You cannot truly see the world and understand other people, until you see inside yourself. Raymond Carver’s The Cathedral is a story that shows you do not have to actually “see” in order to appreciate the world or those in it. The narrator Bub forms a relationship with Robert, by the end of the story, although it starts to form with his wife, then when he actually meets Robert, and finally their “experience” together in the end. People tend to be blind to the world, until guided by someone with another insight on the world. By allowing this experience into his life, Bub is letting go of the bitterness in his life and I believe this will change him for the better. As the story begins Bub is what I consider self-centered, narrow minded, and …show more content…
The second Robert steps out of the car Bub is amazed, “This blind man, feature this, he was wearing a full beard! A beard on a blind man” (739). Since Bub’s only point of reference is what he’s seen in the movies, he is stunned to see that it was not what he expected.
“But he didn’t use a cane and he didn’t wear dark glasses. I’d always thought dark glasses were a must for the blind. I wished he had a pair. At first glance, his eyes looked like anyone else’s eyes. But if you looked close, there was something different about them. Too much white in the iris, for one thing, and the pupils seemed to move around in the sockets without his knowing it or being able to stop it. Creepy” (740).
Bub spends an entire paragraph talking about the differences of Robert, between what he’s seen in movies and a normal person. Carver is making the point that not only is he different than a “normal” person, but he does not fit the stereotype Bub has of a blind man. Bub has completely alienated Robert on the note of him being blind and not being the “typical” blind man, creates this invisible divide between Bub and Robert building a
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It starts with when his wife goes up stairs and Bub starts to talk with Robert about cathedrals. Being unable to see the images on the TV, Bub wonders if Robert even knows what a cathedral looks like, “Do you have any idea what a cathedral is…If some says cathedral to you, do you have any notion what they’re talking about?” (744-745). Bub realizes that Robert is missing out on the world by not being able to see it on the TV, although in reality Robert is experiencing the world differently and more openly than Bub. The cathedrals mean nothing to the narrator Bub, as he is not religious. Although it is not the cathedral that is important, Robert is trying to instill confidence into Bub. Bub keeps trying to apologize to Robert about how he is describing the cathedrals, but it is Bub’s lack of self-esteem that is truly bringing him down. Robert suggests, “Why don’t you find us some heavy paper? And a pen. We’ll do something. We’ll draw one together” (746). Robert not only wants to feel the movements of Bub drawing, to visualize a cathedral, he wants to instill confidence in Bub. Robert encourages him even though he cannot physically see, feeling with his fingers he is able to visualize in his mind, “You got it, bub. I can tell. You didn’t think you could. But you can” (746). Robert is encouraging Bub and filling him with
He makes this clear in the opening paragraph of the story where he says “I wasn’t enthusiastic about his visit. He was no one I knew. And his being blind bothered me. My idea of blindness came from the movies. In the movies, the blind moved slowly and never laughed. Sometimes they were led by seeing-eye dogs. A blind man in my house was not something I looked forward to” (Carver 1). The narrator dismisses Robert in the same manner a white racist may dismiss an African-American. His prejudice, or any prejudice, is preconceived based on superficial qualities rather than actual experience or reason. It is evident the narrator can’t see beyond Robert’s disability and is judging Robert because of a characteristic that makes him uncomfortable. This unconscious placement of Robert into an atypical category prevents him from seeing Robert as an individual. The narrator does not see Robert as a whole person, but solely as a blind man. Part of what makes the narrator emotionally blind is this
In Cathedral, the unnamed narrator, husband, defines the character of Robert as an anomaly in which he doesn’t comprehend. “He was no one I knew. And his being blind bothered me. My idea of blindness came from the movies. In the movies, the blind moved slowly and never laughed. Sometimes they were led by seeing-eye dogs. A blind man in my house was not something I looked forward to” (Carver 1983). The media has been able to lead people like the narrator to develop negative opinions towards those with disabilities creating a type of phobia. After hearing stories about Robert, told by his wife, he could not imagine this blind man having a good life, one worth living. He assumes that Robert’s wife, Beulah, had lived a very pitiful life as well, not having her husband ever knowing what she looked like or what subtle nuances her facial expressions could only show through sight.
