professional classical musician and what non-musical skills their field requires. I definitely see truth in Jones' point on the decline of symphony orchestra. Most of my generation is pretty uninterested in classical music; even I have to admit that I find a good amount of it pretty boring. Whenever my parents have taken me to classical performances, there has been very few other children there and those who are seem bored. Obviously, with the decrease of interest in classical music comes less symphonic
Classical music in the twentieth century was marked by an avoidance of Common Practice Period traditions. At the same time, classical music in the twentieth century represented a blending of old ideas with new practices. These two beliefs tended to clash with one another, but this competition allowed for a great leap forward in musical evolution. Three artists were responsible for that great leap forward. Debussy sparked an interest in tonality, texture and timbre which others later emulated. Stravinsky
Right now, the classical music industry is declining. Although sales of classical music went up 5% in 2013, it hardly recovered from its 21% drop the previous year. In addition to the sales of CDs and music from iTunes or similar services, attendance per concert has been dropping as well as the amount of listeners to radio programs dedicated to classical music. The decline can be easily attributed to the thought that the era of classical music is coming to an end, but is it really? One cause of
Music is a way of life and imaginative creativity for many people around the world. Music links people together no matter what type of genre they listen to. One of the different sub-cultures of music is classical music. Classical music defines music from the medieval period to the modern age and bears as a foundation for other types of music. Even though most people consider classical music to be boring, it is innovative and enjoyable to listen to. Classical music listeners listen for a variety of
M3_Classical Describing Music This paper will reflect and answer questions pertaining to the music selection of Mozart’s Symphony in G Minor, First Movement. The basic characteristics of the piece, the differences between the first and second themes, and which composer, Haydn, Mozart, or Beethoven, I would like to be friends with will be discussed. 1. The basic formal characteristics of Mozart’s Symphony No. 40 in G Minor ‘s first movement follows the classical multimovement cycle consisting of
you’ve never attended a classical music concert before, you might feel uncomfortable with the idea of it. This is perfectly normal and is not specific to classical music. I’m sure you can imagine how out of place one might feel attending a Phish concert if one wasn’t accustomed to the culture that goes along with that music. The same can be said for all genres of music. The main thing to remember when attending these concerts is that the focus is on the sound of the music. There are no fancy lights
Windfire: Flute and Percussion Spectacular at Rammelkamp Chapel. Paula & John Kasica performed on the flute and percussion with Nancy Shaaf accompanying on the piano. This was my first time attending a live classical music concert. I didn’t know what to expect. My limited experiences with classical music were listening while I studied or using it to fall asleep at night. Honestly, I worried that I might fall asleep during the concert. As it turns out, I had no reason to fret. I brought my two nieces
Renaissance Music Renaissance music is European classical music written approximately 1400 to 1600. The Renaissance followed on from the Middle Ages the name means ‘rebirth’. This time was also the time of Humanism because it focused on human life and accomplishments (Tripod). Support for the arts led to a surge of interest in music (Grendler). New musical forms emerged in France and the Netherlands in the 1400s and gradually spread to Italy and the rest of Europe. Musicians adopted these new
These two pieces of classical music reflect their respective ideologies of the time very successfully. The Enlightenment and Romantic ideologies are very different on an artistic level, and with Mozart and Mendelssohn’s music pieces we can see how the two ideologies stand up against one another. In Mozart’s Harpsichord Concerto, we see a reflection of the Enlightenment era's infatuation with sharp and straight to the point thinking. Mozart’s piece is meant to be played very quickly, and the enlightenment
grateful for in my life is growing up with a background in classical music appreciation. I remember my parents had a record of Prokofiev’s Peter and the Wolf at home, and I would listen to it all the time. The depth of the music was fascinating to my little brain, especially compared to the childish Disney songs and bubblegum-pop hits of the 90’s that I’d otherwise hear on the radio. But the reason why this work helped me with understanding music was that it was specifically aimed at kids in order to