What Does The Chrysanthemums Symbolize

One of the risks Elisa takes is trusting the repairman, also by telling him her thoughts and feelings, and by giving him the “Chrysanthemums” plant. At the end of the story, it shows that Elisa feels sad and betrayed because. When she told the repairman about how she feels he said, “a woman can't live the life he lives.” Then he describes how it feels and she felt even worse. The second way she got betrayed was when she gave him the “Chrysanthemums plant.” Later on in the story when she was going out for dinner on the way there she sees the “Chrysanthemums” holder. She makes up excuses to make herself feel better but it did not work.

Toward the end of the story she realizes she was taken. Elisa had been taken advantage of because the man had no need for the chrysanthemums. On page 293 she finds the chrysanthemums and earth in the "dark speck" on the road. He kept the pot, her fifty cents, and a small piece of her pride but disregarded the flowers. His story of the woman who wanted chrysanthemums was just a facade and a devious scheme to get work.

Elisa, also a housewife, usually had activities involved in routine housework and maintaining her flower garden, that was filled with chrysanthemums. She took care of the chrysanthemums as if they were her children, and being a farmers’ wife, she had more free time than her husband, Henry. When the tinker, also known as the tin man, came up to Elisa for work he tried to manipulate her into giving him some work to do. When the tinker saw there was no way Elisa would give him work, he tried to work her. “What’s them plants, ma’am?” (Steinbeck, 208). Tinker asked Elisa about the plants probably so he could influence her about chrysanthemums- that way they bond on the subject of the flowers and from there Elisa started to explain the importance of these flowers. Elisa doesn’t realize she’s being played with until near the end when tinker finally leaves she waves goodbye to him but her voice drops as she says the word “Goodbye to goodbye”, finding that the tinker threw Elisa’s chrysanthemums away (Steinbeck, 210). This quote showed the attachment for the chrysanthemums Elisa had, and the minute the tinker threw away those flowers, it broke Elisa’s heart. This makes Elisa thinks about how a man can get what he wants while Elisa

Elisa Allen in Steinbeck's "The Chrysanthemums" and Louise Mallard in Chopin's "The Story of an Hour" have a great deal in common because of the fact that they both went through similar struggles. Both Elisa and Louise prove to be strong women that clearly had dreams of their own such as being equal to men and having a passionate relationship with a man. Although that may be true, they lacked resemblance in the true desire they each yearned for.

Seemingly, the flowers represent Elisa. She believes she is strong and tough and able to accomplish anything thrown her way; however, taken for granted as she is only a woman allowed to look and act accordingly. Surrounding the flowers is a wire fence set up to keep out predators and to separate the flowers from the rest of the farm. The wire fence is symbolic in the fact that it is identical to the world Elisa lives in. Elisa is contained within the farm, unable to explore or leave without the help of someone else. Elisa is stuck on the farm, isolated from the rest of the world so that she can be kept safe. Naive and unaware of how the world works, her husband keeps her on the farm to protect her from harm. When Elisa gives the chrysanthemum to the travelling merchant, she gives him a small piece of herself. Later, as her and her husband are driving to town, she sees the flower tossed aside as though it was nothing; as a result, she realizes she could never go off on and live the way the merchant had. The flowers embody her character still, and how out of her home without protection, the world can be harsh and cruel. In short, Elisa’s isolation leaves her ignorant, unable to understand how callous the world is, and comes to the bleak realization that she can’t live a life anywhere outside of her fence. Because of how women were treated, constantly pushed down and unable to pursue their interests, Elisa is left unable to learn what life has to offer. Learning

We get our next glimpse into the struggles she is internally suffering when her house is introduced to us as “hard swept” (Steinbeck 348). Elisa extends her insecurities and sorrow onto over-compensating in tending to the house she shares with her husband. The exchange between Elisa and her husband is cold and uncompassionate as they discuss their plans for dinner and a movie. He stands outside the wire fence which serves as a wall between Elisa and the rest of society. As her husband leaves to herd their cattle she watches and swiftly returns to tending her garden.

"The Chrysanthemums" introduces us to Elisa Allen, a woman who knows she has a gift for growing things, but it seems to be limited to her garden. Diligently working in her garden, Elisa watches as men come and go, living their lives unconfined, wondering what it must feel like to have that freedom. That emotion is revealed as Elisa gases at her husband and acquaintances talking, "she looked down toward the men by the tractor shed now and then." As she tills the soil for her chrysanthemums Elisa tills the thoughts in her head. The garden she so desperately maintained represents her world. A world that will only flourish if nourished. Emotional nourishment and stimulation is what Elisa lacked and longed for. The garden is limited in space to grow and so is her marriage. The garden is safe, non-threatening and so is her world. The garden contains many different elements that make it what it is, although unseen, and if the proper nourishment is not given it will die, as with Elisa.

John Steinbeck's "The Chrysanthemums" shows the true feelings of the main character, Elisa Allen, through the use of setting and her interactions with other characters in the story. By way of vivid descriptions, Elisa's feelings of dissatisfaction over the lack of excitement in her life are portrayed. Her role as a mere housewife and then the subsequent change to feelings of a self-assured woman are clearly seen. These inner feelings are most apparent with the portrayal of Elisa working in the garden with the chrysanthemums, the conversation she has with the man passing through, and finally, when she and her husband are going out to dinner.

