Why Does Hamlet Commit Suicide

In his renowned soliloquy, "To be or not to be," Hamlet contemplates the existential dilemma of existence, pondering, "For who would bear the whips and scorns of time... when he himself might his quietus make / With a bare bodkin?" Act 3, Scene 1). This introspective moment encapsulates Hamlet's existential angst and his struggle to find meaning in a world fraught with uncertainty. His contemplation of suicide as a means of escape underscores the profound despair that accompanies his quest for truth, as he confronts the harsh realities of mortality and the fleeting nature of human existence. Through Hamlet's introspection, Shakespeare delves into the depths of the human soul, exploring the universal themes of life, death, and the search for meaning.

In the lead up to the famous “to be or not to be” soliloquy (III.i.57-58) the plays central theme of mortality and Hamlet’s struggle with life and death has been established. Hamlet’s desire for his own death has been noted and some of the complexities surrounding his mortality have been formed. However, during the “to be or not to be” soliloquy (III.i.57-58), Hamlet’s obsession with death becomes more pronounced. The opening line begins with Hamlet asking the simple question of should he live to fight the good fight in his father’s name or take the perceived easier path of death and abandon the struggles in his life. Hamlet’s continuous reference to death in the soliloquy exposes his growing fixation on his mortality. Hamlet describes

Shakespeare also incorporates religious undertones in this soliloquy because of the metaphor of the afterlife and the dreams that may come. Hamlet eventually comes to a decision to not take his life because he is afraid of the unknown: “Thus conscience does make cowards <of us all,>/ And thus the native hue of resolution/ Is <sicklied> o’er with the pale cast of thought,/ And enterprises of great pitch and moment/ With this regard their currents turn awry/ And lose the name of action” (III. i. 91-96). With his decision, Shakespeare is expressing the conscience as the logical part of Hamlet that is afraid because he does not know what would come with death. The metaphor in lines ninety-two and ninety-three is referring to the instinctual action of suicide overpowered by fears. Shakespeare is saying that even though sleep may bring Hamlet peace, he is too afraid of the dreams that may come to go through with the thought of taking his own life. The metaphors that Shakespeare uses creates a euphonious, artistic representation of Hamlet’s indecision toward the course of action he should take.

Hamlet’s 3rd Soliloquy Hamlet’s ponderance over the afterlife contemplates whether living an agonizing life is a better option over suicide. Through further consideration, Hamlet also questions whether it is worth risking suicide when his society’s moral depiction of the afterlife punishes it. His hesitation to commit suicide because of his fear of the unknown is the right choice. Personally, I do not have a clear idea of what comes after life.

It is clear that the death of his father and his mother 's remarriage has taken an enormous mental toll on him and that he desires death to free himself of the burden laid upon him by the ghost. He romanticizes it, saying that suicide is the brave and courageous option akin to “[taking] arms” against troubles. However, he can’t commit to the idea of death, saying “To sleep, perchance to dream: ay, there’s the rub / For in that sleep of death what dreams may come” (III, i, 66-67). He craves death, which would allow him to escape all the “natural shock / that flesh is heir to” (III, i, 63-64) but the more he ponders it, the further he is from reaching a decision. Ironically, the argument within his mind about how he should free himself of the ghostly burden — murder, or death — is impeding him from carrying out any action on it. At the end of his most famous soliloquy, Hamlet hasn’t made any decisive choice and therefore is in limbo regarding death due to his overarching rationale. His inaction proves “[his] endless reasoning and hesitation and the way in which the energy of his resolutions evaporates in self-reproaches” (Morgan 259). Moreover, Hamlet tackles the decision of interpreting what is real and what is false when he questions the ghost’s true nature. At first, Hamlet is certain

Hamlet in this scene is considering killing himself and is having thoughts about death. He is wondering if he should live and pass all the hardship life gives him or if he should just die to end those sufferings. Seeing how hamlet has this strange personality where he changes his thoughts every minute it may describe why he is considering death. This also merges in with Claudius. Hamlet knows that if he chooses to kill Claudius ot only will he be the prime suspect for his murder but might end up in hell for murdering a human being. Hamlet is confused whether he is ready to take another person life and is able to move with his life. I don’t think hamlet will kill himself instead I predict that hamlet will choose to live the earthly way and

asting to those of an insane persons. In conclusion Hamlet’s insanity is able to accomplish his planned intentions and are able to twist and form situations.

The main plot point of William Shakespeare’s Hamlet is for Hamlet to seek revenge for the murder of his father. His uncle, Claudius, is responsible for killing Hamlet’s father. All of the main characters in the play end up dying because of Hamlet’s decision to kill Claudius. Each death has its own purpose, and as most believe, each person brings it upon themselves.

