Essay on A Critical Response to Vitruvius & Alberti

In O’Gorman’s piece ABC of Architecture Venustas is touched on but not analyzed to the extent of both Utilitas and Firmitas. Contrary to Vitruvius’ criteria, modern buildings are built using the Vitruvian factors of Utilitas and Firmitas. The architect does not usually have the freedom to design whatever they desire, they usually follow a set of criteria and constraints in the form of a plan.

This can most commonly be seen in Roman walls.  Most of Roman designs had concrete walls that were brick faced. (Encyclopedia Britannica) What is meant by this, is that a layer of concrete would be behind a wall of brick which make the brick wall more structurally sound. (Ancient History Encyclopedia) . Not only would concrete make the walls stronger but they could mold into some unique forms which is why see some very complex Roman Structures. The brick was placed in front of the concrete to create and aesthetically pleasing feeling, since concrete walls can seem very dull. (Khan

Marcus Aurelius was born on April 26th, 121 AD. He was born as Marcus Annius Verus. His family was a very wealthy family who claimed that they were descendants of Numa, The Second King of Rome. His father was Annius Verus and his mother was Domitia Lucilla.

Many architectural and urban forms and elements that we witness today are largely influenced by how buildings were design and laid in Rome. Not only in terms of its external design that brought upon important messages but the design of interiors and the significance of spatial arrangement of spaces exist within them has created the sense of physical experience in the buildings as well. Rome’s urban development and the rise of architectural movement began during the time of Augustus

In this essay, I will not only be discussing at the connections between Renaissance architecture and cosmology as well as music, but also the what Renaissance architecture is and how it played a key part in architectural design today. The Renaissance period took place during the early 15th century to early 17th century, the age of Leonardo, Michelangelo, and Raphael. Architects of the time took inspiration from classical Roman architecture. This means it is an analysis of architecture in the ancient world, especially ancient Greece and Rome. What the Renaissance learnt from the Romans has how they used the space, looked at the form and had somewhat accurate measurements. And so, they copied elements and modified it, for example, many columns having a slightly intruded appearance on walls to give decoration to the building. They loved looking at the design and proportions and the mainly thrived in Italy during the early semester. It wasn’t until the latter years where Renaissance architecture started to spread throughout Europe, where many architects were fading from the gothic style previously used. However, large numbers of buildings incorporated a mixture of Renaissance and Gothic styles. A famous building built during the Renaissance period is St Peter’s Basilica, made in Rome, which was designed by many

The human body is the ultimate tool for discovering the environment. Human anatomy is considered to be nature’s peak of perfection and certain features serve as inspiration for many architects. To study the relationship between the human body and architecture, one must not be limited to human body parts resemblance to architectural works but to a larger extent consider human emotions, sensory nerves, the mind and general human psychology. In essence everything that makes us human. In its simplest definition Architecture can be described as an art or practice of designing buildings. It is practiced in a way that accomplishes both practical and communicative or expressive requirements. To relate it to human body then Architecture can widely define the place, the site, the energy, the systems, the building, the flora and fauna. These components that bring aesthetic property to humanity apart from the utilitarian purpose it serves. The perfect balance of a normal human body and the proportions are incorporated into architecture from a point of view of imitation, idealized allusion and the actual human use. Evidence of such human incorporation into architecture is seen from the Ancient Greek Architectures where it was common for tower columns to take shape of a human being like in the colossus of the Ancient

Architecture is often mistaken as purely an art form, when in actually it is where art and engineering or art and practicality meet. For example, painting is an art, when preformed well it yields a beautiful picture that evokes a deep human reaction and brings pleasure to its viewer, however this painting provides no function, it cannot shield us from the rain or protect us from the wind or snow, it is purely form. An insulated aluminum shed provides shelter and protection from Mother Nature; however, it is a purely functional building, it was drawn by an engineer, not conceived by an artist to have form. The culmination of form and function is Architecture, the Greeks and Romans fathered this idea and Palladio’s study of roman architecture taught him his valuable truth.

He is strongly opinionated and holds a passionately expressive philosophy of architecture (which has had a gigantic impact on urban fabric and the way in which we live.

