Yayoi Kusama Biography

 yasumasa Morimura is a japanese artist known for his large scale self -portraits that were often superimposed on art historical image or picture of iconic individuals.Yasumasa painted self -portraits with an inner Dialogue with Frida Kahlo (collar of Thorns),in 2001. and its inspirational companion piece, which was originally painted by Kahlo, entitled Self-Portrait .His  faces the viewer with her head and shoulders taking up much of the space.  He s surrounded by brighten with lively yellow leaves of similar size and shape with one orange  leaf behind her head.

Yasumasa Morimura (born in 1951, Japan) has had a career in film-making and conceptual photography for over three decades. Morimura uses costumes, makeup props and digital manipulation to create an almost replica of the original artwork, replacing the original subject with himself. Morimura graduated from the Kyōto City University of Arts in 1978 and then became an assistant at that same university. During his time working he experimented with many mediums and styles including painting, photography and wood-block art. He soon became recognized for his artworks and began to be involved in traveling shows such as ‘Japanese Art After 1945: Scream Against the Sky’ (1994). After some time, and with critics watching skeptically, he began to

Yasumasa Morimura is an internationally respected and controversial Japanese artist who through his art, represents social changes in Japanese culture, such as Western influences, politics and gender values. Morimura explores how Japan interacts with the World through the lens of the artist and how the artist creates an identity within his culture and the global community.

Abstract Expressionism began in the 1940s and the 1950s in New York after World War II from the ideas of Surrealism about art that looks to examining the unconscious mind, and the feelings people hold that makes us all humans. Through the discussion of Autumn Rhythm (Number 30) by Jackson Pollock, I will define Abstract Expression and why this work is part of this movement. Then, through the discussion of Canyon by Robert Rauschenberg, Target with Plaster Casts by Jasper Johns, and Marilyn Diptych by Andy Warhol, I will explain Assemblage and Pop Art and why each of these works belong to those movements.

Most pieces of art have a deeper meaning than what is simply expressed on the surface. Through emotions, symbols, and motifs, an artist can portray a unique story; however, despite the use of creative symbols, distinct stories can show a similar theme. Two such examples are the short film Destino by Salvador Dali and Walt Disney and The Great Gatsby by F. Scott Fitzgerald, which share the common theme of “the struggle of obtaining dreams”. Based on what is shown in these works of art, it is a challenge to attain dreams.

Yayoi Kusama was born on march 22, and she a Japanese outsider artist who was at a time interested in the psychotic art of japan. She began, painting as a child and at that time she began to experience hallucinations that often-included arenas of dots. The hallucinations were always themes of dots and would continue to be around with her throughout her art career. She had formal training, studying art only shortly 1948-1949 at the Kyoto city specialist school of arts. Her early work from New York included infinity net paintings. During her mid-twenties, she picked up 18 months of studying nihonga a Japanese painting style. After the moved she explored the physical and psychological boundaries of painting. She became an important figure in the

The position of US Poet Laureate is an exceptionally prestigious and challenging position to achieve, as any aspiring poet within the country is eligible. To quote the Library of Congress, the poet laureate “serves as the official lightning rod for the poetic impulse of Americans” (“About the Position”), which means that their duty is to increase the widespread national appreciation of the reading and writing of poetry, specifically those imbued with American themes. These duties as laureate are perfectly suited for Yusef Komunyakaa, who embodies all of the necessary qualities. Through jazz-infused poetry and personal experiences, Komunyakaa truly captures within his poetry what it means to be an American, and he continues to leave an impact on the world of literature both

This piece was created during a time of political and social change. Increased political awareness and a focus on celebrity demanded art that was more

Post-war Japanese society is a world where High and Low art is blurred together by otaku, such as anime, and social class. However, Takashi Murakami straddles the line. Murakami spills a mix of Nihanga and Otaku into the canvases, plastic toys, handbags, shoes, etc; endorsing his own theory/style named “Superflat”. Using strategical subject matter such as popular Japanese comic figures combined with ukiyo-e(traditional Japanese block prints), and addressing these contrasting qualities to outside cultures; Murakami intensifies what Pop Art accomplished, art versus material. On other feelings, one could argue that “Superflat” isn’t a unique, Japan-identified style, that “Superflat” is a humiliation to the Contemporary Art world because of its commercialism. Lastly, that is a continuation of the already well developed Pop Art. On the supporting side, Murakami’s “Superflat” is a high-energy, cross-culture style that serves as a new way to represent the high and low of art that is considerably unique to Japan. To support this, Murakami’s past and present artwork will have to be established chronologically to illustrate how the timeline affects his work.