“To be or not to be,” that is the question that brit lit students all over the world are asked to analyze. In Hamlet by William Shakespeare, there is a timeless soliloquy in Act III scene I where Hamlet is contemplating if suicide is valid. It is very important to the show overall because it is the reader’s job to decide if Hamlet is being devious or if he really has gone crazy. Since this soliloquy is so popular there have been many interpretations done of it, and Ethan Hawke’s in particular stands out to me. The very famous “to be or not to be” speech asks if suicide is okay, lets the reader decide if Hamlet is crazy or not, and there have been many interpretations of it over the years.

They left him for dead, they assumed he was dead. What they didn't see was that he slowly crawled away without being noticed. He made himself throw up to expel the poison from his body. It was a long and painful road to recovery though. Some of the poison was still absorbed into his system and it made him pass out, which is why they thought he was dead. When it was all said and done, him and Horatio are the only ones left standing(he didn't know Hamlet was alive). His body disappeared and Horatio assumed that the gravedigger had taken it, but he had escaped. He then escaped to England where they were very understanding of his situation. They also thought that his uncle was also a complete psycho path. They sheltered him till he could get his

In a following speech Hamlet’s disposition towards the world persists, yet his attitude towards death has undergone a transformation. Previously, Hamlet was quick to proclaim his desire to die, but by the third act he’s become uncertain. This hesitation becomes apparent in Hamlet’s “To be or not to be” speech (3.1.56-90). With those opening words, Hamlet debates whether he should exist or not. The fact that this is still a question for him shows that he continues to be displeased with life. Hamlet asks himself, “Whether ‘tis nobler in the mind to suffer the slings and arrows of outrageous fortune, or to take arms against a sea of troubles, and by opposing end them? To die to sleep.” This reveals a new concern that Hamlet has, he doesn’t ask what is best for him to do, but rather what is nobler, which makes it apparent that he’s concerned with maintaining his character. Even though he maintains the desire to escape the world and the experience in it, he still cares about the image that he leaves behind. Subsequently, Hamlet uses war-like diction, comparing life to war with “slings and arrows” which makes life intolerable. This just reaffirms the ideas Hamlet has had throughout the play, however, a shift transpires when he mulls over the idea that death is like being asleep. A problem arises when he realizes that even when you sleep you experience, “To sleep; perchance to dream: Ay, there’s the rub.” This could be easily misinterpreted as Hamlet hoping to dream, but perchance

Hamlet thinks about killing himself but he decides it’s against God’s commandment. While hamlet was outside the palace he encountered his father’s ghost and he follows it into the woods so he can talk to it. Hamlet is so motivated to get his revenge he does not care who gets in his way. Hamlet doesn’t care if he gets killed in his quest to revenge. Through the whole story Hamlet drove himself more and more insane.

For in that sleep of death what dreams may come When we have shuffled off this mortal coil, Must give us pause. There's the respect That makes calamity of so long life”. ( act 3:1 pg.138 lines:57-70). In this, Hamlet is comparing whether it is better to suffer through life or to commit suicide. He says how the only thing keeping people from ending their suffering is the unknown of what comes after death.

”Whether ‘tis nobler in the mind to suffer the slings and arrows of outrageous fortune, or take arms against a sea of troubles, and, by opposing, end them?” Is a statement made by Hamlet in The Tragedy of Hamlet by WIlliam Shakespeare (3.1.63-64). Shakespeare analyzes the idea of suicide in three different ways: morally, religiously, and aesthetically. The thoughts of suicide are explored through multiple characters but more specifically in the cases of two, Hamlet and Ophelia; while the audience knows Hamlet’s thoughts, the audience never truly knows what Ophelia thinks; Hamlet's thoughts of death and suicide change throughout the play, at first Hamlet believes that death is the best escape from life’s problems, but because of moral and religious reasons he doesn’t take this route at first; as his understanding of death expands, he realizes that while death may be aesthetically pleasing on the surface, death is permanent and you don’t know whether death will be a dream come true or a nightmare, this is why we continue to live.

Hamlet's view of death morphs through the course of the play as he is faced with various problems and troubles that force him to deal with life differently. This holds particular significance for a modern audience who, unlike the predominately Christian audiences of Shakespeare's time, contains an assortment of perspectives on the subject. For the majority of the play, Hamlet yearns for death, but there are different tones to his yearning as he confronts death in different circumstances; from his encounter with his father's ghost to the discovery of his beloved Ophelia dead in the ground, Hamlet feels an irrepressible urge to end his life. There are obstacles that get in his way, both internal and external, and Shakespeare's play is an