The Waste Land is considered by most to be T. S. Eliot's best poem. It has five sections which consist of war, trauma, disillusionment, death, and talks about the after effects of World War I. The poem ends with the hope of peace. The poem is a long poem that has a mood that starts out depressing and continues to be that throughout the poem. There are so many ways to compare this poem to what is going on today. I plan on breaking each of these down. I will now summarize the five sections of the
Aspects of Mood Presented Through Setting in "The Love Song of J. Alfred Prufrock" and "Something Whispered in the Shakuhachi" The element of setting plays an important part in "The Love Song of J. Alfred Prufrock" by T. S. Eliot and "Something Whispered in the Shakuhachi" by Garrett Hongo as they give readers a sense of the narrators ' emotions and perspectives. Although the settings of both poems are presented in similar ways, they reflect on different aspects of the narrators ' mood. First of
In the poems “The Love Song by J. Alfred Prufrock,” written in 1910, published in 1915, and “Rhapsody on a Windy Night,” written in 1917, both of which were written by poet and literary-critic T. S. Eliot, the symbolism and imagery of the women represented in mythological means, the locations and landscapes that both protagonists wander through or plan on going to, and the nature that is used in both poems are very similar, yet uniquely different. “The Love Song of J. Alfred Prufrock” is about a
between two states of being, waiting to be judged. Without the fearlessness and faith to move on to the afterlife, they will spend eternity stuck in purgatory. When T. S. Eliot wrote “The Hollow Men,” he used symbolism, imagery, and repetition to share his insight to address the lack of courage and faith that plagues every human being. T. S. Eliot’s “The Hollow Men” is a dramatic monologue, free verse poem that consists of five parts that could be considered five separate poems. His use of “allegorically
“The Love Song of J. Alfred Prufrock” by T. S. Elliot is a poem that tells a character’s story with the use of emotions and imagery. The character J. Alfred Prufrock is first introduced as taking a walk and describing the surroundings such as vacant streets and dreary sights. Women are also introduced as talking about Michelangelo. The setting is covered in a yellow fog that stretches over every detail of the town. Prufrock’s emotions at first seems to be confident with the ladies. As the poem progresses
greatly mystified and fascinated readers. While Eliot was writing “The Waste Land,” he was enduring times of personal difficulty, which was distinctively expressed in his poem. Thus, his work became a well-known piece that expressed the mood of a postwar society, disillusioned by the loss of principles. Eliot decided to transform his poem, not only to demonstrate despair and misery, but to also seek the means to escape it. Consequently, T.S. Eliot 's use of unconventional language and style allows
The Deeper Side of Prufrock from The Love Son of J. Alfred Prufrock Thomas Sterns Eliot wrote the poem "The Love Song of J. Alfred Prufrock" over a period of six years and published it circa 1917 at the ripe old age of twenty-nine. As his first published poem, 'Prufrock' revealed Eliot's original and highly developed style. Its startling jumps from rhetorical language to cliché, its indirect literary references, and its simultaneous humor and pessimism were quite new in English literature. (World
T. S. Eliot was a man who strongly believed that poetry should represent life. He knew that life was complex, so that is why his poetry was difficult to understand not only for students writing research papers, but also for critics. He was the backbone of modernist poetry, who wrote mostly about darkness, despair, and depression in life. He tried and succeeded to capture the torment of the world during World War 1 and World War II (Shmoop "T.S. Eliot"). Eliot’s view of the human condition is
‘It is obvious that we hear many voices in The Waste Land, less clear that what we hear is the voice of someone.’ Discuss. In this essay, I am going to argue that in T. S. Eliot’s The Waste Land, we do hear many voices, but they are not the voice of an identifiable person, and that is entirely clear. Furthermore, it is not problematic that the reader is unable to identify a single speaker, as the distance that is created between the poem and the reader is a stylistic choice made by the poet. One
period that experienced a lot of industrialization. In the poem “Preludes” Eliot explores the misery of city life. In “The Boston Evening Transcrpt” he highlights the disparities between individuals that lived life to its fullest and those that just existed and made no meaningful experiences. In “the Love Song of J. Alfred Pufrock” he emphasizes the need to use time effectively in pursuing life’s goals. In these poems, Eliot uses imagery and symbolism to reinforce his themes of suffering, the disconnect