”Whether ‘tis nobler in the mind to suffer the slings and arrows of outrageous fortune, or take arms against a sea of troubles, and, by opposing, end them?” Is a statement made by Hamlet in The Tragedy of Hamlet by WIlliam Shakespeare (3.1.63-64). Shakespeare analyzes the idea of suicide in three different ways: morally, religiously, and aesthetically. The thoughts of suicide are explored through multiple characters but more specifically in the cases of two, Hamlet and Ophelia; while the audience knows Hamlet’s thoughts, the audience never truly knows what Ophelia thinks; Hamlet's thoughts of death and suicide change throughout the play, at first Hamlet believes that death is the best escape from life’s problems, but because of moral and religious reasons he doesn’t take this route at first; as his understanding of death expands, he realizes that while death may be aesthetically pleasing on the surface, death is permanent and you don’t know whether death will be a dream come true or a nightmare, this is why we continue to live.
The idea of suicide is analyzed morally in The Tragedy of Hamlet. A moral aspect of suicide is that if a human is moral they not commit suicide because they will endure “the whips and scorns of time”(3.1.71) because it is nobler to do so. Hamlet ponder this in his to be or not to be soliloquy, in it he wonders, “Whether ’tis nobler in the mind to suffer the slings and arrows of outrageous fortune, or to take arms against a sea of troubles, and, by opposing, end them?”(3.1.63-64). For some it is nobler to bear the torment life throws, for others it is cowardly. The Tragedy of Hamlet also explores the morality of suicide with Julius Caesar and the Roman practice of suicide to keep secrets. In an odd contrast, this suicide practice is not seen as immoral but honorable. Perhaps because it was self-sacrificial. In a way, Claudius commits suicide in the play. Through Claudius’ lack of morals and his immoral plans, he ended up dying from his own corruption when his plan backfires. In Act 5 scene ii as Laertes lays on the floor dying from his own blade he says, “The treacherous instrument is in thy hand, unbated and envenomed. The foul practice hath turned itself on me. Lo, here I
William Shakespeare’s “Hamlet” is a play illustrating a prince seeking revenge for his father tragic death. Hamlet, the prince, is left clueless about who has killed his father until some night watcher gives him some news about a ghost that looks like his dead father. Hamlet decides to go see the ghost for himself and is shocked with what the ghost has said to him. The murder of his father was not an accidental snake bite, but instead Hamlet’s father was the murdered by his uncle, Claudius, the new king of Denmark. Hamlet becomes angry at Claudius for killing his father and is also angry at his mother, Gertrude, for betraying his father and marrying Claudius. Hamlet begins to act insane because he wants to distract the people around him so he can avenge his father’s death.
When your back is against a wall and it seems that all hope is lost, do not give up. Because if you choose suicide, you will never live to see it get worse, however, you also pass up the chance to see life get better. Suicide is an important, recurring theme in William Shakespeare's, Hamlet, and it is a topic that Hamlet contemplates quite often throughout the play. Hamlet often goes back and forth between to be or not to be, but continues to believe that people although capable of suicide, choose to live. Hamlet is adamant that the unknown, the inconclusiveness of nobility, along with the sin attached to suicide is what ultimately keeps people from taking their own lives.
In the play, Hamlet, Shakespeare leaves you wondering about death. Through the characters in the play, he reveals his own thoughts about death. Does Shakespeare portray a deep understanding of death in this play? The never-ending cycle of death and revenge is evident throughout the entire play.
Hamlet was so obsessed with his lack of action and the worthlessness of life that he contemplates suicide asking, "For who could bear the whips and scorns of time" ( III. i. 69-70). He believes he would be foolish to suffer through his life when he will simply be
In William Shakespeare's Hamlet, suicide is an important and continuous theme throughout the play. Hamlet is the main character who contemplates the thought of suicide many different times throughout the play, since the murder of his father. Hamlet weighs the advantages of leaving his miserable life with the living, for possibly a better but unknown life with the dead. Hamlet seriously contemplates suicide, but decides against it, mainly because it is a mortal sin against God. Hamlet continues to say that most of humanity would commit suicide and escape the hardships of life, but do not because they are unsure of what awaits them in the after life. Hamlet throughout the play is continually tormented by his fathers death and his
Based on the play of Hamlet by William Shakespeare, suicide is the most prevalent and important themes in Hamlet. Hamlet always asks himself for the reason to stay alive. Even though he always thinks that there is no reason for him to stay alive, however he always chooses to stay. The first reason Hamlet seems to contemplate suicide is because his life is contaminated by sins and revenge. The other reason he is thinking about suicide is because he is young and immature. Young adults usually look for escapes when they become angry with things. There are many instances where Hamlet contemplating suicide and he treats the idea of suicide morally, religiously, and aesthetically, with particular attention to Hamlet’s two important statements about suicide: the “O, that this too too solid flesh would melt” soliloquy (I.ii.129–158) and the “To be, or not to be” soliloquy (III.i.56–88).
