Vitruvius

CRITICAL RESPONSE TO VITRUVIUS & ALBERTI Throughout history, the makings of an architect have changed by stark proportions and so did the requirements of the finished creation. Marcus Vitruvius Pollio (80 B.C.E), famously known as Vitruvius, wrote in The Ten Books on Architecture of how the architect must possess wide knowledge and expertise in many fields of study, and that his buildings must encompass firmitas [durability], utilitas [usefulness], venustas [beauty] (Vitruvius, 33) and harmonious

distances that the Romans were able to. The widest known Greek archway spans only 7.35m, whereas the Romans built many great triumphal arches to emphasise their power in victory. Marcus Vitruvius Pollio wrote about the qualities a successful arch should entail, these were: “utility, strength and aesthetics” (Vitruvius, M., 1914). He wanted them to be built according to anthropometrics; symmetry and proportions of the human body. The full potential of the arch was reached when the Romans discovered the

Italy was founded on 21April 753 BC by two brothers, Romulus and Remus. Rome has been a dominant empire throughout the age of time and its influence on the modern world is still in manifest. One of the major driving forces that aided the Romans in maintaining their power was the phenomenal architectural principles that their structures possessed throughout the city of Rome. The Romans applied three elements in which was used in order to perfect various elements such as their architectural structures

Rules of proportion in Architecture and Ancient Greece Proportion is the essence of architecture, and its roots can be traced back to even the ancient Egyptian times. The first recorded information about the theories of proportion comes from Pythagoras’s studies on geometry, ratio and the musical scale. This knowledge has been further explored in relation to proportions of things found in nature, such as the discovery of the golden ratio, and the modulation of the parts that make up the human body

The Rise and Fall of Roman Architecture It’s 70 A.D and the streets of Rome are busy. Construction workers are hard at work building a place of slaughter and game. Brick by brick the arches are made, and the details of Corinthian architecture are carven into the cold, hard stone. Vespasian and Titus stand in front of their work, admiring the sophisticated amphitheater of Italy. The Colosseum is just one of the vast amounts of Roman projects still intact and cherished by people of the world. Romans

Piazza d'Italia as an Example of Postmodern Architecture A public place incorporated into a larger commercial complex, the fountain of the Piazza d'Italia occupies a circular area off center of the development, which consists of buildings and open-air corridors planted with trees. The fountain is set on a ground of concentric circles in brick and masonry, and is composed of a raised contour relief of the boot of Italy and a construction of several staggered, interconnected facades following the

Early Renaissance architecture began in the early years from 1400-1500. During this era, classicism played a huge role in architectural ideas as well as religious, secularization, and humanist influences. This differed architecture from that time period to later mannerist architecture. Mannerism derived from late renaissance architecture and continued through the early Baroque era in the years 1520-1600. The influences that changed the views on early architecture were the Sack of Rome, the Copernican

Ancient Greek columns? This essay will initially look at the period prior to 620 BC to see if there is any evidence to suggest that the ancient Greeks may have imitated another civilizations designs to create the three architectural orders that Vitruvius wrote about in his Ten Books of Architecture. The next part of this essay will look at each of the three columns to discuss their virtues in relation to proportionality, structure and visual imitation. The oldest of the ancient Greek classical orders

As evidenced by many of its historic buildings, Fredericton was greatly influenced by the neoclassical architectural period that swept Europe and North America during the 18th century (Young 1982, 10). This period was marked by an influx of buildings designed to reflect the architecture of ancient Greece and Rome (Faulkner 2009, Neo-classical architecture). It grew from the burgeoning interest in classical antiquities and antiquarianism, a movement led by Englishmen such as Lord Elgin and William

Renaissance is a generally accepted name for the era of great change in culture, art, and architecture which took place in the fifteenth-and sixteenth-century Italy, and then left its mark on the culture of the whole of Europe. During the Renaissance there was a significant shift of universally recognized values. They began to appreciate and recognize the creative possibilities of a human mind, which entailed a lot of consequences. One of them was the spectacular development of the architecture,