Yoshimoto's Kitchen

In today’s society, family is often attempted to be organized within a social structure. Within this structure family typically is consisted of mom, dad, daughter, and son. However, many families do not fit into this configuration. These families may include same sex couples, separated or divorced families, extended families, or even blended families. Even though these families may be happy and healthy, to many they are not considered real families. Going along with the topic of imperfect families, both Barbara Kingsolver and Richard Rodriguez try to break down the traditional family structure through their writing. While Kingsolver’s “Stone Soup” and Rodriguez’s “Family Values” explore the ideas of different family structures and traditional American values, “Stone Soup” breaks down what an actual family is like while “Family Values” expresses the value of family in different cultures.

When two people appreciate different values, it will eventually lead to conflicts. If they cannot get to a compromise, as a consequence, their relationship will collapse. The family bond between the father and the brother in “Simple Recipes” is destroyed because of their conflict about values. In the story, the competing values in shown when the two characters unable to identify themselves, in terms of cultural identification. The father, representing the family’s cultural roots, is trying to preserve the Malaysian heritage and culture in his immigrated family, in the image of his anger towards his son forgetting the native language, while his son does not identify himself with the Malaysian roots at all, with his rejection of eating the fish (501). These competing values, consequently, incites conflicts between

Yoshimoto, Banana. “Newlywed”. The Art of the Story: An International Anthology of Contemporary Short Stories. Ed. Daniel Halpern. New York: Viking Press, 1999. 650-655. Print.

The passing of the Financial Services Modernization Act of 1999 repealed the Glass-Steagall Act, and the rescinding of the 1956 Bank Holding Company Act. “The legislation spurred a flood of mergers and acquisitions” by permitting banking, insurance, and securities firms to be affiliated/associated with one another, as a result it became extremely profitable and advantageous for financial institutions to consolidate and diversify their holdings. In doing so a financial firm was capable of offering a multitude of financial products and serviced through one encompassing entity.

People deal with loss and grief differently. However, such behavioral patterns could differ between different gender groups as their collective norms and values may differ. As dealing with loss and grief is an inevitable part of our experience, we must acknowledge those differences and learn to work with our partners in life. In the short story “Marzipan” the author Aimee Bender examines the roles loss and grief played in the two genders. While loss and grief usually cause passive and incommunicable emotions among men, women opt for disguising their emotions. Those stereotypical views about gender distinction, are supported and enforced by the traditional family structure reconstructed by the

Banana Yoshimoto’s Kitchen and Moonlight shadow are Japanese novellas in which the protagonist is followed during their grieving period. In order to accurately depict the nature of significant loss and its aftermath, the stories follow distinct structures to that of western literature. Yoshimoto intensifies unexpected losses in a young woman’s life with the non-linear structure and the deficit of foreshadowing. The structure supports the story’s themes of lack of control in life and the unexpectedness it withholds.

A soul in distress is always looking for a mean to escape through a difficult situation. In the story Like Water For Chocolate, Tita De La Garza who suffered like no other, isn’t the exception. This young woman since birth was instilled with a very deep love for cooking. When the people who she loved most betrayed her, cooking eased her pain. All of the intense emotions that she felt while preparing food, were unknowingly added to the recipes. The author, Laura Esquivel through the use of symbolism, she demonstrates that the role of food in the story isn’t there just to sustain life, it also transmits strong emotions such as desire, sorrow and healing felt by the

Dorothy Allison’s essay, Panacea, recalls the fond childhood memories about her favorite dish, gravy. Allison uses vivid imagery to cook up a warm feeling about family meals to those who may be a poor family or a young mother. Appeal to the senses shows this warm feeling, along with a peaceful diction.