During the Renaissance, the discovery of some of these ancient texts was a main spur for the ideas that followed the Renaissance. Most of the Renaissance intellectuals generally affirmed with the ideas of the church about suicide. In Shakespeare’s time suicide had become a paradoxical issue. On one side of the matter it carried the medieval Christian associations of shame and despair. On the other side it was seen as a noble and courageous act in the growing Renaissance tradition. In Hamlet the Christian view of suicide is best played out at Ophelia’s funeral. Her ceremony is very perfunctory and she can only be buried in consecrated grounds, grudgingly because of Ophelia’s high connections. Instead Shakespeare’s plays pity his characters problems which drive them to commit suicide and some approval for their courage. Hamlet has a reluctance to commit suicide because of his religion that he believes in. In his first soliloquy he states “O, that this too too solid flesh would melt,/ Thaw, and resolve itself into a dew,/ or that the Everlasting had not fixed/ his canon ‘gainst self slaughter.” When he states that the “Everlasting had not fixed his canon against self slaughter” he wishes that God had not made it a law to not commit suicide. Hamlet is a Christian therefore if he were to take his own life it would be a sin against God. His soul would be condemned and he does not know what would come from the afterlife. We see this best in
In act 3 scene 1 of William Shakespeare “Hamlet” the main protagonist, Hamlet, recites a soliloquy “To be, or not to be.” Throughout his lines Hamlet explains the concept of suicide and why people choose to live long lives instead of ending their suffering. The main point he speaks on is the mystery of one’s afterlife, they never know for sure what happens when they die. For this reason, his speech does a good job highlighting the plays underlying themes of pervasiveness of death, and tragic dilemma, and tragic flaws.
If his father, who was a great man, can be forgotten so quickly upon his death, then to Hamlet life seems rather pointless. In Hamlet’s soliloquy in act one scene two where he first contemplates suicide, Shakespeare begins his discourse with death. The notion of suicide is a major philosophical question – perhaps the greatest, as it argues between religious issues; “that the Everlasting had not fix'd his canon ‘gainst self-slaughter”, the boundaries between life and death, expressed through the boundaries between the physical and nonphysical, that he wishes that this “too solid flesh would melt”, but most significantly the point of life and the point of death, where all the “uses of this world” seem “weary, stale, flat and unprofitable”. There is an importance placed on death rites in this soliloquy, that Gertrude “followed my poor father’s body ” evoking imagery of a funerary procession, but Hamlet still feels that this was not enough, he feels especially that it was a deceit- that her tears were
Next, in one of the most famous soliloquies in the English language, Hamlet again contemplates the subject of suicide, but he does not do so on impulses of emotion. Instead, his contemplation is based on reason. “To be or not to be, that is the question: whether ‘tis nobler in the mind to suffer outrageous fortune…or end them. To die, to sleep- no more- and by a sleep to say we end the heartache…’Tis a consummation devoutly to be wished. For who would bear the whips and scorns of time…who would fardels bear, to grunt and sweat under a weary life, but that the dread of something after death, the undiscovered country from whose bourn no traveler
Hamlet continuously throughout the play not only self-deprecates himself, but he also talks about committing suicide and the reasons he has for and against it. Hamlet self-deprecates for multiple reasons consisting of: Claudius killing his father, Gertrude marrying her husband’s brother after his death, his complications with Ophelia, and his very own insanity. From Hamlet’s self-deprecating tendencies, it is evident that he is not only depressed, but suicidal. Hamlet has many things going on in his life, and to him, he doesn’t know if his life is even worth living. Hamlet states, “To be or not to be? That is the question…Be all sins remembered.” (3.1.57-91), meaning that Hamlet really couldn’t care less what happens anymore. Hamlet summarizes the pros and cons to suicide, and he questions what he should do. He does this because he has changed – primarily his personality – and the events occurring around him are
Thesis: Although most people believe that Hamlet is suicidal at his point in the play, it is not until this soliloquy where the audience actually learns of Hamlet’s ability to judge based on his emotion and logic. Hamlet’s ability to endure suffering allows him to realize how valuable and precious his life truly is.
Hamlets contemplation of ending his life shows an inward conflict within himself. In his first soliloquy, he debates whether he should commit suicide. "To be, or not to be- / that is the question: / whether 'tis nobler in the mind to suffer/ the slings and arrows of outrageous fortune, / or to take arms against a sea of troubles and by opposing, end them" (3.1. lines 64-68 Shakespeare). He questions why he should live with all of this chaos but overcomes this internal conflict because he acknowledges that in his religion suicide is a sin. “O, that this too, too sullied flesh would melt, / Thaw, and resolve itself into a dew, / or that the everlasting had not fixed His canon 'gainst (self-slaughter). O God! God!” (1.2. lines 133-136 Shakespeare). This soliloquy signifies the reality of Hamlet s internal conflict and also shows the reality of his external conflict with the society he is surrounded by. This declamation establishes
The way that Shakespeare portrayed Hamlet’s soliloquy touches on a global issue of suicide. While Hamlet considers his suicidal thoughts it reveals inklings about his character. Hamlet’s soliloquy advances the tone of the play because of
Hamlet recognizes that suicide is a sin in the eyes of God, so consequently wishes that he could simply cease to exist. In doubting that life is worth all the hardships one must face, Hamlet briefly relishes in the concept of death, equating it to nothing more than a sleep wherein one can be rid of the “heart-ache and the thousand natural shocks” of physical life (III.i.70). Though immediately thereafter Hamlet acknowledges the startling unknown, and the fact that one does not know what comes after death. Hamlet feels a great deal of uncertainty, which surely enhances his overall frustration. Herein lies Hamlet’s reservations in regards to committing suicide: it is a sin, and the afterlife may prove to be more unpleasant than life itself.