A Cynics Enlightenment
Raymond Carver’s short-story Cathedral is outwardly about a pessimistic man, whose wife’s blind visitor named Robert changes the narrators predisposing perception of the world and awakes a new view on life in the process. But inwardly, the story is about the desperate need for connection between these three characters, which isn’t feasible do to the emotional-detachment by the narrator. In the beginning, the narrator is hindered by his prejudices which doesn 't allow him connect to anything greater than himself. But with the help of the blind man who is able to see the greater truth, since he’s incapable of having his perception distorted based on outer appearance; allows him to teach the narrator the difference between looking and seeing. Carver is proclaiming that when we open ourselves to new ways of connecting with others, and new ways of viewing at the world, we can have hugely rewarding experiences.
The Cathedral defines what it really means to be “blind”. First, being the blind man who literally cannot see because he is disabled. And then what it means to be emotionally blind like the narrator. The narrator possesses very shallow, ignorant, and careless qualities which then makes him form harsh prejudices upon people. And that 's the root to his blinders. And him having these prejudices denies him of connecting with anyone or anything, then distancing him from the world. He generalizes all of his opinions, making him believe if you 've seen
I enjoyed reading “Cathedral” by Raymond Carver. The story is realistic, relatable, and meaningful. The main protagonist, Bub, is arrogant and superficial. Because of Robert’s intimate relationship with his wife, he does not like the blind man. To cover up the fact that he is jealous, he states that he never had a blind man in his house before and that Robert does not have the characteristics he thought blind people have. Robert does not wear glasses, has a beard and etc. On page 90 he says, “I always thought dark glasses were a must for the blind.” This shows that even before he met Bub, he already had some preconceived picture of Bub that hinders him from really getting to know the real Bub. However, towards the end of the story he seems
In Raymond Carver’s “Cathedral”, the short story is told by a character within the story. The first-person point of view gives us a transparent visual of an important time in the narrators’ life. The narrator, who is “un-named” in the beginning of the story, uses blunt, flawless and a particular choice of words. This gives us as the reader a deeper connection with the narrator. The narrator begins this story by taking us through the changes he go through with the uneasy feeling of having a blind-man coming to his house to visit.
In this short story by Raymond Carver begins with a man whose wife invited a good friend over named Robert and is blind. Before Roberts Arrival, the wife’s husband, whose name is Bub, does not know what to make out of his wife’s good friend Robert coming over to their house. Carver utilizes a story of a blind man who changes Bub’s outlook in life. Through the narrators changing character, theme of loneliness and jealousy, and the cathedral being a symbol at the end of the story, this brings together a powerful message in the story when one blind man and one man with sight share an evening together drawing out a cathedral.
Cathedral is a capitivating story based on the lives of the narrator, his wife and a blind man. Raymond Carver is the author of this story, and he does an excellent job allowing the reader to delve into the lives of these characters. Through using the thoughts of the narrator, the reader is able to grab our attention because the story is made more realistic. The views expressed by the narrator in many senses exemplify the views of many in society and therefore the reader is able to make an emotional connection through the story.
Cathedral by Raymond Carver is a fictional piece of literature about a spiritually blind man and a blind man that is spiritually insight. The incongruity between these two personas extends towards the entire story until the final phase where, the narrator empirically comes into contact with an epiphany and opens a third eye to a world he has never explored. Helen Keller once mentioned, “it’s tragic to have sight, but no vision” this quote alludes perfectly to Carvers’ story, which symbolizes the misfortune of being able to perceive appearances and not reality.
You cannot truly see the world and understand other people, until you see inside yourself. Raymond Carver’s The Cathedral is a story that shows you do not have to actually “see” in order to appreciate the world or those in it. The narrator Bub forms a relationship with Robert, by the end of the story, although it starts to form with his wife, then when he actually meets Robert, and finally their “experience” together in the end. People tend to be blind to the world, until guided by someone with another insight on the world.
"Cathedral" is a short story ultimately about enlightment, finding something more meaningful and deeper with in one self. Although from an observing point of view nothing more in the story happens then a blind man assisting the narrator in drawing a cathedral. Although as known, the narrator's experience radically differs from what is actually "observed". He is enlightened and opened up to a new world of vision and imagination. This brief experience will have a life long effect on him. The reason for this strong and positive effect is not so much the relationship made between the blind man and the narrator or even the actual events leading up to this experience, but rather it is mostly due to what was drawn by the narrator.
