Yayoi Kusama was born on march 22, and she a Japanese outsider artist who was at a time interested in the psychotic art of japan. She began, painting as a child and at that time she began to experience hallucinations that often-included arenas of dots. The hallucinations were always themes of dots and would continue to be around with her throughout her art career. She had formal training, studying art only shortly 1948-1949 at the Kyoto city specialist school of arts. Her early work from New York included infinity net paintings. During her mid-twenties, she picked up 18 months of studying nihonga a Japanese painting style. After the moved she explored the physical and psychological boundaries of painting. She became an important figure in the
Pt presented at NNBHC with his mother with psychosis, and ritualistic behaviors that have increased. Pt states that he has been having audio and visual hallucinations at night where he hears whispers. Pt states of also seeing “clowns, demons, spirits and bigfoot”. Pt states when he has AV hallucinations that he counts to 2 or 4 and becomes fidgety which helps decrease the hallucinations. Pt also states that everything have to be on the left side due to him being left handed and nothing can be on the right side which makes him upset. Pt states that he has been having spells of confusion where he seems to lose time, or is often confused when communicating. Pt states that he has became recently aggressive towards mother throwing times due
Andy seems to be showing signs of psychosis. Immediately I saw that he was very paranoid and suspicious of the people around him. The content of what he is saying does not make sense as he is accusing his roommates of putting voices in his brain. He believes his roommates are out to get him and fears they are listening to him. I noticed that his eyes wonder and he lacks eye contact. He seems to have lost all relationship with reality and experiences auditory hallucinations. Andy states that the thoughts in his head are planted from his roommates which are being tracked through a device they placed in his brain. The patient seems to be confused and suspicious as to why his friends would do this to him. The delusions and hallucinations seem very
Throughout the story Challenger Deep, there are several occasions where Caden’s schizophrenia gets in the way of everything, and the Author Neal Shusterman tries to give us the life of a high school kid with Schizophrenia. Caden struggles with hallucinations, his anxiety gets to him, and he always needs to walk. Caden’s hallucinations take him back and forth between the white, plastic kitchen and real life. Caden’s life is centered around school as he had a hard time working on his exam “as time went too fast”. These hallucinations got to the point where Caden’s family finally got suspicious and sent him to therapy to try and resolve, or help his schizophrenia. Caden can not control his unstoppable anxiety and it seems to last a long time when
Yasumasa Morimura (born in 1951, Japan) has had a career in film-making and conceptual photography for over three decades. Morimura uses costumes, makeup props and digital manipulation to create an almost replica of the original artwork, replacing the original subject with himself. Morimura graduated from the Kyōto City University of Arts in 1978 and then became an assistant at that same university. During his time working he experimented with many mediums and styles including painting, photography and wood-block art. He soon became recognized for his artworks and began to be involved in traveling shows such as ‘Japanese Art After 1945: Scream Against the Sky’ (1994). After some time, and with critics watching skeptically, he began to
Morimura was born in Osaka, Japan, in 1951. He was educated at Kyoto City University of the Arts where he graduated in 1978. Yasumasa Morimura has achieved fame as a contemporary international artist largely due to his provocative interpretations. Using himself as the subject matter, he has recreated iconic images from Western culture in his
Based on my understanding on the movie I have watched, I think Donnie Darko was a typical high school guy who wanted to reminiscent his past life so that he could correct what he did wrong before. He wanted to fix it properly at the same time to learn the truth if after-life existed. Do you think we could go back to our past life? If so, then can we fix our mistakes and correct it properly? Well! These questions might be a puzzled to everybody because as far as we or I concerned there was no record ever stated in the history that people have a chance to go back their past life.
In America, there was a painter named Kehinde Wiley, who was born in Los Angeles, California in 1977. As a little boy, his parents knew that he wanted to become an artist. His family supported him to achieve his dream, and he went to an art school in Russia at the age of 12. He went to both San Francisco Art Institute and Yale University to pursue art. Wiley has received numerous awards such as the “Rema Hort Mann Foundation Grant Recipient”, "Americans for the Arts, Young Artist Award for Artistic Excellence", "USA Network, Character Approved Award", "Canteen Magazine, Artist of the Year Award; New York City Art Teachers Association/United Federation of Teachers, Artist of the Year Award" and the “Pratt Legend Award”. His arts and studies
Born on February 28, 1977 in Los Angeles, CA, African American Painter Kehnide Wiley grew up in an environment that was driven by some of the defining elements of “hip-hop, the violence, antisocial behavior, and streets on firestreets on fire” (Whiley Studio). . These environmental factors never stopped Wiley from pushing his career. Both him and his twin brother were constantly motivated by their mother to pursue their dreams. On weekends, she would send them to art classes at a conservatory and after school she would have them on lockdown in order to keep them away from the influences in the environment they lived.