The story follows the narrator and his wife who has invited her old friend to stay at their home because his wife has just passed away. The friend, Robert, is blind and the narrator’s wife worked for him as a reader ten years prior. They remained close and kept in touch by sending audiotapes to one another, recounting what was going on in their lives. Robert’s blindness makes the narrator uncomfortable and he does not look forward to his visit, even though it is quite important to his wife. The three spend a somewhat awkward evening together and the narrator become more comfortable with Robert as the night progresses and as his wife falls asleep. The narrator gains some compassion for Robert and attempts to describe what the cathedral on the
Carver’s short story “Cathedral” is about a man and a woman who are married. The woman’s blind friend Robert, whose wife just died is coming to stay with them because he plans on visiting his dead wife’s relatives nearby. Robert knew the man’s wife because she worked for him one summer, reading to Robert. The wife and Robert stayed in touch over the years by sending tapes to each other, and letting each other know about what was going on in their lives. When the man hears Robert is coming over he makes idiotic comments about Robert’s wife and felt that Robert would be a burden on them because he is blind. The man and the woman proceed to argue over the situation. The wife tells her husband, “If you had a friend, any friend, and the friend came to visit, I’d make him feel comfortable” (Carver, “Cathedral” 34). The man responds to this by stating, “I don’t have any blind friends” (Carver, “Cathedral” 34). When Robert finally arrives, they converse, drink, and eat together. After, the wife goes upstairs, the man and Robert begin to smoke some weed together. While the wife was sleeping, they start watching TV together and talking. Robert asks the man to explain to him what a cathedral looks like because cathedrals came up on the TV. The man has trouble explaining it and cannot describe to Robert what a cathedral looks like. Then Robert asks the man to draw a cathedral with him. Robert request that the man close his eyes, and they begin to draw. This is where the story ends and it seems that this is when the man became aware of the difficult lives blind people live as he could not explain what a cathedral looked like, and he could not see his drawing.
Prejudice is an issue that is present in communities around the world due to diversity in race, religion, sexual orientation, lifestyles and physical disabilities of others as well. However, sometimes it just takes a life changing moment for one to realize that he or she should not discriminate against others just because of their appearance or beliefs. In the story “Cathedral”, author Raymond Carver writes about a man who is prejudging towards his wife’s blind friend, Robert, who will be visiting the couple. At first the narrator, or “Bub” as Robert nicknamed him, does not like the idea of Robert staying there because he is blind. Once Robert arrives, “Bub” does not really make an effort to get along with him; they had dinner together
The blind man, Robert, is an independent person. Throughout the story, he shows this through some of his actions, such as not using a cane and cutting his food without the help of the others at the table. He also portrays his independence through his stories when he talks about some of his past jobs such as a ham radio operator and an Amway distributor. Robert’s independence helped to break many of the stereotypes that the narrator had in place which helped to change the narrator's life.
“Cathedral” by Raymond Carver is a story that shows the sense of sight in relation to vision, but it shows that the sense of sight requires a much deeper engagement. The narrator, who Robert calls “Bub,” is astonishingly shortsighted or “blind” while the blind man is insightful and perceptive. Bub is not blind, but Robert is. Therefore, he assumes that he is superior to Robert. His assumption correlates with his idea that Robert is unable to make a female happy, nor is he able to have a normal life. Bub is convinced his ability to see is everything. So, he fails to look deeper than the surface and is why he doesn’t know his wife adequately. However, Robert sees much deeper than the narrator, although he cannot look at the surface. Robert’s ability to look deeper helps him understand through his listing and sense of touch. Throughout Robert’s visit, the narrator reveals he is closed minded and exposes how he views life in general. Bub is clobbered and it brings him to the epiphany that his views about Robert are actually a mirror image of how he views his life. His epiphany is shown through the author's use of appearance vs reality, irony, and vernacular dialogue; which shows Bub’s preconceived notations, the connection formed between Bub and Robert, and how out of obliviousness Bub gained insight.