In Raymond Carver’s “Cathedral” the narrator is seen to show ignorance and bias towards blindness throughout the story, however towards the end he realizes his flaws and the difference between looking and seeing. From the beginning of the story to the end you can see a change within the narrator after his encounter with the blind man. At the end of Raymond Carver’s “Cathedral” the narrator hopes to accomplish a change in his understanding of himself, and his experience with Robert flickers this change towards the end of the story.
It is human nature to shy away from social situations that make us uncomfortable. Also, as a people with great pride, we often find it difficult to admit when we have been iniquitous, or to allow ourselves to be open to humbling experiences. Sometimes though, it is not entirely due to intolerance that we allow ourselves to make ill-informed judgments. Raymond Carver was a writer with some insight concerning these very ideas. In his short story, “Cathedral,” Carver uses a nameless narrator and his interactions with a blind man to illustrate how a lack of experience can lead to ignorance and thus prejudice. Through the development of this character,
Raymond Carver’s characters were considered to be very much like him: “’on the edge: of poverty, alcoholic self-destruction, loneliness” (Mays 32). His short story “Cathedral” is about a young couple, who have a visitor coming to stay with them. This visitor, Robert, is the wife’s friend, and he is blind. The narrator, the husband, has never met someone who is blind, was bothered by that. To him, being blind meant constantly needing help from others. His depiction of blindness was what he has seen in the movies. “I wasn’t enthusiastic about his visit… A blind man in my house was not something I looked forward to,” he tells the reader (Carver 32). His wife on the other hand, was very happy to see her old friend. She had worked for Robert
When one breaks out of discrimination of blindness towards others, hope will exist and bring a better future in people in understanding the perspectives of others. Upon Robert and the narrator’s attempt of drawing a visual image of the cathedral, the narrator states, “It was like nothing else in my life up to now” (85). This comment suggests that the narrator had finally gotten closer to Robert, and he had finally broken free of discrimination by not criticizing Robert about his blindness. Drawing a cathedral on the piece of paper symbolizes that internally, the narrator is finally not isolated anymore. In fact, the narrator is finally connecting with other people and is now capable of having a life filled with hope. At this moment, the narrator
The Story “Cathedral” by Raymond Carver is about true blindness and the effects of emotional contact. Peterson studies the use of determiners, a and the, that refer to the blind man in the story and its effects to establish the atmosphere of the story. He states that the change in determiner seems subtle, but these subtle changes are significant because the changes show how narrator feel about Robert throughout the story. Nesset studies the sexual polices and the love lives in several Carver’s stories. He discusses how Carver wrote his stories based on less of love and more of love withdrawal. Also Facknitz addresses rediscovery of human worth and the effects of emotional touch by discussing three short stories written by Carver. He analyses each narration of the narrator and comments based on psychological manner. The story “Cathedral” suggests the meaning of true blindness does not only refer to physical disability; it refers to those people who cannot see the world from other’s perspectives and it can be overcome through emotional contact.
In the short story, Cathedral, by Raymond Carver, the author uses imagery, symbolism and narrates the story in first person point of view. The Cathedral’s main theme is being able to identify the difference between being able to look and/or see and it is portrayed through the main characters role in the story. Carver uses a unique style of writing which gives the short story a simple way for the reader to understand the story’s theme.
In Raymond Carver's "Cathedral," the husband's view of blind men is changed when he encounters his wife's long time friend, Robert. His narrow minded views and prejudice thoughts of one stereotype are altered by a single experience he has with Robert. The husband is changed when he thinks he personally sees the blind man's world. Somehow, the blind man breaks through all of the husband's jealousy, incompetence for discernment, and prejudgments in a single moment of understanding.
By the end of Raymond Carver's "Cathedral," the narrator is a round character because he undergoes development. The story opens with the narrator's unconcern for meeting the blind man, Robert, which is because he was uninvolved in the friendship between the blind man and the narrator's wife. Feeling intimidated, he discloses, "I wasn't enthusiastic about his visit. He was no one I knew. And his being blind bothered me" (Carver 1). This emphasizes the narrator's unwillingness to bond with the blind man, which is made visible as the story progresses; moreover, he does not acknowledge their relationship. This is highlighted when he mentions what the name of the blind man's wife was. "Her name was Beulah. Beulah! That's a name for a colored woman. 'Was his wife a Negro?' I asked" (3). He seems disgusted with people. The insensitive narrator's prejudice is evident by him saying, "I've never met, or personally known, anyone who was blind" (5). This statement causes the audience to expect growth in him. The narrator's detachment from the blind man is indicated by his disinterest in cathedrals and tapes; nevertheless, the blind man and the narrator have had dinner, "smoked dope," and drank together,