This ‘ideal’ is reached by an assembly of ideal shapes and dimensions, whilst taking into an account that some numbers are more noble in Renaissance than others (Hersey and Freedman, 1992). He used mathematical tools as devices whilst working on his designs. In order to appreciate his work fully, the concept of symmetry and proportion is to be viewed as the key to understanding. Palladio’s work was inspired by Roman times, although build with nature in mind. The buildings are regarded as an exercise in pure form rather than models of themselves, they fulfilled and embodied the ideal and harmony of the magnificence own to upper class.

“Bramante was the first to bring back to the light of day the good and beautiful architecture that had been hidden since the time of the Ancients.” Palladio

Even today, Meditations by Marcus Aurelius is read by every class from kings to common people. The book is a universal classic, meaning it can be related to at any time, by anyone. The philosophies included in his book have spanned the centuries, and Meditations remains to be one of the most influential books ever written.

Gropius traces the growth of the New Architecture and the work of the now well-known Bauhaus, with accuracy, calls for a new artist and architect educated to new materials and approaches as well as meeting the requirements of the age. It is also mentioned in The New Architecture and the Bauhaus that the intention of the Bauhaus was not to reproduce any “style”, system or belief, but simply to exert a revitalizing impact on design. Even though the outward forms of the New Architecture differ primarily in an organic sense from the old, it is the inevitable logical product of the intellectual, social and technical conditions of our age. A gap has been made with the past, allowing us to face a new aspect of architecture corresponding to the technical civilization of the age we live in. The analysis of the dead styles has been destroyed. Furthermore, the new building throws open the walls like curtains to allow an abundance of fresh air, daylight and sunshine. Instead of securing the building ponderously into the ground, it poises them lightly, yet firmly at the same

Mies van der Rohe is one of the most prominent figures in modernist architectural history, the man who popularised some of the most influential phrases of the era, e.g. “less is more”, and strove to push his ideas and philosophies, not just on what he thought a building should be, but of what he thought architecture itself was. He changed the cityscape of America, showing the world a style that was simple and elegant, with such a controlled palette of expressions that shone through in its geometric beauty.

The five principles of architecture that Le Corbusier proposed in 1923 can be noted in, not only Le Corbusier’s work, but also in other modern architecture, because each principle contributes to the overall aesthetic of the building, as well as providing a functional use. However, all five principles don’t have to be incorporated into one design, which is what this essay will explore. It will attempt to show that one principle can prevail over the other four, but all five are needed to create a full representation of Le Corbusier’s envision of architecture. This is shown through Le Corbusier’s villas, specifically the Villa Shodhan and this essay will analyse how the principles contrast against one another. Furthermore, a small scale design project will be created alongside the essay in an attempt to produce a unique villa through the embodiment of Le Corbusier’s five principles of architecture. Through further analysis of the Villa Shodhan I will also argue that not all principles are independent and that some principles can function efficiently without the rest. Nonetheless, Le Corbusier’s most renowned villa, Villa Savoye, utilizes all five principles; therefore, it is the most accurate image of Le Corbusier’s five principles of architecture. However, after this villa had been completed it became clear that the flat roof, which served a domestic purpose as a roof garden had failed

However, the legacy provided by humanism cannot be dissipated because of industrialism. Renaissance and Roman architecture have displayed genius beautiful works as the result of efforts of architects who had vision of art and science combined. The exclusion of art from architecture, as reinforced by Durand, has removed the beauty and harmony elements that were present in older eras. Yet the Renaissance style places emphasis on symmetry, proportion, geometry and the regularity of parts as they are demonstrated in the architecture of classical antiquity and in particular ancient Roman architecture, of which many examples remained. Orderly arrangements of columns, pilasters and lintels, as well as the use of semicircular arches, hemispherical domes, niches and aedicule provided the beautiful attractive elements in architecture that was highly regarded in Palladio’s work yet almost very absent in Durand’s. As a result, the renaissance architecture, influenced by Palladio and Alberti, has been the result of tremendous work and effort passed on by these architects as they worked on every element of architecture in order to produce art and science rather than science alone. For instance, Villa Rotanda , Palazzo Rucellai and many other beautiful roman temples that have high regard in architecture are the result of the beauty harmonious elements and presence of the decorative art known as