"Cathedral" is a short story ultimately about enlightment, finding something more meaningful and deeper with in one self. Although from an observing point of view nothing more in the story happens then a blind man assisting the narrator in drawing a cathedral. Although as known, the narrator's experience radically differs from what is actually "observed". He is enlightened and opened up to a new world of vision and imagination. This brief experience will have a life long effect on him. The reason for this strong and positive effect is not so much the relationship made between the blind man and the narrator or even the actual events leading up to this experience, but rather it is mostly due to what was drawn by the narrator.
In Raymond Carver’s “Cathedral” the narrator is seen to show ignorance and bias towards blindness throughout the story, however towards the end he realizes his flaws and the difference between looking and seeing. From the beginning of the story to the end you can see a change within the narrator after his encounter with the blind man. At the end of Raymond Carver’s “Cathedral” the narrator hopes to accomplish a change in his understanding of himself, and his experience with Robert flickers this change towards the end of the story.
The speaker puts Robert in a category that stops him from seeing him as an individual, yet receives an eye-opening experience through the blind man’s knowledge and
Cathedral, the short story by Raymond Carver is told from a first person point of view through the eyes of the narrator who remains nameless throughout the story. The narrator, for most of the story acts selfish, feels jealousy, and does not want Robert, a blind man, to come to visit, but as the story progresses, the narrator gets to know and understand Robert and for the first time, he begins to see things with a completely different perspective. These changes make the narrator a dynamic character.
The beginning of the story presents the narrator’s wife working for a blind man one summer by reading, “stuff to him, case studies, reports, that sort of thing” (Carver, 34). She eventually extends an invitation for the blind man, Robert, to stay at their house after Robert’s wife had passed away. The narrator was not too happy about having a stranger stay in his home by stating, “I wasn’t enthusiastic about his visit. He was no one I knew. And his being blind bothered me. My idea of blindness came from the movies. In the movies, the blind moved slowly and never laughed” (Carver, 34). The narrator seems very timid about someone he had never met stay at his house who can see purely nothing. This gives off an impression that the narrator doesn’t want to have Robert stay with him because he will be a hassle to keep up with since blind people in the “movies” progress, “slowly and never
In the short story, Cathedral, by Raymond Carver, the author uses imagery, symbolism and narrates the story in first person point of view. The Cathedral’s main theme is being able to identify the difference between being able to look and/or see and it is portrayed through the main characters role in the story. Carver uses a unique style of writing which gives the short story a simple way for the reader to understand the story’s theme.
In Raymond Carver's "Cathedral," the husband's view of blind men is changed when he encounters his wife's long time friend, Robert. His narrow minded views and prejudice thoughts of one stereotype are altered by a single experience he has with Robert. The husband is changed when he thinks he personally sees the blind man's world. Somehow, the blind man breaks through all of the husband's jealousy, incompetence for discernment, and prejudgments in a single moment of understanding.
By the end of Raymond Carver's "Cathedral," the narrator is a round character because he undergoes development. The story opens with the narrator's unconcern for meeting the blind man, Robert, which is because he was uninvolved in the friendship between the blind man and the narrator's wife. Feeling intimidated, he discloses, "I wasn't enthusiastic about his visit. He was no one I knew. And his being blind bothered me" (Carver 1). This emphasizes the narrator's unwillingness to bond with the blind man, which is made visible as the story progresses; moreover, he does not acknowledge their relationship. This is highlighted when he mentions what the name of the blind man's wife was. "Her name was Beulah. Beulah! That's a name for a colored woman. 'Was his wife a Negro?' I asked" (3). He seems disgusted with people. The insensitive narrator's prejudice is evident by him saying, "I've never met, or personally known, anyone who was blind" (5). This statement causes the audience to expect growth in him. The narrator's detachment from the blind man is indicated by his disinterest in cathedrals and tapes; nevertheless, the blind man and the narrator have had dinner, "smoked dope," and drank together,