Essay The Knight and the Cart

Although it is hinted, one could say that King Arthur knew of the relationship between Lancelot and Guinevere but chose to look the other way in fear of losing Sir Lancelot. Sir Lancelot is an example of what a perfect knight would be in the True Knighthood. His honor to King Arthur is what King Arthur holds precious to himself. These three men want to stay loyal to one another and fight against what others are trying to say.

Sir Lancelot is the dominant figure in Le Morte D'Arthur who presents us with the theme of sin and redemption. Sir Agravaine and Sir Mordred expose the courtly romance or otherwise adulterous affair between Sir Lancelot and Queen Guenever. This sets in motion the conflicts and other events leading up to the death of Sir Lancelot and many other noteworthy characters. Sir Lancelot betrays both King Arthur and Queen Guenever. If he is truly a noble character as Sir Gawaine, Sir Gareth, and Sir Gaheris describe, would he have involved himself in such a treacherous act? Sir Agravaine says, “I marvel that we all be not ashamed both to see and to know how Sir Launcelot lieth daily and nightly by the queen, and all we know it so; and it is shamefully suffered of us all, that we all should suffer so noble a king as King Arthur is so to be shamed” (Location 12810). Sir Lancelot’s betrayal raises opposition between the knights and breaks up that which should remain united. His betrayal reaches beyond the king and queen. Thus, it is not a surprise that the consequences of his sin affect the lives of so many.

Even though these qualities are praised in this culture, medieval narratives commonly uphold unrealistic virtues of what a perfect woman is. After Lanval vows to keep their love a secret, the queen of the court tempts the knight with her love. She says, "Lanval, I have honored, cherished and loved you much. You may have all my love: just tell me what you desire! I grant you my love and you should be glad to have me" (pp. 1771). Shortly after Lanval rejects her advances, the queen further establishes her ill will towards the good knight by saying, "I well believe that you do not like this kind of pleasure. I have been told often enough that you have no desire for women" (pp. 1771). The importance of these accusations exemplifies the queen's power and influence over Lanval. Although he graciously declines the queen's love, he regrettably reveals his love to the queen in an attempt to prove himself to the court. He says, "And I will tell you one thing; you can be sure that one of her servants, even the very poorest girl, is worth more than you, my lady the Queen, in body, face and beauty, wisdom and goodness" (pp. 1771). The manner which the queen entices Lanval reveals that both power and evil can be easily compared to this woman's actions, showing readers the other side of the coin. The division between these two women illustrates how often this society feeds off of a virgin/ whore dichotomy, branding such women

Lanval stays loyal to his promise until Queen Guinevere confesses her interest in him, offering herself to him in which he then he delicately rejects her. Speaking his loyalty to King Arthur. Angry, she blames him of being homosexual, Lanval, because of Queen Guinevere’s accusation says, “The poorest girl of all, is better than you, my lady queen, in body, face, and beauty.” The queen asking to be involved in an adulterous relationship is not seen as ideal behavior for modern women or for twelfth century women. During this time men were commonly known for being dishonest and unfaithful, therefore, to have this woman do this, definitely was a different direction than expected. Hurt by the rejection and statement of Lanval, Queen Guinevere tells King Arthur that Lanval came onto her. Arthur upset at the situation orders that Lanval be sent to court where if he could not prove that such a woman existed more beautiful than his beloved queen, he shall be

Once discovered in the meadow by the fairy queen’s maidens, he is taken to meet her where he is immediately awestruck by her incomparable beauty as well as her lavished castle. Ireland describes this seen as the “Court of Love” where Lanval and the fairy queen establish a comitatus amongst each other (Ireland 134). Lanval’s love for the fairy queen is infact so great he claims to her “I shall obey your command; for you, I shall abandon everyone. I want never to leave you. That is what I most desire.” As described earlier, knights displayed the utmost respect and admiration for women, especially, as in Lanval’s case, a lady is was trying to court. The only stipulation is that Lanval my keep their relationship a secret or he will “never see [her] again possess [her] body.” Promptly after their comitatus takes life, Lanval becomes seduced by his King’s wife, Queen Guinevere. During his encounter with Queen Guinevere, sir Lanval acts chivalrous in every way except one (much more then sir Launcelot can say). He responds the Queen’s advances by emphasizing his loyalty to the King. His only misstep and lack of judgement comes from insulting the queen: “any one of those who serve her, the poorest girl of all, is better than you, my lady queen, in body, face, and beauty, in breeding and in goodness.” Admitting this single instance of failure to the code, the more important aspect details his insistence of protecting his pact with the fairy queen. As seen with other Knights in the tales of King Arthur and the knights of the round table, some fail to retain perpetuate the virtue of chastity, while sir Lanval yet again displays why the fairy queen chooses him over other

Loyalty is very necessary for a knight, and Lancelot shows it vividly. Lancelot is not in a position that he is proud of when the problem comes, but he still works for what he believes in. Lancelot is facing a public trial in Camelot. Suddenly, Camelot is surrounded by the army of Malagant. He threated King Arthur to give him the city, or everybody will die. King Arthur starts the battle with Malagant’s army, and he gets shoots in his chest four times by crossbow. Lancelot goes into the crown, and he fights with Malagant who is also really good at sword. It is a really tough fight, so both of them gets injured. He does not give up, and he kills Malagant eventually. Lancelot is not trusted by King Arthur at the time when Camelot is invaded, because he is caught kissing Guinevere. He may be killed by King Arthur, and he can just run away due to the enormous chaos in the city at that tie. But he remembers that he is a knight, and he cannot fail the people in Camelot. So he picks up a sword, and helps people to defend their city. When he is fighting with Malagant, he tries to save an old man under the brutal broadsword of a knight of Malagant. He gets injured because of this action. All Lancelot has done shows everyone that he has loyalty to the city, Camelot, and his lord, King Arthur.

