Cathedral Essay

In Cathedral, the unnamed narrator, husband, defines the character of Robert as an anomaly in which he doesn’t comprehend. “He was no one I knew. And his being blind bothered me. My idea of blindness came from the movies. In the movies, the blind moved slowly and never laughed. Sometimes they were led by seeing-eye dogs. A blind man in my house was not something I looked forward to” (Carver 1983). The media has been able to lead people like the narrator to develop negative opinions towards those with disabilities creating a type of phobia. After hearing stories about Robert, told by his wife, he could not imagine this blind man having a good life, one worth living. He assumes that Robert’s wife, Beulah, had lived a very pitiful life as well, not having her husband ever knowing what she looked like or what subtle nuances her facial expressions could only show through sight.

The story follows the narrator and his wife who has invited her old friend to stay at their home because his wife has just passed away. The friend, Robert, is blind and the narrator’s wife worked for him as a reader ten years prior. They remained close and kept in touch by sending audiotapes to one another, recounting what was going on in their lives. Robert’s blindness makes the narrator uncomfortable and he does not look forward to his visit, even though it is quite important to his wife. The three spend a somewhat awkward evening together and the narrator become more comfortable with Robert as the night progresses and as his wife falls asleep. The narrator gains some compassion for Robert and attempts to describe what the cathedral on the

“Cathedral” represents the theme of how important communication is to the success of relationships. First, when the man finds out the woman’s blind friend is coming he makes many rude comments. As a result, the woman then starts to attack the man personally by saying, “You don’t have any friends” (Carver, “Cathedral” 34). Due to their poor communication, the man cannot simply express that he is insecure that her friend is coming, and he also cannot tell his wife that he believes Robert will be a burden because he is blind. Likewise, the man

“Cathedral” by Raymond Carver is a story that shows the sense of sight in relation to vision, but it shows that the sense of sight requires a much deeper engagement. The narrator, who Robert calls “Bub,” is astonishingly shortsighted or “blind” while the blind man is insightful and perceptive. Bub is not blind, but Robert is. Therefore, he assumes that he is superior to Robert. His assumption correlates with his idea that Robert is unable to make a female happy, nor is he able to have a normal life. Bub is convinced his ability to see is everything. So, he fails to look deeper than the surface and is why he doesn’t know his wife adequately. However, Robert sees much deeper than the narrator, although he cannot look at the surface. Robert’s ability to look deeper helps him understand through his listing and sense of touch. Throughout Robert’s visit, the narrator reveals he is closed minded and exposes how he views life in general. Bub is clobbered and it brings him to the epiphany that his views about Robert are actually a mirror image of how he views his life. His epiphany is shown through the author's use of appearance vs reality, irony, and vernacular dialogue; which shows Bub’s preconceived notations, the connection formed between Bub and Robert, and how out of obliviousness Bub gained insight.

Plato’s “Myth of the Cave” and Carver’s Cathedral provide insight into parallel words. The protagonists in each story are trapped in a world of ignorance because each is comfortable in the dark, and fearful of what knowledge a light might bring. They are reluctant to venture into unfamiliar territory. Fortunately the narrator in the Cathedral is forced by circumstances to take a risk. This risk leads him into new world of insight and understanding.

"Cathedral" is a short story ultimately about enlightment, finding something more meaningful and deeper with in one self. Although from an observing point of view nothing more in the story happens then a blind man assisting the narrator in drawing a cathedral. Although as known, the narrator's experience radically differs from what is actually "observed". He is enlightened and opened up to a new world of vision and imagination. This brief experience will have a life long effect on him. The reason for this strong and positive effect is not so much the relationship made between the blind man and the narrator or even the actual events leading up to this experience, but rather it is mostly due to what was drawn by the narrator.

In Raymond Carver’s “Cathedral” the narrator is seen to show ignorance and bias towards blindness throughout the story, however towards the end he realizes his flaws and the difference between looking and seeing. From the beginning of the story to the end you can see a change within the narrator after his encounter with the blind man. At the end of Raymond Carver’s “Cathedral” the narrator hopes to accomplish a change in his understanding of himself, and his experience with Robert flickers this change towards the end of the story.

The story “Cathedral” demonstrates that lack of sight does not necessarily prevent one from perceiving things as they are, or live their life to the fullest. In the story, a middle-age blind man, who is a friend to the narrator’s wife, and used to be her boss at one point, visits the narrator and his wife. The narrator has never interacted with blind people before, and all he knew about blind people was what he had seen on television. Blind people are stereotypically portrayed on television as slow moving, dull people, who never laugh. Based on this perception, the narrator was reluctant to meet the blind man and doubted whether they were going to connect. This is evident when the narrator states, “I wasn’t enthusiastic about his visit. He was no one I knew. And his being blind bothered me” (Carver 1).

