Maasai mythology

In many traditional folklores, trickster characters are portrayed as being animals or other nonhuman entities; for example, Coyote in Native American tales, Br’er Rabbit in African American stories, or the devil in Blues legends. However, nowadays with an endless supply of movies and television series, while there are still animal and nonhuman tricksters, the trickster character can be commonly found being portrayed by mere men. Nonetheless, animal or man, these tricksters all encompass the same

the basis of mythology. Many individuals conclude that a myth is a made up tale shared among people. This misconception was most likely conceived from greek mythology. It is one of the most famous myths known today. Maybe the people who had faith in it thought it as a real thing, but in contemporary society it is a dead tradition reduced to merely unbelieving tales that everyone takes as a work of entertainment. Well yes it is mythology, but not because it is fabricated. It is mythology because of

Over the past few weeks, the presentations done by the various groups have exposed me to different myths from various civilizations. The presentations that had caught my interest were the Norse, Mayan and Inca mythologies. Despite the fact that each of the civilizations seen is from a distinct era and territory, I could see similarities between their myths. One striking point I have noticed is how the myths tend to teach a lesson or two through their stories. Indeed, one of the main reasons for the

Dragon Arm Tattoos Virile and mysterious, dragons represent the hidden primal beast in men. Their serpentine and reptilian traits make dragons the most exotic and intriguing of all mythical creatures. Dragons open up a world of mystical fascination where anything is possible. Those who are hot blooded and passionate are instinctively drawn to these firebreathing creatures. Intelligent and cunning, the Chinese dragon is a four legged reptile that best represents those who desire bold statements

The realization that myths often reflect the fears, feelings, human tendencies and/or ideologies of the society in which they were constructed in has become increasingly evident. That being said, since these mythic retellings are typically incorporated in the upbringing of a generation, they are unquestionably recognized as a sufficient tool in the socialization process (Hourigan 45). Accordingly, the underlying themes that many myths utilize reflect and influence their audience. Though the content

Native American myths consist of many folklore stories that all are similar, yet different. One type of folktale is the creation myth written by the Iroquois, The World on the Turtle’s Back. It tells about the world and how it was created. Another type of folktale is a trickster tale, Coyote and the Buffalo, which tells the story of an arrogant, greedy coyote and a big buffalo. While both stories have their similarities, they also have their differences. In the World on the Turtle’s Back, there

“Mythology is a subjective truth. Every culture imagines life a certain way” Devdutt Pattanaik (Brainyquote). A myth, which is a story that contains early history of civilization, explains and discloses the cultural inferences through the readings. As told in Bulfinch’s Mythology by Thomas Bulfinch, cultural aspects are revealed in Prometheus and Pandora, Apollo and Daphne, and Hercules. This includes, societal roles determined by sex and morals. Societal roles determined by sex is also reveled in

“Myths are the expression of the primordial images in the collective unconscious of man. In the beginning man had certain experiences and received them in their psyche in the form of images. Since they are the first images they are called archetypes of the collective unconscious.” The above cited paragraph is the opinion of Carl Gustav Jung (qtd. in Trivedi). According to Jung the unconscious patterns of age old impressions play a prominent part in the production of literature. They serve to gauge

commercial advertisements in the movie. The individuals of the bourgeoisie identify themselves with the image of Gladys in advertisements as loyal consumers of the myth. Gladys, on the other hand, starts to liberate herself from the constructed mythologies after engaging actively. At the moment of Gladys dissatisfying with the constructed notion of ‘average American girl,’ she becomes the mythologist, disclosing

Mythology. A body of myths that relate to a particular group of people. These myths embody the cultures of the civilizations they come from. Normally revolving around the idea that gods who were considered to be superior to humans. The usage of mythology to explain everyday occurrences was common and myths often had an underlying message within them. Originally mythology was passed down by word of mouth or painted upon vessels as they came about before writing. Both the Greeks and the Romans developed