Yoruba Ladle: The Power Of Women In African Art

Explained in the dissertation written by Gane, the Assyrian name of the bucket is “banddudû” which translates exactly to “bucket”, and the name for the cone is “mulluli” which translates to “purifier.” The bucket is said to contain holy water, so when the purifying cone is dipped into the bucket and then sprinkled atop the Sacred Tree, it leads to the conclusion that the apkallu figure is performing an act of purification for the land of Ashur. However, another interpretation of these items is that the shape of the cone also resembles that of the male flower of date palms, and is held in the right hand of the subject which symbolizes masculinity. The bucket could be interpreted as containing pollen, and thus when the cone is dipped into the bucket held in the feminine hand and sprinkled atop the Sacred Tree, it leads to the conclusion that the apkallu figure is performing an act of fertilization for the land of Ashur. Either way, the apkallu figure is performing some kind of ritual to secure the abundance of the

The purpose of such votive statuary placed in temples was to urge the donors might to remain in a state of everlasting prayer. For example, The relief scene beneath Ur-Ningirsu’s bare feet, of kneeling men bearing full baskets, may represent bearers of ritual offerings.

The Nok heads and sculptures of Nigeria are made hallow, life-sized terra-cotta figures with a coiling technique commonly used to make pottery vessels (Thames & Hudson, 2015, pg.451). Nok heads were made with clay and although clay is very durable it is also breakable. However, very few sculpture have been found undamaged. The head of the figures was larger than the bodies because the artists wanted to emphasize the association between the head with knowledge and identity. The Nok head below is from Rafin Kura, sculpted in c. 500 BCE-200 CE. Like many Nok heads, this sculpture has a unique hairstyle, with three buns on top. It also has triangular- shaped eyes with holes in the pupils, nostrils, mouth, and

Description/Source: This artifact shows a ceramic bowl that was used by the Mayans in everyday life for pottery making and used in everyday art.

Newspapers have since become an exceptionally poor means of reaching a motivated audience that can justly enforce change. Social media has the capability to uphold a broader grasp of an audience that encompasses forwardness. Furthermore, the use of an Internet platform, such as Facebook, to present the “Letter from Birmingham Jail” would have accelerated a positive outcome to the brutality of Birmingham by broadening the audience without differentiating the rhetorical situation.

The description of women provided in Olaudah Equiano's and Venture Smith's narratives compared to the European's descriptions of indigenous and African women provided in Jennifer Morgan's paper are distinctive. Equiano and Smith write highly of their mothers while Europeans talk repulsively about African and indigenous women. As a reader, one can infer many opinions about each of the writer's attitudes about the expected gender norms for women at that time such as caretaking, breastfeeding or working. The European perspective utilizes their claim to authority on women through dehumanizing different races and converting them into Christians.

Making these jugs were a way for the African slaves to express themselves. They were used for religious reasons and held burial significance. Ceramics class was effective in exposing a completely new form of art to me that I had no previous knowledge about. From this assignment I was able to learn more about African-American culture, the significance of pottery in the lives of different people and how the meaning of face jugs have shifted. As a result of what I have learned I am more curious of the history behind the things that I see and use in everyday

This vase could have been used as a container for water or wine and perhaps as a drinking vessel.

In a freezing class, two brilliant minds unlocked the fiery passion that is their talent one an artist the other a writer. Bringing to light a history long forgotten creating abstract thoughts arbitrary to our own. Komi Olaf the artist and Okey Ndibe the writer not only enlightening the class but also the world with each brush stroke and each word. Every creation stemming from the hands of these masters tell of issues at the heart of Africa from colonialism to existential dilemmas. Thru spoken word, hip-hop, art, music, poems and literature issues close at heart to the artists and to Africa are portrayed. This paper will focus on the art exhibit by Komi Olaf and Foreign Gods inc by Okey Ndibe as spoken by them during their discussion in the class on October 13th. Where the talks focused on the key course objectives being stereotypes, post-colonialism, youth culture, and resistance.

In the Ibo culture, when a woman was to be married, the family of her suitor would come and inspect her to be sure she was beautiful and ripe enough to be a part of their family. A woman did not have any value other than her beauty and her abilities to cook and bear children. In a conversation between Okonkwo and his friend Obierika, they spoke of two other villages where their ''customs are all upside down'' and ''titled men climb trees and pound foo-foo for their wives'' (73).

The reason I chose to go to the African Art Museum is because I have been there before and I enjoy my time when I go. The tours at the museum consisted of talks about certain pieces in the museum that fell in a category the tourist wanted to focus on. Nkechi Obi was my first tour guide and the title of her tour was “Docent African Arts”. Her goal throughout the tour was to show pieces of artwork that showed what Africans may have gone through in the past in slavery. One piece that she focused on that I want to highlight was “Southern Landscape” by Walter Williams Roots. In this piece there various things going on in the photo.

Masks are one of the most spiritually important art forms developed in Africa. Among the masks many uses were; communicating with spirits and ancestors, serving as teaching aids in gender specific initiation ceremonies, tools for maintaining order, enhancements for reenacted stories and myths, symbols of rank and power, and a record for past leaders. I will be focussing on masks from the first three categories. The masks, which are all Helmet style masks from West and Central Africa, illustrate how artists from different tribes approached symbolism and visual storytelling. They also show what was considered ideally beautiful for each clan.

This sculpture is of a women breast feeding her child. The face of the two people is elongated, as well as the breasts of the mother. This is common to all African Art because they wanted representation of what is being expressed. In this particular sculpture, a supernatural power is being called upon. The power has been asked to protect the mother and child, and to

Did you know that it takes 1500 pounds of marijuana, consumed in 15 minutes to overdose on the substance? Marijuana should be legalize for many reasons. After analyzing the pros and cons of legalizing marijuana, I concluded that legalizing the substance will bring the country and its people a more positive resolution, rather than keeping it illegal. The substance has been known for thousands of years, going back to 400BC, it has been used recreationally, and medicinally throughout these years. The fact that people still use it after all these years show nothing but positivity, but if you are still not convinced, no one has died through marijuana overdose. Ranging from financial gain, its benefits, and the country’s interest, legalizing marijuana will become a turning point in Canada’s history.

Within this essay I will try to provide information that explains what “Ouroborus” is, investigate and include text that links the Ouroborus to many different carving cultures that the Ouroborus has had or still does have an effect on, and cover some of the many different impacts this symbol has an those cultures.