What Is The Mood Of The Short Happy Life Of Francis Macomber

Margot Macomber as the Hemingway Code Hero in “The Short Happy Life of Francis Macomber”

Macomber felt utter disgust for Wilson. Every time Wilson spoke, Macomber threw back daggers for words. It annoyed Wilson, for he was unphased by the fact that Macomber knew Wilson had been with his wife. He ignored Macomber’s harsh words so they could go hunting for the buffalo. As they drove out, Macomber spotted three large buffalo. Wilson told him, “We’ll cut them off before they get to the swamp.” They both got their guns ready, where Macomber almost began to shoot from his position in the car before being shouted at by Wilson. They jumped out of the vehicle as it came to a bolting stop, aimed, and began shooting. Macomber struck the first one down, and with the help of Wilson, eventually the other two. Margot was awe-struck, telling Macomber how “marvelous” he had done. “Macomber felt a wild unreasonable happiness that he had never known before” (Hemingway). Meaning, Macomber felt as though he had restored his

(18) Francis is talking about the hunting experience, but ironically, the next thing that is going to happen is Francis’ death. After hunting and wounding a buffalo, Francis and Wilson search for it in the tall grass. Thinking it is dead, the buffalo comes charging at Francis and Wilson. When she sees the buffalo charging at Macomber and Wilson, “Mrs. Macomber, in the car, had shot at the buffalo with the 6.5 Mannlicher as it seemed about to gore Macomber and had hit her husband about two inches up and a little to one side of the base of his skull.” (19) It is never declared whether Margot killed her husband by accident or on purpose, but his death is ultimately caused by his spouse, very much like Louise’s death in “Story of an Hour”, although, it was caused

In Ernest Hemingway’s short story “ The Short Happy Life of Francis Macomber,,” Hemingway uses the author’s craft of perspective along with dialogue and internal dialogue to create a multi-part claim that develops an overall negative characterization of the story’s characters. Hemingway develops the characterization of Margaret, one of the main protagonists, by using multiple perspectives to assure on her character traits of cruel, manipulative, and fearful.

Connell shows the reader the ugliness of humanity and the one-sided thought process of the human mind through irony in his storyline. "’For the hunter,’ amended Whitney. ‘Not for the jaguar.’ ‘Don't talk rot, Whitney,’ said Rainsford. ‘You're a big-game hunter, not a philosopher. Who cares how a jaguar feels?’ ‘Perhaps the jaguar does,’ observed Whitney.” (Connell). Rainsford remarks that he does not care about the feeling of the jaguar. This is ironic because Rainsford himself is later hunted like the jaguar. He then learns the fear and pain of being prey. Rainsford crouches amid the leaves of the tree where he hides and Zaroff watches him from beneath. After Zaroff departs, Rainsford then admits that he knows the full meaning of terror. This quote helps to show parallels the terrors seen in war. "’you’ll find this game worth playing,’ the General said enthusiastically" (Connell). This is ironic because what Zaroff intends to do is hardly a game and instead Rainsford is running from Zaroff for his life, which is definitely not a game that is 'worth playing'. Richard Connell in addition uses irony to show the way that hunting is a game to Zaroff but is in reality a matter of life and death. "Rainsford admires Zaroff's collection of trophy heads, declaring that he believes the Cape Buffalo to be the most dangerous game of all. Zaroff demurs without providing details, suggesting that he has stocked his island with even something far more menacing” (D’Ammassa). Hunting is his main occupation in life, and he is rich enough to indulge himself. Zaroff is the hunter who exists only for the pleasure of the chase and the kill. His interests are selfish, his actions amoral. Zaroff refuses to immediately divulge the nature of the game he hunts, but he insists that he has invented “a new sensation.” Zaroff then tells his host that he had grown bored with hunting because he always

Wilson’s judgmental, self-virtuous nature is displayed when he converses with Francis over proceeding to kill the wounded lion. On page 12, Wilson says, “You don’t have to go in, of course,” he said. “that’s what I’m hired for, you know.” As Wilson speaks with Francis over killing the lion, his statement verifies that he retains a judgmental persona. By saying “You don’t have to go in, of course,” it is apparent that Wilson views Francis as very childish and cowardly. It also reveals that Wilson is prone to judging people based on first impressions.Although Wilson’s character has been primarily described as hyper-critical and condemnatory, there is certain evidence which expresses unseen compassionate emotions toward Francis Macomber. Following Francis’ death, Robert expresses a positive sentiment to Margaret regarding Francis. On page 26, Wilson says, “I was a little angry. I’d begun to like your

“The Short, Happy Life of Francis Macomber” also contains the theme of arduous moral situations for the characters. Margot, the wife of Francis, is challenged by the temptation to have relations with their tour guide. Eventually, she commits the crime of adultery, and her husband finds out about her crime and is deeply shaken. “‘Well, why doesn’t he keep his wife where she belongs? What does he think I am, a bloody plaster saint? Let him keep her where she belongs. It’s his own fault’” (Hemingway 13). By the tone of Wilson thoughts, it is inferred that he is not able to find fault in himself and decides to blame it on the most vulnerable person, Francis. In spite of Wilson being the only man to blame for this whole incident, Margot can also take part of the blame. She appears to be a faithful and caring wife, but her actions do not justify this statement.