     Amy Tan's The Kitchen God's Wife is the story of a relationship between a mother and daughter that is much more than it seems. This touchingly beautiful narrative not only tells a story, but deals with many of the issues that we have discussed in Women Writers this semester. Tan addresses the issues of the inequality given women in other cultures, different cultures' expectations of women, abortion, friendship, generation gaps between mothers and daughters, mother-daughter relationships, and the strength of women in the face of adversity. Tan even sets the feminist mood with the title of the book, which refers to a woman in Chinese Mythology who cared for a selfish man who became a

The poem "Maybe the World Ends Here" by Joy Harjo is focused on the subject of family and life. Harjo is by all accounts saying that the "kitchen table" is the basic element in the things we do to unite individuals. The poem proceeds to portray everything that happens at the kitchen table and the general population it unites. For most families and in many homes, individuals get together and share their considerations, thoughts and day by day events amid mealtime at the table. It is when everybody gets together and just talks and shares themselves. It is a way individuals stay associated. This is the place individuals go to for sustenance, for finishing undertakings, for talking and for some different things. It is where youngsters are taught

In the novella Kitchen, Banana Yoshimoto uses light and dark imagery to develop realistic characterization and to support her fantastical style, while effectively projecting pathos upon the readers. Throughout the story, Mikage unveils that life is a process of healing where grief and sadness are needed to truly appreciate happiness. Such abstract ideas and emotions are detailedly brought about by Yoshimoto’s usage of the four seasons of the year to provide a main timeline of the events concerning Mikage’s encounters with death, as well utilizing cosmos as a form of pathetic fallacy during the more miniscule experiences. In the grand scheme of the story, there

“The Brown House”, a short story within Yamamoto’s novel, Seventeen Syllables and Other Stories, depicts the three themes that were previously mentioned above. “The Brown House” displays a story about a Japanese American family, the Hattoris, residing in the state of California. The Hattoris underwent financial struggles as their strawberry picking season came to an end. This being stated, in an attempt to make some quick cash, Mr. Hattori becomes desperate and gets involved in the gambling business at the brown house, in a nearby neighborhood.

This film has many protagonists. The main protagonist is Martin Naranjo. He is an accomplished chef who is a widower. He lives with his three adult daughters who are very beautiful, but remain single. Naranjo lost his wife approximately ten years prior to the setting of the film. Since then he has assumed the role of father and mother. Naranjo works as a chef fulfilling is fatherly role and he also does all of the cooking, cleaning and laundry fulfilling his motherly role. Naranjo maintains that on every Sunday, the family shares a meal to share their life experiences of the week with each other. The meal seems to be a tradition in that family that has been a part of the family’s ritual prior to the passing of the mother. Some of the daughters find the meal to be more of a punishment than an enjoyment. Martin for most of the film has lost his ability to taste the flavor in the food he creates. He relies at work upon his best friend and fellow chef, Gomez played by Julio Mechoso, for taste. Martin is the main protagonist as he demonstrates the most change. He lets go of his adult daughters, one at a time while gaining two more daughters, Eden the daughter of his much younger bride than he and his unborn child with the same, Yolanda.

Perhaps the most prominent example of this idea occurs during Kitchen, following the death of Mikage’s grandmother. Following the death of her grandmother, Mikage spends a large amount of time in her kitchen, where she feels most comfortable. Mikage states that after her grandmother’s death, “the hum of the refrigerator kept me from thinking of my loneliness” (6). In order to help comfort herself after losing a close relative, Mikage decides to stay in the kitchen, where she feels most comfortable as it is the place in her home that provides her with fond memories of her

Have you ever read the cultural story “A Family Supper” by Japanese author, Kazuo Ishiguro? Generally, it’s the conflict between generations in changing Japan, one can understand that this story depicts a young Japanese man (the narrator) who lived in America and has come back to Japan, his motherland to attend the funeral of his mother. He had dinner with his family at the first time of the year. With emphasis on generational conflict, the three aspects that are relationship between the son and his father from their conservation, the cultural property mentioned in the story and how the father’s disappointment affects his son, the narrator of the story.