The Metropolitan Museum of Art has one of the finest Asian art collections that has enlightened and strengthened my understanding in my personal art experience. The Museum itself is an artistic architectural structure that graces the entire block on 82nd Street in Manhattan. Entering inside, I sensed myself going back into an era, into a past where people traded ideas and learned from each other. It is a past, where I still find their works of yesteryears vividly within my grasp, to be remembered and shared as if their reflections of works were cast for the modern devoted learner.

The innovative and passionate presence in both Jackson Pollock’s and Wassily Kandinsky avant-garde paintings exemplifies the redefinition of boundaries throughout their art making practices. Both artists challenged traditions both materially and conceptually using innovative and diverse approaches to materials and techniques when painting. Wassily Kandinsky goes against traditions and academies to create vivid, sensual and symbolic large-scale semi abstract expressionist oil paintings in a heightened state of mind. Many artworks of his convey bright and cheerful spontaneous colours that make the audience fully consumed within his works due to hypnotic and distorted semi realist shapes. Consequently, Jackson Pollock also goes against

In the fifty years between the JFK assassination and a Kardashian selfie breaking the internet, two women — representing different cultures, races, times, and attitudes — created two individual pieces of art that became living commentary on the power dynamics at play in their world. In 1964, Yoko Ono challenged both societal convention and the artist/audience relationship in her exhibit Cut Piece, and decades later Kara Walker’s Sugar Subtlety, 2014, challenged preconceived notions of racial symbolism and societal convention on a historical level. For both creators, the idea of “The Gaze” is explored and even featured, a term that addresses the controlling power a dominant group holds through visualization and often through sexuality. However, the ways in which this term is explored are different between the two women. While Ono’s work highlights and even proves the Western male domination involved in the idea of “The Gaze”, fifty years later and a difference in culture sees Kara Walker’s work create an artistic and intellectual revolution against the very power “the Gaze” tries to maintain, turning the concept on its head.

My analysis of how successful and how did this artwork affect the society and culture as its target

Abstract Expressionism is making its comeback within the art world. Coined as an artist movement in the 1940’s and 1950’s, at the New York School, American Abstract Expressionist began to express many ideas relevant to humanity and the world around human civilization. However, the subject matters, contributing to artists, were not meant to represent the ever-changing world around them. Rather, how the world around them affected the artist themselves. The works swayed by such worldly influences, become an important article within the artists’ pieces. Subjectively, looking inward to express the artist psyche, artists within the Abstract Expressionism movement became a part of their paintings. Making the paintings more of a representation

Art History is the study of objects of art in their historical development and stylistic contexts. The history of art, we feel, can sometimes be confused with art criticism. However, Art History is concerned with finding the value of the artistic piece in respect with others in the same category of art or movement, and art criticism is more of an evaluation of art. The art examined best represents the culture during the time period, visions the artist imagined, and history behind an event. It also represents society in a specific area, beliefs the people may have, writing that tells a story, the natural world and environment, conflict between people and areas, and the human body. With these representations, artwork overall represents the life in which we live (d). Each piece has its own genre, design, format and style to it. This makes each piece extremely different, yet pleasing to the eye. They also vary between paintings, sculptures and architecture. These different types also make a variety of artwork to be seen by all people. The art pieces that I chose, Jar, Bottle and Glass by Juan Gris, The Persistence of Memory by Salvador Dalí, and Starry Night by Vincent Van Gogh, seemed interesting to me and I believe to best represent the context in which they were created, along with the major artistic movements of the time. I went on to research them more thoroughly to better understand the history behind them,