Elisa has obviously taken on a more masculine façade due to her years spent on the farm. However, it seems apparent, both early on and later in the story that she has tried to maintain what femininity she has.

Many readers who analyze Steinbeck's short story, "The Chrysanthemums", feel Elisa's flowers represent her repressed sexuality, and her anger and resentment towards men. Some even push the symbolism of the flowers, and Elisa's masculine actions, to suggest she is unable to establish a true relationship between herself and another. Her masculine traits and her chrysanthemums are enough to fulfill her entirely. This essay will discuss an opposing viewpoint. Instead, it will argue that Elisa's chrysanthemums, and her masculine qualities are natural manifestations of a male dominated world. Pertinent examples from "The Chrysanthemums" will be given in an attempt to illustrate that Elisa's character qualities, and gardening skills,

There are many symbolic references to Elisa Allen as a sexually repressed and frustrated woman. One representation of the chrysanthemum is Elisa's passion and eagerness to live and experience life a content woman. While tending her chrysanthemums "she pulled out the crisp little roots and trimmed of the leaves of each one with her scissors (Steinbeck 1464)." This is a symbolism of Elisa Allen closing off all opportunities to grow as a sexual woman; She has resigned herself to the monotonous life as a complacent farmer's wife (Lee 1). The "figured print dress (Steinbeck 1463)" under the apron shows the readers that Elisa is aware of her sexuality but instead of acting on it has chosen to subdue it. She keeps her sexuality and passions under control like she cares for her chrysanthemums "laid [in a] small [and] orderly pile (Steinbeck 1464)" (Lee 1). Elisa begins to allow this sexuality to emerge when the traveling tinker romantically describes her

Steinbeck uses chrysanthemum’s to symbolize Elisa’s strength and power in order to show how societal standards cause women to miss out on opportunities and become frustrated with the confinement of their expression. “[Elisa] was cutting down the old year's chrysanthemum stalks with a pair of short and powerful scissors. She looked down toward the men by the tractor shed now and then. Her face was eager and mature and handsome; even her work with the scissors was over-eager, over-powerful.” Chrysanthemum stalks require a great deal of force to be cut down, which is highlighted through Elisa’s use of “powerful scissors.” Ordinarily, flowers are portrayed as beautiful and delicate; however, chrysanthemums are sturdy and tough. Steinbeck chose specifically to use chrysanthemums because they symbolize the strength Elisa has; she is confident, empowered, and masculine, but all of her strength is confined within the standards of society just as the chrysanthemums are confined within the walls of her garden. Elisa, as a woman, is unable to express herself as strong, masculine, and proud because that was not the standard that women were held to during that time; her expression is confined to her work in the garden with her chrysanthemums, and it is frustrating for her to miss out on the opportunities that would showcase her strength and let it be appreciated by her husband and the mender because of the standard of delicacy and beauty that women are held to.

The chrysanthemums being fenced in from the rest of the ranch symbolizes her feelings of isolation. Elisa craves to live an exciting life like the tinker does but is told that such lifestyle women cannot live. A reader could analyze that Elisa’s chrysanthemums are a replacement for the children she lacks. In Skredsvig analysis she states, “Elisa's planting skills is the possibility that her gardening is a sublimation of her frustration over having no children and a projection of her "natural" role as mother” (Skredsvig). Elisa tends them with love and nurture as the flowers are her pride and joy. Additionally, they represent Elisa’s femininity and sexuality as a woman. For example, Elisa feels resentful of Henry because he does not appreciate her femininity image; however, after having an encounter with the tinker, her hopes are renewed and revived for a brighter future. As she gets ready for a night out with Henry, she admires herself in the mirror appreciating the beautifulness of her sexuality with confidence. After witnessing her flowers wrinkled on the road, Elisa is devastated to see her flowers diminish symbolizing

Steinbeck introduces Elisa, the main character, as a masculine young woman with a “face lean and strong” (Steinbeck 209) and “her figure looked blocked and heavy in her gardening costume, a man’s black hat...clod-hopper shoes.” (Steinbeck 209) He lets the chrysanthemums symbolize Elisa’s true beauty. She feels that her husband does not see her as beautiful woman. All he can see is a house wife and a gardener. He shows little interest in the chrysanthemums. When Henry says, “You’ve got

In “The Chrysanthemums” by John Steinbeck it surrounds a woman named Elisa. Elisa’s marriage dynamic proves to be complicated as the banter between her and her husband Henry demonstrates the inability to communicate. Isolation leaves Elisa not satisfied in her life and marriage. Therefore, the loneliness Elisa looks for comfort when a tinker shows up looking for work and cons her. The tinker appealed to Elisa making her feel less alone than she usually does and even shows interest in her beloved flowers. By the tinker using Elisa’s interests, her loneliness subsides as she then craves the attention he gives. In “The Chrysanthemum” Steinbeck shows a theme of isolation throughout the story as Elisa is isolated from society, isolated from her own feelings, and even in her marriage.