Art Critique Essay

Critiques Chapter 1: 1. Mona Lisa is one of the most famous pieces of art work in the world. Leonardo da Vinci used a light and dark contrast in this portrait to achieve the emphasis of her mysterious facial expression. (Page 2). 2. The artwork of the “Kenyan woman” there was a variety of colors. The colors in this work portrayed the beauty in different cultures. The smile of the Kenyan woman shows that happiness is beauty. (Page 3). 3. This picture is of the Column of Trajan in Rome

Visual Art Critique For my visual art critique, I attend the Texas State University Wittliff Collections on Tuesday, October tenth. During my visit I viewed works of art from the Lonesome Dove collection. The first piece of work I critiques was the photograph “Crossing the Rio Grande” taken by Bill Wittliff. This photo was taken on the set of the Lonesome Dove in 1988. What stood out to me was the significance of how real this photo is. So many slaves have tried to cross this river to escape persecution

The art piece that I chose to critique is the sculpture of a figure kneeling down and getting shocked. It is located on campus near the Morris University Center(muc). When I first saw this sculpture it caught my attention immediately, because of how gruesome the piece was. I feel like I don’t have a good understanding of what the sculpture represents, but it seems like it would raise plenty of controversy, due to its erotic features. It seems like the artist was venting his emotions when he created

The Lewis-Clark State College Center for Arts and History is an art gallery that showcases, on the second floor of the gallery, the LCSC Continuing Education & Community Events. This is where I went to examine three pieces of artwork by various artists. The gallery has a peaceful setting; even after spending thirty minutes there, I was not in a hurry to leave. Calming music played in the background, the color scheme was modern with defined lines, and the temperature was an enjoyable 75 degrees Fahrenheit

Critique The first artwork I chose didn’t have a title with it but it was drawn by Douglas A. Beckett. I went to the Activity Center of San Marcos with Geoff Bretches and Alice Horn (My mom). The painting is a portrait with multiple types of rock looking shapes. You can’t really tell what the time of day was but it looks like it was outside on a mountain or cliff. It is a vertical realistic piece. The artwork was made in the contemporary period because it was drawn just last year. There is just

1. Create your own art critique for The Raft of the Medusa. The Raft of Medusa was created 1818-1819 by Theodore Gericault. The painting shows a group of men on a raft in the middle of the ocean, some dead mean, some men waving clothes to signal a ship, dark gloomy sky, and a huge wave to the left of the piece.The artist uses two triangles as the main part of the composition. One large triangle leads the eye to the back of the raft and the dead men, and the small triangle leads the eye to the front

Viking Art : A Critique James Graham-Campbell’s Viking Art is an illustrated study of Viking art from the Scandinavian world from AD 800 to around AD 1100. Graham-Campbell chose not to focus on one particular style or one specific location, but instead paints a vivid picture of Viking art all over the Scandinavian world and how it changed and was adapted in various time periods of the Viking Age. The study explores the art styles of Oseberg c. 775- c. 875, Borre c.850- c. 950, Jellinge c. 900

of this art piece, that at the first sight, somehow managed to precisely mask it’s deep implicit true meaning, which I at that time, yet wasn’t able to define. When one of my friends randomly asked me – “What is this?” I, helplessly stunned by the composition, couldn’t even formulate an advocate answer. I searched and searched through my conscious and unconscious mind – what is it so ulterior about this externally simple piece? These unsettled questions were the reason why I chose this art work for

Diderot’s critique stands out among other artistic critiques of the eighteenth century in the way he manages to engage not only what is on the canvas, but also in the way he is able to instill each composition’s elements with significance in a greater context. Diderot’s critic of Hubert Robert’s work, among others, in The Salon of 1767 serves as a lesson for both artists and observers. His writing engages both groups through exploration of the role antiquity, imagination, and temporality play in

The first art work of Egypt I saw on the Google Cultural Institute website was the ‘Relief sculpture of Metjetji and his son Sabu-pyah’. This sculpture was found in the Tomb of Metjetji, Saqqara, Egypt. The sculpture can be divided into two parts: hieroglyphs on the right, and the graph on the left which drew a man who was holding staff in each hand. He is looking right, shows us his profile of his face, knees and legs, while his eyes and chest are frontal. His kilt and hair are precise with vertical