Analysis Of Kenneth Branagh's Much Ado About Nothing

When thinking about the well known comedy Much Ado About Nothing, by William Shakespeare the audience is quick to focus on the wit and comedy that the play has to offer, rather than the understated villain who easily disappears in the background. While reading the play, one can posit that Don John is not the typical villain who acts with a specific motive in mind, rather, he is acting out of an obligation he feels to serve as an antagonist considering his position as a bastard. This is demonstrated in his dialogue, which reveals his inner turmoil on being chained to the villainous role and his willingness to act on any malicious opportunity that presents itself to him. This is significant in that, it provides another layer to our villain and causes the audience to think beyond the first layer that is easily presented, and into the true inner motives of the character.

The movie and the play “Much ado about nothing, despite of having the same name, each has its own characteristics that make them unique. As every theatrical work taken to the cinema many scenes were recreated differently, because it needs to be adapted to the preferences of the time in which the film is created in order to attract more public .Even the movie is based on the play ,they were created in different years so the audiences varies from one time to another. Also other reason is that movies need to adapt the story to a specific duration of time. For those that has seen the film and read the book ,Do the movie and the play reproduce exactly the same content? .Obviously the play and the movie have many similarities as the time in which

Directors sometimes change the approach of the story. The story, written by Shakespeare, Much Ado About Nothing is a romantic-comedy, which means it is supposed to be funny and to be romantic. The movie version of this focuses more on the romance, and uses 1500’s humor, which many may not understand. They focus on the romance making the movie more serious but settle. In the play version of Much Ado About Nothing, they seem to focus more on the comedy. For example, when Beatrice overhears the other girls talking about Benedick liking her, she hides under a blanket and accidentally gets flown into the air dangling. They use relevant comedy the audience will be able to pick up on and enjoy. This keeps the audience engaged to the play wanting to see what crazy thing will happen next.

Drama text, Much Ado About Nothing by William Shakespeare is a romantic comedy revolved around marriage, dishonesty and love. In 2007, the original play had been interpreted and adapted into a new film text; Much Ado About Nothing Shakespeare Retold. This new film version is an adaption for the modern audience who’s views around love and marriage have changed since Elizabethan times. Brian Percival ‘Retold’ the original play, first published in 1623 by reinterpreting it into his own understanding of modern society with the focus of women’s roles nowadays. Whilst doing this Percival has maintained many of Shakespeare’s intentions.

In traditional comedic plot structure, there is typically a build-up of tension and quarreling that leads to a crisis towards the end of the play which has the potential to end tragically. In the case of Much Ado About Nothing, such tension centers around the pairs of lovers and is built up as a result of all the characters ‘noting’ each other throughout the play and thus misreading reality entirely. This tension, in fact, leads to the generic comedic convention of ‘death’ when Hero ‘dies’ after being falsely accused of adultery, though Leonato says of this, “Death is the fairest cover for her shame that may be wished for” (4.1.______). Hero’s ‘death’ brings forth the potentially tragic tipping point of the play: Benedict pledges to duel Claudio, Leonato is heartbroken and angry with Don Pedro and Claudio, and all pairs of lovers are effectively broken off.

“Good comedy is tragedy narrowly averted”: these words were spoken by Jonathon Bate and Eric Rasmussen in their publishing of ‘William Shakespeare: Complete Works’. They show how many elements of comedy could be interpreted as almost tragic. The comedy in Much Ado About Nothing is often created when the audience can see that something could go horribly wrong, however it is saved in the nick of time. A sense of relief and light-heartedness is created, as customarily comedy is known to end in a meeting of characters at a gleeful point in time or occasion; most frequently with a wedding.

?Much Ado About Nothing'' is a postwar love story. Its principal subject is that of romance that may settle over the land after soldiers come home. I noticed that Much Ado is actually two love stories. One concerns sweetly innocent lovers who are driven apart by the plotting of enemies. The other involves very sarcastic lovers who are swept into each other's arms by the benign machinations of friends. I had a lot of trouble understanding the dialect, I grew up a country boy and we didn?t do much of this in my 14 persons graduating class. None the less I didn?t think it was a waste of time either. It was of very good quality as far as a plot is

She throws away her old self, stating "Contempt, farewell! and maiden pride, adieu!"(3.1.109). She also choses not to be so protective of her independence and declares love for Benedick, claiming "I will requite thee, Taming my wild heart to thy loving hand"(3.1.111-112). However, the true change in Beatrice does not show until the first church scene in which Claudio publicly humiliates Hero. Beatrice shows deep concern for her cousin Hero, the first time in the play where Beatrice shows concern for another. She is the first to claim Claudio is a liar and declare "on my soul, my cousin is belied!"(4.1.145). Beatrice then proves once again that she is a better person by demanding justice for Hero is met. Through Benedick, Beatrice plots to right the wrong and asks Benedick to "Kill Claudio"(4.1.290). It is in this scene as well that Beatrice, proving a complete turnaround in behavior, confesses to Benedick that "I love you with so much of my heart that none is left to protest "(4.1.287-288). This shows Beatrice transforming from someone who would scoff at marriage and love, declaring things like "I may sit in a corner and cry heigh-ho for a husband"(2.1.312-313), to someone who easily embraces love from the person she once mocked. But such a dramatic change is seen in her love as well.

