Emma Thompson

has been adapted into various screenplays, including one by Emma Thompson. Another version of the film was done by the BBC. Perhaps it is the manner in which it was filmed, the character choices or other aspects of the films that make them so different. Though they are based upon the same novel it is to be sure that the Emma Thompson version will preserve Austen’s talent in the world of film.      The Emma Thompson version can be well spoken of in that its greatest strength

Functions of the Chorus in Shakespeare's Henry V In Shakespeare's Henry V, the chorus plays a prominent role. There are few other plays written by Shakespeare that include a chorus, however in no other play does the chorus have such an important role. The principal purpose of the chorus is that of story telling. The chorus acts as a guide for the audience, narrating parts that wouldn't fit into the action of the play. For example in the Act II Chorus, we are told about

Kenneth Branagh’s Much Ado About Nothing is remarkably different in tone from the other plays discussed. Unlike the other two comedies, Taming of the Shrew and Merchant of Venice, there are far fewer comedic aspects that do not translate well to modern audiences. The film has much less violence in it than the others and even its chief villain is more like a cartoon villain than an outright evil manipulator. The tragedies are known for their fascinatingly complex villains such as Richard III or

A Comparison of Olivier and Branagh's Adaptations of Henry V Media Comparative Essay: (in the medium of film) concerning the 2 well known film versions of Shakespeare’s Henry V of Olivier (1944) and Branagh (1989) in the specific scenes of “A Little Touch of Harry in the Night” and “The Crispin Crispian Speech” A comparison of these scenes in the two film versions of Henry V indicated above in a discussion of all the major cinematic issues in integrating a story like

The truth of one’s character can be expressed through his or her own thoughts, actions, and words. Respectively, one’s downfall is embodied by his or her own character. In William Shakespeare’s King Lear, Lear’s character is depicted as one who descends into madness as a result of his irrational actions early in the play. Similarly, Holden Caulfield, from J.D Salinger’s The Catcher in the Rye, enters the coming-of-age process; however, his behaviour illustrates his ongoing cynicism and depression

collection is that the concept of freedom and selfishness is often associated with the unsympathetic characters. Emma for instance has been ‘doing just what she liked’ for most of her existence (1). These traits could also be adapted to many other characters in the novel, but to emphasize on one individual disdainfully would be Elizabeth Elliot, Anne’s older sister. She is depicted in a very Emma like

about ordinary people in everyday life. Her books were satires of middle-class life in England at the time of her books. Her novels include Sense and Sensibility (published 1811), Pride and Prejudice (published 1813), Mansfield Park (published 1814), Emma (published 1815), along with Northanger Abbey and Persuasion (published after her death in

..... 2- TWO BILDUNGSROMAN NOVELS............................................................................. 3.1- Great Expectations..................................................................................................... 3.2- Emma...........................................................................................................................

Emma advises the innocent Harriet in virtually all things, including the people with whom she should interact. She suggests that Harriet not spend time with the Martins, a local family of farmers whose son, Robert, is interested in Harriet. Instead, Emma plans to play matchmaker for Harriet and Mr. Elton, the vicar of the church in Highbury. Emma seems to have some success in her attempts to bring together Harriet Smith and

Capturing Real Life in Emma   Jane Austen deliberately confined herself to the realistic portrayal of a segment of contemporary English life-upper middle-class society. The heroine, Emma Woodhouse, lives on her father's estate at Hartfield which is in effect an adjunct of the village of Highbury 'in spite of its separate lawns and shrubberies'. Mr. Weston's estate of Randals is in the parish of Highbury, and Mr. Knightley's Donwell Abbey is situated in the neighbouring parish, within comfortable