Brit Lit Essay I: Sir Gawain and the Green Knight As an avid recreational reader I enjoy reading books of all types, however, one of my favorite genres is fantasy. This love began in my reading of George MacDonald's Phantastes, and continued throughout the past year as I have been working my way through C.S. Lewis’ The Space Trilogy. What is so interesting, and simply enjoyable, for me about reading Sir Gawain is that it is a more original and classic take on the typical structure and plot of a fantasy/fairytale. In the beginning you already get a general idea of how the story is going to go, yet the story has its own quirks that keep it interesting. At the start of the story the Green Knight enters the great hall and proposes his game. …show more content…
Knowing that the Green Knight is a fairy endowed with mystical characteristics makes the story even more interesting; as you continue through the story you begin to wonder more and more about how Gawain would be able to survive the Green Knight’s returning blow. The story in Bertilak’s castle seems arbitrary and unnecessary until you read on and realize that it is an integral part of the story and it is the means by which the author provides Gawain with his solution. In Phantastes, MacDonald spends a lot of time telling the tale of Cosmo of Prague, which at first seems to be an interruption to the main story being told, unbeknownst to the reader, however, it is setting the stage for parts of the plot later on in the story. In the same way Sir Gawain’s time in Bertilak’s castle does the same thing. It is this mysterious structure and suspense that makes Sir Gawain and the Green Knight such an interesting story to read. The “huzzah” moment that the reader has when Bertilak’s wife first introduces the idea of the girdle, the idea that connects this part of the story to the rest, is such a satisfying moment for the reader and provides an experience like no other. This is compounded as the reader discovers, sometimes in a frustrating manner, that some unknown test had been occurring to test the character of the hero. Sir Gawain had been honorable and noble the whole story yet his one slip up may have lead to his demise. This is
Several fictional works set in Arthurian times contain numerous similar elements, whether that be in the structure of its plot or encounters with mythical beings; however, one particular element of these tales stands out among the rest, that being the knights in the stories. Both chivalrous and virtuous, knights are the very embodiment of Arthurian mythology, and are a staple in many Arthurian legends. Their courageous acts of selflessness and loyalty to their lords only add to their reputation, inspiring many authors throughout the ages to capture their likeness in various texts; however, only one author has been able to truly capture what it means to be a knight, that author being the “Gawain Poet.” Also known as the “Pearl Poet,” the “Gawain Poet” is most known for his chivalric romance Sir Gawain and the Green Knight. The story revolves around a central conflict in which the protagonist, Sir Gawain, must fulfill an agreement with a mysterious knight. Gawain’s “debt” must be repaid exactly one year after their agreement, and if Gawain should fail to do so, his honor and reputation would be tarnished. It is through his struggles that Gawain not only grows as a character, but also shows what it means to truly be a knight. Sir Gawain is the epitome of a knight because he is not only chivalrous and virtuous, but also stays true to his word in the face of danger.
The inconsistencies in Sir Gawain’s identity become blatantly clear when contextualized within the literary tradition that established Gawain as fundamentally chivalrous.
In most literature today, there usually can be a specific diagram for the progression of the story and it relies on Joseph Campbell’s Hero with a Thousand Faces. Many stories include characters who explore many roles and use them to continue the plot. Within Sir Gawain and the Green Knight, these character archetypes are largely occupied by the Green Knight such as, the herald, the Evil Figure Who Is Ultimately Good, the Trickster, and the Minion. This allows the Green Knight to help Sir Gawain learn his lessons and develop the moral of the story. He exploits these characteristics to formulate Sir Gawain and as a result, demonstrates how a single character in Sir Gawain and the Green Knight can play many archetypal roles.
After the establishing of the threat, Gawain agrees to the “fateful region of both treasure and danger…” (Campbell 53), also known as the call. The Green Knight himself initiates the quest, originally representing the herald. As Gawain rose the sword and let it fall on the knight’s neck, the Green Knight “neither faltered nor fell; he started forward with outstretched hand and caught the head…” (Weston, 9). At the attempt to decapitate the Green Knight, Gawain realizes that he will not be easily killed and rethinks what he has agreed to. At this point, the reader can define the Green Knight as a trickster for misleading Gawain into his death. Time flew by for Gawain and soon took off on his journey to find the mysterious knight. On a chilly winter night, Sir Gawain prays to God to help guide him to a safe place to spend the rest of the night. He comes across a castle in which he stays in for three days. The castle’s owner shelters Gawain and tests his loyalty.
