Toxic: Garbage Island, a documentary by Vice Magazine, goes to show the carelessness of humans, more so in the developed world. Vice does this by sending a crew of a few of their journalists on a boat with a scientist and two men who control the boat to take a firsthand look at the Northern Gyre in the Pacific Ocean. Gyres are known to be large, swirling masses of garbage found floating on the surface of the ocean in various places where tides interact with each other, but Vice dives into detail by showing that gyres are not what people perceive them to be, gyres are virtually invisible until samples of the water are taken and drained. The crew from Vice expects exactly what is perceived, and they are shocked when they see the truth and begin …show more content…
Not only does the documentary by Vice instill feelings of despair and hopelessness, but the documentary also provides viewers with an urge to help in any way possible. The documentary shows a clip of sea life swimming in the ocean. What viewers do not know at first is that the water that the dolphins are swimming in is filled with miniscule pieces of broken down plastic. What was most shocking was when one of the Vice journalists got into the same water as the sea creatures and felt a piece of plastic filter into his mouth, and when another journalist was diving and saw a plastic bag floating about, cautiously approaching the thin film of chemicals, thinking the piece of suspended plastic was a jellyfish. Seeing these two scenes causes a strong feeling of helplessness, followed by an urge to help, into viewers. The documentary then skips to a new scene. What would have been effective to include rather than skipping to a new scene is a short list of organizations that allow everyday citizens to help clean up the oceans closest to them. Including names of organizations that people can easily get involved in would urge viewers even more to help solve the plastic epidemic in the
In the well-known documentary, Blackfish portrays what really happens behind the closed walls of SeaWorld and the enclosure of killer orcas. The purpose of this film was to give an inside look into the controversial life of whales and trainers. The audience was able to witness unfortunate events during SeaWorld shows and the capturing of the mammals. Many witnesses were interviewed to give factual and opinionated evidence. The usage of rhetorical devices in the documentary such as Ethos, Logos and Pathos contributes to its persuasive stance that although orcas can be kind and friendly mammals, being kept as performing animals can have deadly consequences.
In the documentary film Blackfish, directed by Gabriela Cowperthwaite, the director debates the rights for sea animals. Cowperthwaite makes the claim that sea animals should be freed from their enclosures in entertainment because they’re harming themselves and the humans that are training them. She uses all rhetorical analysis of pathos, ethos and logos, but pathos trumpets over all. Pathos is such a strong appeal in this documentary because of the animals lives and the peoples’ emotion towards the subject of the matter. Cowperthwaite is able to engage the audience with pathos because of the appreciation of the arguments significance.
Blackfish (2013), a mesmerizing, psychological documentary with 7 film awards and 38 nominations, presents an extensive look into the negative effects captivity has on Orca whales. The director and writer Gabriela Cowperthwaite calls her audience to action, similar to documentaries such as Food, Inc., The Cove, and Super Size Me. In all of these documentaries, the director and writers reach out to an audience that is not fully knowledgeable on a certain topic, in order to persuade them into taking a stance on a certain topic. In Gabriela’s film, she illustrates the story of Tilikum, a performing Orca who killed many people while at SeaWorld, Orlando. Though at times graphic, the film investigates the harmful effects captivity has had on these wonderful creatures and their trainers. Blackfish uses credible interviewees, powerful voice-overs, and influential outside evidence to persuade those who are un-informed of the negative effects of captivity on killer whales. The ultimate goal in doing this is to urge these individuals to take a stance against aquatic captivity.
The documentary Blackfish was debuted by CNN in 2013, shortly after the death of SeaWorlds’ orca trainer Dawn Brancheau. That, and other strange “accidental” deaths, brought up a controversial issue debating whether or not seaworld is telling the truth or just covering it up. In the film, director Gabriela Cowperthwaite reveals the problems within the sea-park industry, human relationship to nature, and how little has been learned about these highly intellectual
SeaWorld has shone on the radar of public peruse and activist criticism since experiencing its first animal-motivated death on July 6th, 1999. The victim, 27-year-old Daniel P. Dukes, had ambiguously evaded park night-security and entered the Orca tank under the cover of darkness. He was found dead the next day, drowned; but although declaring Dukes’ primary cause-of-death as pulmonary edema, Orlando’s District Nine Medical Examination Office also detailed vivid lacerations and avulsions - specifically of the genitalia. The severity of Dukes’ mutilation beaconed the public to his attacker: Tilikum, the largest Orca ever to be held in captivity - and not one new to, or finished with, killing. In response to Tilikum’s violent and arguably tragic history, film director Gabriela Cowperthwaite organized an ambitious, journalistic undertaking to expose SeaWorld’s inhumanity to the public; this undertaking would eventually translate into the 2013 documentary, Blackfish. Blackfish is, at its core, a project of entertainment, so the 1 hour and 30 minute film extensively fuses artistic expression with factual evidence to persuade its audience into condemning SeaWorld and its conglomerates, as well as to stand with Blackfish in its battle against the organization for its abusive conduct.
