Still I Rise’ and ‘Unknown Girl’ both explore the way women are expected to behave in specific societies. ‘Still I Rise’ focuses on Maya Angelou’s refusal to accept racism and to allow “them”, white oppressors, to push her down. ‘Unknown Girl’ focuses on Moniza Alvi’s want to be accepted in a society where she belongs, but can’t call her own.
In presenting herself as a child on the verge of adulthood, Lorde indicated to the reader that the things she learned at this time would be pivotal and important for the rest of her life. For example, at the beginning of her essay, Lorde wrote that her trip to Washington D.C. was “on the edge of the summer when I was supposed to stop being a child” (221). In this way, Lorde’s trip to the nation’s capital and her experiences of discrimination there provided an intellectual
Poetry is a reduced dialect that communicates complex emotions. To comprehend the numerous implications of a ballad, perusers must analyze its words and expressing from the points of view of beat, sound, pictures, clear importance, and suggested meaning. Perusers then need to sort out reactions to the verse into a consistent, point-by-point clarification. Poetry utilizes structures and traditions to propose differential translation to words, or to summon emotive reactions. Gadgets, for example, sound similarity, similar sounding word usage, likeness in sound and cadence are at times used to accomplish musical or incantatory impacts.
Most people know the poem “Fire and Ice” by Robert Frost. It is pretty famous. But do most people know the meaning of this unique poem? What does Robert Frost mean when he writes “if the world had to perish twice?” Although it is short, “Fire and Ice” is a puzzling poem filled with words that hold a meaning that we have to unlock.
As she left the burning building, five questions entered her mind; where was she, who was she, who were those people, why did they do this to her, and why couldn’t she walk?
At first Glance, “The Soul Selects Her Own Society” by Emily Dickinson is puzzling, even meaningless. However, upon further analysis it is clear that the poet has made several deliberate choices to assist the reader in discerning the poems meaning. Her deployment of poetic devices correlates to the narrative she is writing, allowing the reader to deeply perceive the poems message. Emily Dickinson’s “The Soul Selects Her Own Society” provides commentary on an individual’s ability to decide who can enter the most intimate parts of her life, which the reader can empathize with through figurative language, repetitive sounds, and enjambment.
Some of the poems and essays I have read during this class were relatable to me. Being away from college, I have struggled with not being at home. I have become a different person when I am at school, but when I am home, I feel like I am my normal self again. Some of these authors of the poems and essays that I have read throughout this class has struggled with being somewhere where they don’t belong and that they are someone else when they are not home. Unlike the other poems and essays we have read throughout the course. I enjoyed reading the ones about “home” because I actually understood what they are going through and that I can relate. Some of these poems and essays include “Going Home” by Maurice Kenny, Postcard from Kashmir”, by Agha Shahid Ali, “Returning” by Elias Miguel Munoz and “Hometown” by Luis Cabalquinto. All of these poems deal with duality.