Much Ado about Nothing predominately revolves around the endeavours of two couples, the younger of which in more distinction; Claudio and Hero. As many could say that another element of Shakespearean comedies could be love, it would seem a more defined term is the love between two younger people, this young couple in particular then faces hindrances that are thrown their way, eventually working through them. Whereas there is still Beatrice and Benedick who work to overcome their egomaniacal ways and eventually initiate a romance, it would seem Claudio and Hero’s complications seem to have more significance to the storyline of the play. This is also due to the fact that the elements of comedy and key plot points are in relation to their complications, such as being the younger couple and facing the mistaken identity ordeal. Nevertheless, Hero and Claudio, being the young couple, face a string of tribulations in which define them as a couple, the majority of these, come from Don John’s

Much Ado about Nothing is a romantic comedy written by William Shakespeare. Deception is a repeated theme throughout the play and it performs an essential role in the matters relating to romance. There are two couples who unwittingly are participants in the matchmaking and the match breaking schemes of others. There is Claudio of Florence and Benedick of Padua who arrive at Leonato’s house in Messina with Don Pedro, after being away in battle. Then, there is Hero, Leonato’s daughter, and heir, as well as her devoted cousin, Beatrice. In Much Ado about Nothing Shakespeare uses language and literary devices to reassure the audience that love will persevere and prevail in the end. He achieves this by juxtaposing Benedick and Beatrice with Claudio and Hero.

Whedon sets Much Ado About Nothing solely on the estate of Leonato, a spacious, contemporary house along with the land around it. The metaphoric use of the estate’s inside versus the estate’s outside within the film gives the audience a subliminal layer of understanding of the conflicts between characters. Inside the house, the family and guests carry out domestic life: lighthearted bickering such as Benedick and Claudio’s gamesome fight, planning events and other civil tasks like the party planning and Hero and Claudio’s wedding plans, as well as Benedick and Beatrice being fooled and falling in love, the majority of comedic relief. Outdoors, still on the estate, the conflict mainly occurs. Frequently, turmoil and misconception lead the

The play Much Ado About Nothing by William Shakespeare consists of many themes which grow out of the ‘game of love'. The two main themes consist of perception and deception. Through the plot complications, character development and dramatic techniques these themes can be explored. In the play deception is shown on both good and evil sides, the game of love between Beatrice and Benedick and the Don John plot to split up Hero and Claudio. Perception is a theme used in most of Shakespeare's plays. Perceptive views by the characters help portray the game of love. Hero is perceived as dead which then Claudio is sorry and feels for her. Beatrice and Benedick's loved is clouded by each other's perceptions and arguments.

Overall, I would say that the main point in this film was to portray the other side of bushido. Bushido being the way of the samurai and focusing on loyalty and dignity, was the code by which samurai were expected to live. However, in Kobayashi’s portrayal of samurai could be a bit controversial. First, Hanshiro’s son in law sold his samurai sword in an attempt to gather money to pay for a doctor for his wife and son who have fallen ill. The fact that he sold his sword is a big deal, as a samurai’s sword has a large value, so the fact that he sold his sword could be considered disgraceful. However, the fact that the three-other samurai forced him to kill himself in an agonizing way, in an attempt to humiliate him for his actions is also very controversial. Then there is the fact that Hanshiro, the main character, is seeking revenge for what they did to his son-in-law which ultimately lead to the death of his daughter and grandson. The falseness of some samurai is shown when they refuse to accept the fact that Hanshiro was able to defeat three high level samurai, who would rather fake an illness then let everyone see that their topknots had been cut off by a lowly rōnin. The last scene with the armor falling during the battle and then

what I am: I must be sad when I have cause, and smile at no mans jest:

  Much Ado About Nothing raises many important issues concerning the institution of marriage. Perhaps Shakespeare's purpose in writing this play was to question the existing approach to relationships and marriage. Shakespeare reveals the faults of the process through the characters of Hero and Claudio and also Hero's father, Leonato. Shakespeare also may be suggesting an alternative approach to marriage and relationships through the characters of Beatrice and Benedick.