Japan is been always known for their unique artstyle, but none is more influential on both Japanese and western cultural than Katsushika Hokusai. Many consider his paintings the pinnacle of art in the Edo period. The old man of many names is a true part of both japanese and art culture.
Yayoi Kusama a female Japanese artist and author made her debut to america in the late fifties , she decided to settle down in New York. She has explored various utensils of art like sculptures mostly consisting of pumpkins, fashion, installation art, and so many other adaptations of art.. Kusama enveloped several different concepts in her art with methods not seen before. Most commonly and most identifiable in her works were the concepts of surrealism and abstract. She enveloped these both concepts in her popular installation art. Experiences extending from her childhood would influence her choices in art and her uses of media to create her artworks.
As I indulged in discovering the life of this avant-garde Japanese artist, I am certainly empowered to know more about her life and her works. Yayoi Kusama is truly an expressionist artist, her main theme on most of her art piece are phallus obsession which for some considers it as eccentric, and also her enduring obsession in fear reflects in her artworks. Yayoi Kusama is a dreamer, a visionary, and I sense her strong amorous feeling in all her works. Kusama climbed to the top of the Empire State Building and looked down upon the city, and announced to the world that she will be superior from all the rest and will become a star. Up there at the vast space beyond, she saw the horizon of hope and fame. It seems far-fetched, so out of reach for
Yayoi Kusama is a Japanese artist and a writer, she’s known for her Paintings, drawings, sculptures, installation arts, performance arts, films, fictions, fashions, and writing. Where her work has a touch of pop art, minimalist and feminist art movements. She got her big break in 1965 when she did the Infinity Mirror Room—Phalli’s Field. Using mirrors, her work is portrayed by dot motifs as well the infinity nets. She revolutionized the deepness repetition of her earlier paintings and work into an emotional experience. These kinds of work she did goes way back from her childhood hallucinations because of the abuse she went through as a young child. Yayoi Kusama was born in 1929 in Japan in a traditional family. She was determined to become an artist and was inspired through an inspiration by Georgia O’Keeffe and this motivated her to move to New York in the U.S. in 1957, carrying her portfolio with her drawings and with a little bit of money she had then. Her first solo exhibition was in 1959 in the city of New York. Her work continues to be an influenced to many artist now in days.
Kusama was diagnosed with schizophrenia in her young age. She often describes herself as an obsessive artist because all the inspiration of her artworks come from her illusions. Producing densely repetitive patterns is born from an obsession with obliterating the self in the many, as seen in her hallmark work Infinity Mirror Room (1965).
Yayoi Kusma’s art work has been a great influence on two of the most important art movements: pop art and minimalism. Her work ranged from paintings, performances, installations, film and fashion. Yayoi Kusama, who was a self-described “obsessional artist”, was born on March 22, 1929 in Matsumoto City, Japan. She was born into a prosperous and conservative family. By the age of ten she began experiencing hallucinations and drawing her famous polka dots and net motifs. She used watercolor, pastels and oils. She had little formal training, at around 20 years old she left home to pursue her career at Kyoto Municipal School of Arts and Crafts for one year. While there she studied nihonga. Nihonga is the traditional Japanese painting technique.
Yayoi Kusama was born in 1929 in Matsumoto, Nagano in Japan. She is one of Japan’s most remarkable contemporary artists. People widely named her “Dots Queen”, since her early works showed the unequable arranged of completely all polychrome polka dots on surfaces of ordinary objects, and showed throughout multiple media in the majority of her artworks, which was a brand new technique that Kusama had been brought out. Then the polka dots are influenced by her visual neurological disorder that found out when she was ten. For instance, Kusama started to create installations with polka dots by randomly placing dots all over a room: on the walls, the floor, on furniture in the room; the dots are in various sizes and colors. Her unique art style still