The story of Cathedral, by Raymond Carver, shows that you do not have to see someone or something in order to appreciate them for who or what they are. It is about a husband, the narrator, and his wife who live in a house. The wife, whose name they do not mention, has a very close friend who is blind. His name is Robert. Robert's wife dies, and comes to their house to spend a couple of days with the narrator and his wife. The narrator, whose name they do not mention as well, is always on edge because he does not really know Robert very well and he does not like blind people, but he is being friendly for his wife's sake. The story comes to an end when Robert and the narrator draw a cathedral together using the narrator's hand and helped by

It is human nature to shy away from social situations that make us uncomfortable. Also, as a people with great pride, we often find it difficult to admit when we have been iniquitous, or to allow ourselves to be open to humbling experiences. Sometimes though, it is not entirely due to intolerance that we allow ourselves to make ill-informed judgments. Raymond Carver was a writer with some insight concerning these very ideas. In his short story, “Cathedral,” Carver uses a nameless narrator and his interactions with a blind man to illustrate how a lack of experience can lead to ignorance and thus prejudice. Through the development of this character,

The Story “Cathedral” by Raymond Carver is about true blindness and the effects of emotional contact. Peterson studies the use of determiners, a and the, that refer to the blind man in the story and its effects to establish the atmosphere of the story. He states that the change in determiner seems subtle, but these subtle changes are significant because the changes show how narrator feel about Robert throughout the story. Nesset studies the sexual polices and the love lives in several Carver’s stories. He discusses how Carver wrote his stories based on less of love and more of love withdrawal. Also Facknitz addresses rediscovery of human worth and the effects of emotional touch by discussing three short stories written by Carver. He analyses each narration of the narrator and comments based on psychological manner. The story “Cathedral” suggests the meaning of true blindness does not only refer to physical disability; it refers to those people who cannot see the world from other’s perspectives and it can be overcome through emotional contact.

The imagery and symbolism in the Cathedral show a transformation in the life of the narrator, who perceived the blind man has a threat to him, later learn the significance of humanity through the kindness and caring gestures of the blind man. Whereas the imagery and symbol in everyday use was the quilts, handmade by the narrator’s mother and sister representing the legacy of their family.

Furthermore, the title of the short story has symbolic representation to the transformation the narrator partakes as the story ends. Specifically, when the narrator begins to explain the cathedral on the TV and is unable to describe it with detail to Robert, shows how blind he is even though he is able to look at the things show in the program. In the short story, Robert suggests to the narrator to work together on drawing a cathedral to better illustrate it. As both hold on to the pen and trace the cathedral unto the piece of paper bag, Robert is able to visualize it in his mind; the narrator, on the other hand, gets to a point in his life where he realizes that he is now able to see, rather than just look at something, and is able to understand its meaning, as he states “it was like nothing else in my life up to now…my eyes were still closed.” Here, the narrator recognizes that even though his eyes were closed, as if he was blind, he is able to tell how immensely and detailed cathedrals are.

In Raymond Carver's "Cathedral," the husband's view of blind men is changed when he encounters his wife's long time friend, Robert. His narrow minded views and prejudice thoughts of one stereotype are altered by a single experience he has with Robert. The husband is changed when he thinks he personally sees the blind man's world. Somehow, the blind man breaks through all of the husband's jealousy, incompetence for discernment, and prejudgments in a single moment of understanding.

By the end of Raymond Carver's "Cathedral," the narrator is a round character because he undergoes development. The story opens with the narrator's unconcern for meeting the blind man, Robert, which is because he was uninvolved in the friendship between the blind man and the narrator's wife. Feeling intimidated, he discloses, "I wasn't enthusiastic about his visit. He was no one I knew. And his being blind bothered me" (Carver 1). This emphasizes the narrator's unwillingness to bond with the blind man, which is made visible as the story progresses; moreover, he does not acknowledge their relationship. This is highlighted when he mentions what the name of the blind man's wife was. "Her name was Beulah. Beulah! That's a name for a colored woman. 'Was his wife a Negro?' I asked" (3). He seems disgusted with people. The insensitive narrator's prejudice is evident by him saying, "I've never met, or personally known, anyone who was blind" (5). This statement causes the audience to expect growth in him. The narrator's detachment from the blind man is indicated by his disinterest in cathedrals and tapes; nevertheless, the blind man and the narrator have had dinner, "smoked dope," and drank together,