Women in Hemingway’s stories are portrayed to be heavily sensitive and emotional, and unable to deal with the realities of life. They do not seem to understand how life is not necessarily always going to be a picture perfect world. In “The Short Happy Life of Francis Macomber”, Margot Macomber is shown as a very emotional women in many circumstances, as if she is not able to deal with obstacles that life will throw at her. One instance of this is when the two men are having a discussion about killing the lion. At one point, she is making jokes and seeming perfectly fine, then the next thing she starts to cry. Her husband, Francis, and Wilson even acknowledge this as well. They describe how they “both saw

In addition to the conflict in the story, there are scenes of rising action. One example of rising action occurs when Wilson and Macomber return to the wild to hunt for a lion once again. Macomber is able to get a shot off but only able to wound the lion before it runs away. As Wilson and Macomber search for the wounded lion to finish it off, he inevitably runs away frightened for a second time. Hemingway writes Macomber, “was running; running wildly, in panic in the open, running toward the stream.” As a result of this instance, Macomber’s wife takes a thriving interest in Wilson. Hemingway writes, “Once he had reached over to take his wife’s hand . . . she had removed her hand from his . . . his wife had reached forward and put her hand on Wilson’s shoulder . . . and kissed him on the mouth.” Later, Macomber’s wife sleeps with Wilson, which will completely change Macomber’s persona for the rest of the story. Macomber is so overcome with anger, his character quickly changes from cowardly to courageous.

Richard Wilson is a man’s man, and embodies Hemingway’s fascination with living life on the edge. The “white hunter,” Wilson, lives the life according to Hemingway values. Hemingway believes in the importance of physical activities and outdoorsmanship. Wilson has an attractive ruggedness, and embodies many of Hemingway’s code hero traits. Hemingway uses an allusion to a famous Shakespeare line to strengthen the character of Wilson.

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Without Hemingway 's use of Wilson’s inner dialogue readers wouldn’t know what his thoughts on the affair are, neither would they know about his biased and role giving ways. Despite his prior judgments of Francis, near the end of the story Wilson shows a shift in his judgment when Francis, filled with anger, chases down and kills some buffalo. He says that Francis would “Be a damn fire eater now” and that Francis had his “Fear gone like an operation.” Because Francis gains the courage to hunt the buffalo without falter, Wilson believes that he is a “real man” now. This shows the shift in Wilson’s judgment of Francis, as well as how he perceives the role that Francis should fill. He views Francis as a coward who had never truly came of age before the buffalo hunt, which shows that Wilson believes that men should be fearless and able to hunt. Without Wilson’s perspective readers wouldn’t realize the amount of shift Wilson had in his judgment, nor would they have as much insight on Wilson’s ideals and standards. By allowing the readers to view multiple perspectives, the author allows the readers to see the judgmental, self biased, and role giving side of Wilson. He shows the growth of Wilson

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Francis reveals his lack of self-confidence and control over the situation. ?If he had been better with women she would probably have started to worry about him getting another new, beautiful wife but she knew too much about him to worry? (Hemingway). His lack of self-confidence has given her all the power in the relationship and it was a major contributing factor in her infidelity. Later on in the story, the growth of Francis?s confidence during the buffalo hunt and Margot?s displeasure with it is the final clue in determination of the death of Francis Macomber. The buffalo hunt gives Francis a new found sense of ?happiness?. This ?new wealth? of confidence is powerful for Francis and devastating for Margot . ?Fear gone like an operation. Something else grew in its place. Main thing a man had. Made him into man. Women knew it too. No bloody fear? (Hemingway). Margot knew at this point that if Francis survives the trip, he might possess enough personal strength and finally leave her, and that is what encourages her decision to kill him. At the end of the story Wilson confirms the reader?s suspicion when he reacts to the shooting by saying to Margot, ?That was a pretty thing to do? (Hemindway). That statement reinforces the belief that Margot was indeed taking advantage of the opportunity to ensure her long-term wealth and eliminate the possibility of being

In Hemingway’s short story, The Short Happy Life of Francis Macomber, we begin with the married couple, Franics and Margaret Macomber, on a safari in Africa with a man named Robert Wilson. Francis is shown to be a coward when he shoots his first lion twice, but is too afraid to finish it off even though it may be suffering. Margaret is very displeased with her husband’s cowardice and shows her contempt by berating him profusely. Francis is awoken from his sleep late at night after a bad dream to find his wife, Margaret, is gone. When she returns to the tent she claims she was out getting “a breath of air” but Francis knew she had just slept with Robert Wilson. Francis