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Tim Burton's Use Of Carnival In Beetlejuice

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The aspects of a carnival, when taken away from the original setting and applied elsewhere, such as in a horror movie, create a breeding ground for nightmares; with their hellish red lights and displays of the abject, they are able to twist our reality into something that disgusts us. One does not know real from fake. Horror films use special effects and character in the same manner of a carnival in order to scare and confuse the viewer. Tim Burton’s 1988 film, Beetlejuice, uses these his characters to not only disturb his audience but also inform them on the social ineffectiveness of the current systems. This movie was classified as a horror comedy, a genre that mixes the two emotions together using scary elements while adding moments of light-heartedness …show more content…

[…] People who in life are separated by impenetrable hierarchical barriers enter into free familiar contact on the carnival square. […]Eccentricity is a special category of the carnival sense of the world, organically connected with the category of familiar contact; it permits—in concretely sensuous form—the latent sides of human nature to reveal and express themselves. Linked with familiarization is a third category of the carnival sense of the world: carnivalistic mésalliances. A free and familiar attitude spreads over everything: over all values, thoughts, phenomena, and things. All things that were once self-enclosed, disunified, distanced from one another by a noncarnivalistic hierarchal worldview are drawn into carnivalistic contacts and combinations. Carnival brings together, unifies, weds, and combines the sacred with the profane, the lofty with the low, the great with the insignificant, the wise with the stupid. [The] fourth carnivalistic category, profanation: carnivalistic blasphemies, a system of carnivalistic debasings and bringings down to earth, carnivalistic obscenities linked with the reproductive power of the earth and the body, carnivalistic parodies on sacred texts and sayings,

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