For my report, I chose to summarize how Brian Helgeland’s movie “A Knight’s Tale” (2001) draws its medieval themes and story from Geoffrey Chaucer’s “The Canterbury Tales: The Knight’s Tale”. Besides the nearly identical titles of these works and the moderately similar storyline, it can be further proven that “A Knight’s Tale” is an adaption of “The Knight’s Tale” because Geoffrey Chaucer appears as a character himself—and a vital one at that—in the movie. Furthermore, just to make certain that there is no mistake among the viewers about who they are dealing with, Geoffrey Chaucer (Paul Bettany) even refers to himself as a writer in the movie and points out his very first own work “The Book of the Duchess” in disbelief when some peasants don’t

In Book XVIII (Eighteen), Chapter VII (Seven), Sir Mador kidnapped Queen Guinevere. Lancelot knew that Mador was a strong knight, but because he was loyal to Guinevere and Arthur, he fought Mador. Another case of loyalty mixed with a touch of bravery is when Arthur?s knights fought to their death to save Arthur from Mordred.

Sir Lancelot made his way towards Gwynevere’s chambers as he mouthed to himself, mocking the king, enraged that he, of all noble knights in the land, was to be subjected to night watch. “Looketh at me, I hath rule under this domain, I am the King, looketh at me, go on night watch Lancelot, Shall be fun, Lancelot”. Lancelot stood before Gwynevere’s chamber door and knocked. Nothing. He knocked again, this time slowly opening the door while making his presence known “M’Lady, your father has appointed me to..” Lady Gwynevere was nowhere to be

In Geoffrey Chaucer’s poem, The Knight’s Tale, the author encapsulates chivalrous characteristics in his telling of a battle for love. In its fundamental form, chivalry idealizes a knight’s conduct, both on and off the battlefield (Gregory-Abbott). Chaucer employs this “heroic code [of] bravery, loyalty, and service to one's lord” to illustrate the idillic knight throughout the narrative (Rossignol). Chaucer’s poem, The Knight’s Tale, exhibits the ideals of chivalry in the form of two knights, desperately in love with the same woman, and a wise Duke who embodies the voice of reason. Each knight upholds honor through compassion, troths, and heroism on the battlefield, despite their afflictions with each other.

Towards the end of the novel we see what Arthur’s thoughts are about betrayal. “The law was such in tho dayes that whatsomever they were, of what astate or degré, if they were founden gylty of treson there should be none other remedy but deth (Malory 654) King Arthur is stating that committing is adultery is seen as treason and the answer for that should be death. According to Breier, “Malory was facing a moral dilemma with respect to the love affair between Lancelot and Gwenyvere: on the one hand, he claimed Lancelot to be the most virtuous knight in the Arthurian realm, and on the other he relates – for the first time in

The Canterbury Tales begin with The Knight’s Tale; which chronicles the tragic love triangle of Palamon, Arcite and Emilye. The following tale, which is told by the Miller, is also a love triangle, and is in many ways similar to the Knight’s tale. However, the Miller’s tale sharply contrasts the Knight’s, almost parodying it. The Knight’s tale is a tragic of nobility, heritage and focuses heavily on mythology and astrology, whereas The Miller’s tale is a comedy, focusing on the common-man and his less civilized, and bawdy lifestyle. The two stories mirror one another in many ways, but are presented from completely different sides of the spectrum. When the two tales are looked at closely, it doesn’t seem to be a coincidence that they occur

The Knight of the Cart definitely portrays heroism in a positive light and everyone wants something to believe in, something to live up to. In today’s society, we see this the stories told in Hollywood, An Officer and a Gentlemen, Saving Private Ryan, Braveheart etc… and in our literary works like The Three Musketeers. We have well documented stories of true tales of heroism as well, Into thin Air, Sully, and Unbroken just to name a few. Heroism has even contributed to the rise of the comic book hero.

He remains faithful once again showing the power of his love seen throughout lines 621-635. Another example is when he goes through the route of the sword bridge which is the more difficult and dangerous route than the underwater bridge to continue his quest. There he was so deep in thought that he forgot his own identity, being wrapped up in Guinevere he could have been killed. But he woke from his deep thought when he fell into the ford and regains his composure, battled and got pass the knight that was guarding the way. It also shows he was courageous enough to go through the difficult and more dangerous route to get what he is longing for. “The knight had but one heart, and it no longer belonged to him. Rather it was promised to another, so he cannot bestow it elsewhere. His heart was kept fixed on a single object by love, which rules all hearts.” This means that the one and only heart he has no longer belongs to him, but he has given it to Guinevere.

Knights are one of the most mistaken figures of the medieval era due to fairytales and over exaggerated fiction novels. When medieval knights roamed the earth, it was known that they were only human and, like humans, had faults. These knights did not always live up to the standards designated by society. However, in The Canterbury Tales, the knight is revealed as a character that would now be considered a knight in shining armor, a perfect role model in how he acts and what he does. Modern day people see them as chivalrous figures instead of their actual role as mounted cavalry soldiers. As time passes, the idea of what a knight is changes from a simple cavalry soldier to a specific type of behavior.