Shakespeare along with Aeschylus and T. S. Eliot use character from each of their respectable work including Hamlet, Agamemnon and The Love Song of J. Alfred Prufrock to demonstrate one must responsibly be able to decide and take action in desperate times in order to prevent tragedy or greater loss. Through the text of these three prominent literacy works from the ancient history to the 1900’s, one element that is evident in all three literature works is hamartia, which is directly related to the
by Aeschylus, is a Greek tragedy through which two characters, Agamemnon and Clytemnestra make difficult decisions that are not justified. Agamemnon and Clytemnestra commit crimes based on hubris, Aeschylus portrays both characters in a way that deems them unjustifiable in their acts. Agamemnon sacrifices his innocent daughter Iphigenia because he needed favorable winds to sail. Clytemnestra thirsts for power and kills Agamemnon out of her own greed to rule Argos. The playwright Aeschylus speaks
Having described such a man, let us now in our argument put beside him the just man, simple as he is and noble, who, as Aeschylus put it, does not wish to appear just but to be so. We must take away his reputation, for a reputation for justice would bring him honor and rewards, and it would then not be clear whether he is what he is for justice’s sake or for the sake of rewards and honor. We must strip him of everything except justice and make him the complete opposite of the other. Though he does
Tragedies are a form of drama in which extreme human suffering is displayed in order to provoke certain thoughts within the audience and significant change within the society. Specifically, in the trilogy The Orestia, Aeschylus shows the never ending cycle of violence within the house of Atreus. The cycle acts as a “net” entrapping Agamemnon, Clytemnestra, Orestes, and many other characters and producing actions throughout the play provoking the audience to contemplate right versus wrong, self-help
Throughout layers of themes in The Agamemnon Aeschylus taints the reader's opinion of the justification of Agamemnon’s and Cytemnestra’s actions. His opinions are shown through the chorus and Cassandra, all supporting the fact that the two characters were irresponsible making their decisions unjust. While the character's circumstances are easily debatable, none of their sins were justifiable. Clytemnestra’s course of actions after her daughter was killed is surprising to the Chorus and the reader
has blurred the painting.” This quote was best said by the father of greek tragedies Aeschylus. Aeschylus wrote many magnificent and inspirational plays during a time in Greece referred to the Golden Age of Greece or the Greek Renaissance. Prometheus Bound for instance was one of Aeschylus’ more famous plays which the main character, Prometheus, through the eyes of the audience idolizes religious deities. Aeschylus being the founder of greek tragedies and the forerunner for playwrights ultimately set
to hopefully save it from what seems to be the inevitable end to the Peloponnesian war, one might consider either Euripides or Aeschylus. Both are excellent tragedians. Based on one’s political beliefs, one will probably easily choose one over because they stand on opposite sides of the political spectrum. Euripides is for a more socially progressive state whereas Aeschylus is for a more conservative form. However, there is a third, and in fact better option. Aristophanes, as a result of preferring
as darkness, light, fate, patriarchy, and justice are intertwined to make up Aeschylus’ tragic tale, however all of these elements are directed by one central force: balance. The word balance itself suggests a state of equilibrium or a stable environment. Balance is often looked at as a scale; if one side of the scale is overpowering the other, then it creates a state of disorder, irregularity, and even chaos. Aeschylus meddles with the scales of balance but, in the end, reinforces the equipoise
Aeschylus was an ancient Greek playwright who wrote “The Oresteia” post Athens win over Persia, in the Persian War around 465 B.C. During that time Athens and democracy were seen as strong and Aeschylus portrays the strength of Athens and democracy in his plays. He wrote in hope of people understanding that for a society to work there have to be rules and force, but not so much of either that circumstances are not taken into account. Throughout “The Oresteia” there are family ties that take
Employing an advanced technique, Aeschylus fills his tragedy, Oresteia: The Agamemnon, with layers of multiplicity. Essentially, multiplicity in this tragedy entails using dialogues that contain more than one meaning to convey certain truths about Greek society at that time or to shed light on ongoing situations apart from the present action. Aeschylus’ use of this dramatic tool contributes to the success of the novel and adds depth to the meaning of the characters’ conversations. Furthermore, it