Gabriela Cowperthwaite’s documentary Blackfish explores the harm captivity causes to whales and their trainers. Throughout the film the orca whales undergo a transformation from defenseless creatures into molded killers. The orcas in the film are portrayed as intelligent and caring creatures who are capable of grief. Through this character the development the documentary has affected how these animals are treated, as well as the public’s opinion on the issue.
Documentaries and feature articles are both enjoyed and criticised by the public, because they often provide controversial opinions and shocking evidence. Both documentaries and articles are created with the same purpose; to educate the reader or viewer on a topic and convince them that their particular view is correct. This is done through the use of inclusive language, statistics, anecdotes, bias, clichés and other persuasive techniques. In this case, both The Cove and “Stop Killing Our Dolphins” are similar because they both use emotive language, such as “shameful, all-too-frequent slaughter” and “She was really depressed. I could feel it. I could see it. And she committed suicide in my arms. That's a very strong word, suicide”. Both Topfer
Ocean currents corral trillions of decomposing plastic items and other trash into gigantic, swirling garbage patches (Pacific Trash Vortex)
A documentary is an expository text that informs its audience about an issue person or event using visual and auditory conventions to convey a message. Documentaries are often used to reveal an unusual, interesting or unknown angle. Topics are limited only by one's imagination. The documentary Blackfish is the story of Tilikum, a captive killer whale that has taken the lives of several people, it underscores problems within the sea-park industry, man's relationship to nature, and how little has been learned about these highly intelligent mammals. This documentary was directed by Gabriela Cowperthwaite. The ideas that orcas are wild and unpredictable, Seaworld’s treatment of orcas are inhumane and Seaworld’s was negligent in their training of their trainers. These ideas are shown throughout the documentary as visual techniques of Celebrity figure, expert opinion, audio codes, the documentary technique of interviews, archival footage and written codes. I think these ideas in the documentary are quite true and are well proven throughout the documentary.
Director Gabriela Cowperthwaite in the documentary, Blackfish (2013), argues that captivity triggers aggression in killer whales. Cowperthwaite supports her argument by demonstrating shocking footage and emotional interviews to present a convincing case against keeping these animals in captivity and for human entertainment. The author’s purpose is to show the problems that are caused by captivity in order to aware the audience that keeping killer whales in captivity affects their behavior mentally and physically. The author writes in resentful tone to Sea World, the people who visited Sea World, and those who were present during the killer whale incident. Gabriela Cowperthwaite argues that keeping killer whales in captivity at SeaWorld affects their mentality due to how they are being treated. She makes this argument by applying pathos, ethos, and logos.
In 2013 Gabriela Cowperthwaite produced and directed the documentary “Blackfish”. This documentary mainly focused on the issues behind killer whales being held in captivity such as at the famous amusement park Sea World, instead of the open ocean. Some negative outcomes of these animals being confined to such small spaces is, many accounts have been documented of the whales being agitated and having an aggressive tone with other whales and the trainers as well that work with them. A handful of these are human deaths caused by the orca whales. Throughout the documentary the director uses the Rhetorical strategies ethos, pathos, and logos to persuade the audience and try to convince them that her argument has a valid point and can be
In Blackfish, the use of ethos, pathos, and logos are used to condemn SeaWorld’s mistreatment and irresponsibility of taking orca whales into captivity. The use of the rhetorical device ethos, which refers to the credibility of a source to persuade an audience, is used repeatedly through the use of interviews with SeaWorld trainers. During the documentary, former SeaWorld trainers talk about their time at
The RTCA SC-228 is tasked with developing the minimum operational performance standards for UAS, including standards for detect-and-avoid (DAA), command and control (C2) data link, and L-Band and C-band spectrum solutions. The RTCA is a non-profit organization dedicated to the advancement of
Any little child is able to connect the name Shamu to the massive black and white creatures that dwell in the ocean waters, termed orcas or killer whales. However, the recent release of the film “Blackfish” has aimed to revise the common opinion of killer whales who are known by the title Shamu. As the film strikes marine life parks such as SeaWorld with apparent reasons as to why these orcas should not be in captivity, the question of “Blackfish”’s validity arises. How truthful can a film be that was created to persuade its viewers to ceases visiting attractions such as the killer whale shows? Since the release of “Blackfish,” animal rights activist, writers, and amusement park aficionados have been expressing their speculations on the “Blackfish”
life of five days. This means an occasional user can fail a drug test three