Gawain’s first portrayal of being a true knight comes when the Green Knight makes his appearance in Camelot. The Green Knight first speaks to King Arthur and proposes that they play a “game.” Arthur will strike the Green Knight with his axe, and in return the Green Knight will return the strike in a year and a day. King Arthur agrees to this game and its terms, but as he steps up to accept the challenge, Gawain comes forward and offers to participate in the “game” in place of King Arthur. Sir Gawain says to King Arthur, “I implore with prayer plain that this match should now be mine” (341-342). Gawain goes on to strike the Green Knight, cutting off his head. However, the strike does not kill the Green Knight; he picks up his head from the ground and repeats to Sir Gawain that he will return the blow in a year and a day. In this moment, Gawain’s bravery is clearly showcased. First, he takes a challenge in place of his king, which he did not have to do.
To fit into the medieval romance genre, it must have mystery, and boy does Sir Gawain and the Green Knight have a lot of mystery. I will share an example from the story, “Gawain leaves the Green Chapel penitent and changed. A mysterious visitor to Camelot. The Green Knight's huge
What I noticed at first while reading the story is that, the story is focused mainly only on Gawain’s point of view. Another thing that comes out of the story is that there is some sort of conflict between a civilized world and a natural world. The civilized world is the one ruled by codes of love. On the other side, the natural world is a more chaotic one, where the “animal instinct” dominates. The major conflict that we see, besides the one between Gawain and The Green Knight, is the one that Gawain has with itself, which is the struggle to decide whether his virtues are more important than his life. We also see, another huge theme treated in the story, which is the one that talks about “reputation”; reputation has a big impact in Gawain
range of Pagan allegory, the result making of Sir Gawain a unique story full of
Protagonists also known as the main character or the hero. A protagonist can make or break the story. A hero is defined as a person who goes on a quest to save, restore or heal the community. Most heroes have the same qualities; however, what the character does with the qualities is a different story. For example, Sir Gawain and The Green Knight, author unknown and Oroonoko by Aphra Behn are two works where the protagonists are comparable. For example, both men are on a dangerous journey, a woman starts their downfall, and lastly, both put their trust in the wrong people. However, they differ in many factor; the main one however, is that Sir Gawain is a knight and Oroonoko is a prince.
The topic of spirituality, divinity and otherworldly phenomena is quite common in medieval literature and there is a multitude of contexts, in which these topics are addressed. The protagonists of those texts find themselves in a balancing act between the secular world and a supernatural world, where they need to overcome struggles to master the difficulties of their worlds’ dualisms. Be it an otherworld of fairies or the christian hereafter, those worlds and the mundane conducts often influence each other reciprocally in the stories of medieval literature.
How Sir Gawain Saved His Own Life The famous author, Ernest Hemingway, once said, “It is good to have an end to journey toward; but it is the journey that matters in the end.” Many stories include important journeys that shape a character to change by the end. For example, the well-known King Arthur poem, Sir Gawain and the Green Knight, features a knight from the famous Round Table who goes on an incredible and difficult journey to fulfill a promise to a mysterious being and grows throughout his journey. Throughout the Medieval Narrative poem, Sir Gawain and the Green Knight, the main character who is also one of King Arthur’s most famous knights, Sir Gawain, embarks on a journey which helps him to become a better knight. The initial chapter of Sir Gawain and the
The epic poem, Sir Gawain and the Green Knight, presents the typical medieval hero going on a ridiculous quest. Gawain exemplifies the five principles of chivalry as he addresses each challenge on his journey, making him a true hero. However, the tale places this serious hero in an absurd situation, illustrating the comical elements the poem holds as well.
There is no doubt that sir Garwain plays a significant role in medieval British literature. Although portrayed differently in Sir Thomas Malory and Sir Garwain and the Green Knight the role and characterization of Sir Garwain differs and shares similarities at the same time. It is important to note that in Sir Thomas Malory, Launcelot plays a major role in the development of the plot; whereas, Garwain plays a less significant role. In Sir Garwain and the Green Knight however, Garwain is the main persona and plays a significant role in the development of the plot.
Medieval romances are dramatic theatrical narratives that usually include heroes, adventures, and of course the excitement of love. These stories have been around since the 12th century, first appearing in France and then later seen in England. They were some of the most popular texts of the era. Sir Gawain and the Green Knight is one of these stories introduced in the 13th century. In fact, it’s so old that nobody knows who even wrote the poem. Sir Gawain and the Green Knight is an exciting tale where Sir Gawain is tested as a knight by facing challenges and adventures. Sir Gawain and the Green Knight shows us the all the main traits and characteristics of a medieval romance, such as supernatural elements, mistaken identity, larger than life characters, and lastly a hero facing and passing tests of loyalty.
Sir Gawain and the Green Knight is a very wonderful story that has many symbols that have an important meaning and lesson to it. Sir Gawain and The Green Knight is written anonymously. This story is very unique in every way because some of the circumstances and games are very different compared to how some people see them today. There are many symbols that are embedded into this story. Items that seem simple and irrelevant in real life are important in the story and embrace special lessons. The green belt, nature and the color green are important symbols in the story.