Why Is Cimorene Justified In Dealing With Dragons

In the satirical novel, “Dealing with Dragons”, written by Patricia C. Wrede it focuses on how Cimorene went against her expected routine as a Medieval princess. Cimorene was justified in ignoring the acquired social norms of the Medieval Society because, she could be independent in her own life without limits, there were endless opportunities for her, and she wouldn’t have to live up to anyone’s expectations.

The author writes “Maybe princesses are in fact a sign of progress, an indication that girls can embrace their predilection for pink without compromising strength or ambition; that, at long last, they can ''have it all.'' Or maybe it is even less complex than that: to mangle Freud, maybe a princess is sometimes just a princess” (Orenstein). Peggy Orenstein is a feminist author with a young daughter obsessed with everything pink and princess, she struggles to find positives from this “princess culture” but realizes that sometimes a princess can just be a princess. Possibly there is no deeper meaning other than being something magical and fun for young girls to enjoy. One common theme in all of the princess movies is good overcomes evil. They show children the pure hearts of the princesses and how to be kind and loving. Andy Mooney, head of the company answered this when asked about “princess culture” and role models “The girl passes through. I see girls expanding their imagination through visualizing themselves as princesses, and then they pass through that phase and end up becoming lawyers, doctors, mothers or princesses, whatever the case may be. ''Mooney has a point: There are no studies proving that playing princess directly damages girls' self-esteem or dampens other aspirations” (Orenstein). Girls are able to preserve their innocence by believing in the magic that comes along

Defeating Dragons and Minutes That Matter have many similarity and differences! Defeating Dragons is about a group of teens who help the local people of Aniak, Alaska they work 24 hours 7 days a week.Minutes That Matter is about a group of teens who send phones to soldiers who were overseas so they could talk to there family.These two groups both help people,whether it's helping them communicate with their family or helping them if they're hurt.They also are different in some ways Defeating Dragons help if there's an emergency, and Minutes That Matter help the soldiers keep in touch with their friends and family.

All these points the author made, make a reader believe she is against princesses, supporting her argument. Yet, later on in the article, the author started contradicting herself drawing back the argument. The author believes girls shouldn’t be referred to as a princess, but later on, she states how the word princess has no meaning. “Part of the genius of Princess is that its meaning is so broadly constructed that it actually has no meaning” (Orenstein 328). This can confuse a reader since the author feels society should stop stereotyping girls, and then we figure out there is no actual meaning. Readers can question how can a person be stereotyped as a princess if they have no meaning? What even is a princess? Contradictions can leave people in question of everything the author said. It can take away the importance of a message the author states by leaving a whole new thought in their mind. If the author did not include that section, the readers would not question her message. Thus, the author contradictions draw readers away from the actual claim.

In Peggy Orenstein’s article, “What's wrong with Cinderella?” she discusses the problems with princesses. The first problem being that princess merchandise is everywhere. Orenstein writes about when she took her daughter to the dentist and once the check-up was over, her daughter got a princess sticker. Princesses are embedded into a child’s everyday life, making a “princess” more of a way of living than a fantasy. To further this point, Orenstein mentions how even now, in a show that is supposed to be about teaching other languages, Dora the Explorer, has turned into Dora finding a fairy tale land where she becomes a princess at the end of her two part movie. This is only the beginning of the issues that are brought to attention in this article.

During the medieval times, Marie de France, unlike the male writers of her time, wrote courtly stories that depicted women who were predominantly featured in the primary roles with empathy and questioned the sexist predicaments women were often subjected to. Women often times struggled to find their voice, but her stories told the perseverance and progress within those constraints. Instead, she wrote of men idealizing wealthy, powerful, independent, beautiful women. She inserts the thoughts and feelings from a woman’s perspective. In a sense, giving women the voice they strived to have heard in a male dominated time period. As Damon stated in the article “Marie de France: Psychologist of Courtly Love,” “Contemporary readers might have noted that the characters departed occasionally from the established laws of courtly conduct; none the less, as all such departures were towards reality, they were welcomed.” She opened the door for women’s self-expression and individual achievement. Marie de France’s popular adulterous love stories bring about many fascinating ethical questions.

him, therefore, she lives with her sister and his husband as a result. This shows the mother’s priorities

Dealing with Dragons In the novel Dealing with Dragons by Patricia C. Wrede, the main character Cimorene is a princess that doesn’t pursue the quintessential princess role in the kingdom. Cimorene’s parents did not even respect or value her. Additionally she want to learn new things, but her society does not allow females to pursue them. Finally, she is being forced to marry a prince whom she does not respect.

Not only does this outburst cause Lanval to lose his lover, but now, he must also prove to King Arthur that he did not insult his honor by demeaning the Queen during his fit of rage. If Lanval had not acted this way, he still could have been a successful knight, yet the

This tale shows the consequences of a childish dependence clung to for a long time. The princess trusts her mother who then sends her off to get married. Because she was protected as a child she did not develop autonomy. She was very dependent on her parents. Her dependence is then shifted to her maid who robs her of her title. The princess fears the maid and goes along with

Authors James Poniewozik and Peggy Orenstein are both concerned with the increase of princess culture among young girls. Poniewozik’s article “The Princess Paradox” and Orenstein's article “Cinderella and Princess Culture” discuss similar aspects of princess culture that could be potentially harmful to it’s audience. Both Poniewozik and Orenstein take on a feminist perspective in their articles. Specifically, both authors discuss feminist themes in princess culture but Orenstein focuses on toddler to pre-teen aged girls while Poniewozik is more concerned with specifically teenagers.

Obedience is another factor that constitutes courtly behavior in the story. Lancelot battles arduous combats and suffers severe wounds for the love of Guinevere. However, once throughout his voyage he falters in his obedience to her love, when he comes across a dwarf, driver of a cart, the dwarf tells Lancelot to ride in the cart in exchange for information on Guinevere’s whereabouts; Lancelot hesitates momentarily before leaping into the cart. Lancelot regrets this moment of hesitation and scolds himself, he argues “…Reason, who does not follow love’s command, told him to beware of getting in and admonished him…Love ordered and wished [he would ride in the cart]…; since love ruled his action, the disgrace should not have mattered.” 2 Lancelot is deeply ashamed and never falters

Cassandra Stover explains in her Journal Damsels and Heroines: The Conundrum of the Post-Feminist Disney Princess, the dramatic shift with Disney princess at the peak of the late 1980s and early 1990s. She explains that the shift can derive from feminist movements and how the change can be directed to the third wave of feminism. She examines the original Disney princesses and decribes them to be more passively aggresive and unindependent, while the new princesses are more independent and brave. The author then explains if the shift from the old to new princesses are actually better, and not just different. Stover analysizes that Disney princesses evolve and are a part of the worlds change on feminism.

His fervent and imperious ways were in instilled in her since birth. Knowing the princess’s nature, the king did not just “happen” to find out about their affair it was planned. The fact was obvious, her choice in men was not one of which her father would approve. The discovery was a perfect way to ride her of the youth. She had no future.

The princesses having, or not having, outside assistance in their journeys makes their character act and think differently.